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Since there is 15 versions of Taylor at the end of the video and a total of 15 songs on reputation Do you think that means we're getting songs from each character's pov and the last one is from the real Taylor's perspective

THAT IS SUCH AN AWESOME THEORY it would be so cool if we got to listen to songs that basically showed her progression from “what have I done wrong” to “yall can’t touch me”

thebitchpack

I’ve spent a lot of today musing over how Taylor liked a particular theory on here suggesting that each of the 15 Taylors at the end lineup of the LWYMMD music video represents each of the 15 tracks on the record. Could there really be some truth to this? I took a closer look.

The sixth Taylor in the lineup is “receipts Taylor”. Her entire dialogue in the end scene is very uncharacteristically Taylor, exclaiming “Getting receipts! Gonna edit this later, ha!” as she uses a camera phone to film a younger, more naive Taylor sobbing. Throwback to 2016 when Kim Kardashian-West used a camera phone to film the infamous “Famous” conversation between Taylor and Kanye West, and uploaded her version, a manipulated footage, to the internet with the descriptor “Receipts”. This event along with the theme of betrayal floods very heavily throughout LWYMMD - the sixth track on Reputation - meaning thus far, this theory rings true.

Rewind to several days before the announcement of Reputation when celebrity blogger Perez Hilton began tweeting that he’d listened a track from Reputation that was incredibly long for a song and very different, describing it as non-single material. During the final hour of reconstruction on taylorswift.com, an alleged tracklist for Reputation was accidentally posted for a moment. This promptly forced the announcement to go into overdrive and Taylor immediately dropped the news on her Instagram as to not have the surprise spoiled - this was probably the reason for the new single being announced as “tomorrow night” on the Wednesday, even though it wasn’t being released until the Friday. Regardless, the content of the track list (or lack of) is the most interesting. All titles were blanked out, but the length of track 4 clocked in at a whopping 8:47. The fourth Taylor in the end scene line up in ring master Taylor from the Red tour, and she’s the only Red era representation to have made it to the very end…

What if track 4 is the (nearly) 10 minute version of All Too Well?