Just Queenie Things @queen-mari-blog1 - Tumblr Blog

FWA Game On preorders are OPEN! I'm bringing back my Animal Crossing Badges! Show off your fursona with an Animal Crossing style cut-out badge, layered with a fun patterned paper. On sale for 25, pick up at con. Price at con is 30. All badges come with colored lanyard.

#Furry #Badge #comission #fwa #Game on #fwa2017 #Art

I did some paintings last weekend! Poured acrylic on top of some old collages. Awesome!

#Painting #Art #acrylic #abstract #abstract expressionism #collage #mixedmedia

Wolf girl still needs a name. Comment or reblog to suggest one. If I like it, I'll draw you a badge. :0

#Marisama #Badge #Free #Furry #Wolf #Name #Female

drawbun

How to Organise your Commissions

I thought I’d upload this here too!! full version

cosmicscraps-deactivated2020070

this is how I organize my stuff too! It’s helpful af

trickytwitch

pomme-de-terr3-deactivated20181

hineway

beepbeepbeepbeep-deactivated202

pestan

This is me

floccinaucinihilipilificationa

chaezthetic

brush settings for anon (+ bonus how i do lighting with the sparse brush)

#brushes

primaverenart

would it be rude to ask your brush settings? all your art looks so sleek???

it’s no problem! none of my brushes are particularly fancy though :^0

beedalee

Here you go anon!! top row are lineart brushes (but can be used for other things too) i also included a few of my favorite texture brushes. all of these are collected off other sai brush posts people make, and the PS brush is one ty put together to emulate one of their photoshop brushes! feel free to name these something else haha i have like five billion “pen/ink/sketch/pencil” brushes

i need to use some of these more often….

joethejohnston

Building a Scene: It’s over isn’t it?

For Pearl’s song “It’s Over isn’t it?” the scene is about Pearl accepting a loss. As the series has progressed, she’s learned that she isn’t always right, and that there are things about herself that she’s has to reevaluate. This all comes to a sort of climax in this scene where she accepts and admits out loud that her relationship with Rose was never as deep and complete as she wanted it to be or told herself it was. This is where she’s left at the end of the scene, feeling lost and out of place.

In the outline written by Ben Levine and Matt Burnett, this is how the scene looked:

You’ll notice a lot of things ended up changing compared to the final version. Most of that was due to time constraints. When we started storyboarding the episode, all of the rough demos of the songs were recorded so that we had an idea of the amount of time we had between each song (which ended up not being very much). The result was that we had to basically be transitioning constantly between songs, but doing it in a way that felt natural and as gentle as possible.

In addition, Rebecca remembered a part from the 1982 movie “Victor Victoria” starring Julie Andrews that she wanted to use as reference for the feeling of the scene:

Right away we latched onto this spinning 360 degree camera move. I loved the energy and focus it gave to the character and I immediately roughed out a version with Pearl.

If you’re ever stuck during a scene this is what you do: Don’t start from the beginning, find the moment you see clearest in your mind and build out from there. From these rough thumbnails I built the rest of the scene outward. I brought back motifs like her sword skills and her dance style to help evoke the past events of the series, and I tried to give as much time as I could to each shot and make her acting as expressive a possible.

Below are my rough boards set to Rebecca’s demo. At the end, i added a pause for when she throws the Rose into the air. It felt like a good spot for things to crescendo ring out. Deedee Magno Hall’s rendering of this blew us all away when we heard it.

From there clean up was pretty much straight forward. The scene didn’t change much except for tweaking her acting here and there. I’m super proud of how this scene turned out, hats off to Nick DeMayo our animation director and to the team at Sunimin in Korea where they draw the entire episode on paper:

nurritodesignco

Just a quick tip to artists

If you’re an artist who likes to work really close, (like me), do yourself a favor and put up two views. You can do this by clicking View–> New on your toolbar.

There’s nothing worse than finally zooming out and realizing what you were doing was very wrong. This saved me a lot of grief tbh. I’m sure everyone knows this already but ._.;; I arrived quite late to that party.

autumnbramble

WHAT

hidechonix

lolopan-cake-deactivated2018050

That’s amazing..

combustiblewater-deactivated201

Does this work for Photoshop?

metallikato

For Photoshop you’ll wanna go to Window > Arrange > New Window for [Document].

mizushimo

BRINGING THIS BACK BECAUSE YOU HAVE NO IDEA HOW HELPFUL THIS HAS BEEN. This will save you hours and hours of backtracking (fixing a thing close up, zooming back out and realizing that the thing you fixed doesn’t work with the rest of the picture–rinse and repeat). As someone who uses the ‘squint and see if it looks right’ method of drawing anatomy, the tiny window is a goddamned life saver.

altxin-deactivated20171115

for my artsy followers

kaiko-art

HOLY CARP!!!

nyagi13

@krita-foundation is there a way to do this in Krita, this would be really useful

krita-foundation

Yes.

First settings->configure Krita->general->window->multiple document mode set to subwindow.

then, open a doc, window->new view-><doc name>

then window->tile

Here’s an example: https://docs.krita.org/Making_an_Azalea_with_the_transformation_masks

archivedfornow

@krita-foundation I tried this today, but If I click the ‘maximize” button I lose the subwindow thing, and I can’t get back unless I go to settings>configure krita blah blah and change the multiple document mode setting back to the default one and then do it again to get 2 subwindows. Am I missing something?

krita-foundation

Upperright corner, above the workspace switcher there’s three buttons for minimize, de-maximize and close. Not the most obvious place, we know, but this is what QT, the underlying programming framework gives us.

ursais

Decided to post my brush settings in Paint Tool Sai in case anyone was curious. Sometimes I do adjust the B/D/P for different textures/smoothness, but for the most part this is how they are 90% of the time. Also note: I work on a [big] 2000 x 2500px canvas. For coloring i just fill in with flat colors, then shade with the watercolor tool. Finally, I overlay this texture on the final piece in PS.

I don’t use the “round” brush often, but when I do it’s for horn details/scales and for quick sketching.