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the tragedy of armand in dubai is the fact that he genuinely likes daniel. yes, there is a threat there, and he hates how good at digging daniel is (as every liar despises the truth), but despite it all, for some unknown to us reason, he has an outstanding amount of sympathy for a boy he tried to once kill. that’s why at the end he is getting outsmarted and beaten. it’s because once his emotions stepped in, he wasn’t as guarded anymore (should i quote, unaware of the plotting around him because he was in love?).

armand tortured daniel back in sf, thinking him unimportant. it was louis who saved him. and yet in dubai there is a weird shift of the dynamics. in dubai it’s louis who messes with daniel’ parkinson’s and armand is the one to stop him. someone who likes to chase his mortal victims and gets the thrill out of them begging, suddenly decided that this mortal didn’t deserve that kind of a treatment. it’s louis raiding daniel’s memories and armand trying to clear the air, thinking it have gone too far. it’s armand apologising to daniel after louis raided his mind, explaining to him that he was invited there as a guest, trying to maintain a hospitable atmosphere in the house. it’s armand taking care of his levodopa transfusion and it’s armand getting weirdly intense about the last dinner and dropping that mysterious sentence “i do hope you’ll join us”, as if he actually cared.

what conclusions might be there apart from the obvious? in san francisco he wouldn’t have cared if daniel died, that’s how inconsequential he was to him, and for some reason fifty years later armand is weirdly protective of him. he still stays in the shadows, and only shows his concern once there is a crisis on the horizon. armand likes him, and for someone who never wanted the interview to happen he is weirdly drawn to their conversations and wants to actually tell him things about himself. something once again he would have never done in san francisco. if that’s all not a proof that the dm happened in between those decades, then i don’t know what is.

neverloumandover

proof that they were together in the past or... it could all mean nothing

threecirclesofvaryingsizes

Fave bit I'm not seeing anyone talking about is murph absolutely commiting to riz saying "they just let anyone in here" every time Balthazar reappears

ofmd-ann

Hopefully one day Ed will rinse off the rock cancellation and reveal it's actually a beautiful petrified orange Season 3 🍊

tulipseason

Vico doing Izzy drag!!!! *screams*

xray-vex

🔥💜🏳️‍🌈BOYFRIEND🏳️‍🌈💜🔥

(bts video courtesy of Samba Schutte)

edscuntyeyeshadow

SOBBING

shiplessoceans

None of us are appreciating enough that Stede Bonnet read his little books and really decided he was gonna be a pirate just like the ones he'd read about...

And he fucking did it. AND he went to sea, met Blackbeard, beat Izzy hands in a duel, kicked Calico Jack Rackham off his ship, sailed with the pirate queen and stole his ship back from her, murdered the infamous pirate Ned Low and then topped Blackbeard to celebrate.

What a fucking legend.

our-flag-means-love

ofmd as text posts: oops! all ed edition | part 12

oh-no-thank-u

Absolutely obsessed with the Astroglide Twitter account live reacting to their first OFMD watch:

This some fully unhinged internet nonsense and I fuckin love it

portraitofadyke

I think Our Flag Means Death is a very unique show in a way that they don't care to cater to mainstream media. And yes, by mainstream media I mean the general straight people.

I think it's very important that we have feel-good shows like Heartstopper. A few years back, a tv show about two queer boys in high school would be unthinkable. But its plot generally revolves around explaining queerness. Sure, it's nice. It's definitely the show I would watch with my family if I were a teenager and wanted to come out again (I had to watch glee with my mom to do that. not optimal). It's the show where teenagers find love and themselves, but sexuality is constantly discussed, explained, sanitized. It's the show straight people will watch. And that's good. We do need shows like that.

But Our Flag Means Death doesn't even bother trying. It's a show about mostly middle aged people, most of them not white, most of them queer in one way or the other. It's really a game of spot the hetero, like someone said. And the characters are not sublte about it. They have sex for fun, something most characters don't have in tv shows, definitely not queer characters. They make dick jokes. They are not all conventionally attractive and they know it, and the writing doesn't care. They are all people before they are queer representation.

Stede's storyline in s1 is in a part about discovering himself and his sexuality, but it's not obnoxiously repeated. Instead, it's played in a natural way. Stede's storyline is ALL about finding himself, yet it's not just about that. Just like Ed's storyline, it's about toxic masculinity and allowing himself to have fine things and self-hatred and finding his place in a world, something most of us can relate to. Hell, none of us were even sure the main characters were going to kiss and end up together, we were all so sure it's a queerbait. But this show doesn't bait its audience. It's not afraid of weirdness. It embraces it instead. There is a nonbinary character. No, they are not a mermaid. Call them jim. That's it. Yes, Lucius and Pete got engaged. Everyone there knows what mateolage is, congrats. Olu and Jim never break up and then Archie shows up, then Zheng, and we all know. We all know.

Two men nearing fifty have a deep, romantic moment where one of them appears as a mermaid, and it's treated as the profound scene it is without ridiculing it. This would never fly in a 'mainstream' media. It would have to be downplayed. Here, it saves Ed's life.

The show tells you racists suck, but it doesn't tell you in a condescending, finger-waving way catered to the white people. Instead, it sets your ship aflame and burns you alive, runs a knife through your hand, puts poison in your drink and kills you.

This is a show for adults, for queer people of all kinds, and it does not give a fuck if anyone else gets it. It's so rare to find a tv show that caters to us, yet alone a tv show that's genuinely good and caring and so well loved.

This is a show that basically straightbaited its audience in the first season, that's how much they don't care.

Idk, I just feel that it will take ages for another show like OFMD to exist in a world full of MCU and media that tries so hard to be liked by everyone it loses its personality and charm. Rant over

rowenablade

Okay. I’m going to wait to do a second watch before I articulate most of my other feelings here, but I want to address one thing.

I’m seeing a lot of posts like, “I related to Izzy because I am also queer and older/disabled/depressed. By killing him off, the writers are saying that I deserve to die.”

Guys.

I’m not saying your feelings aren’t valid. I totally understand grieving a character that you relate to. But speaking as a writer, I just want to point out that trying to write with the shadow of “what is the absolute worst and most harmful way a reader can interpret this” will smother your ability to create. Twisting yourself in knots, trying to think up the worst-faith takes possible and scotch-guarding all your writing decisions against them is exhausting to the point of making you just not want to write anymore.

And we’ve seen the writers deliberately choose not to do this in Season 1. Remember all those terrible “Izzy is racist” takes that the writers and cast seemed completely blindsided by? That happened because the writers and directors and actors weren’t going over every scene with a fine tooth comb, ferreting out every shot or line of dialogue or micro expression that could possibly be interpreted as racist, and scrubbing it off. Because there comes a point where your story is what it needs to be, and you have to accept that some people will interpret it in ways you didn’t intend them to. And if you can’t accept that, you’ll never find the courage to put your work out there.

The point of diverse casts and writing teams isn’t to achieve a state of, “Nothing bad ever happens to a character from a marginalized demographic ever again.” It’s to achieve a status quo of these types of characters just being people in the world of the story. Not symbols, not representation boxes to tick, not tokens that you can point to so that you can say, “Here, we acknowledged this type of person exists, now where’s our woke points?”

OFMD is full of characters of color, queer characters, older characters, characters of differing body types. And in stories, things happen to characters. Some fall in love. Some make the same mistakes over and over. Some turn into birds. Some die.

Izzy’s character represents a lot of things, but he does not represent every older, disabled fan or fan who has struggled with suicide, any more than Jim represents all genderqueer fans, or Olu represents all black fans. That’s not how the writers were handling him. They were handling him like a character, because that’s what you have to do.

Again, I understand being sad. I am so, so fucking sad. But this idea of, “Any time something bad happens to a character I relate to means that the writer thinks I deserve these bad things to happen to me,” will poison everything you engage with eventually. Because stories are full of things happening to characters, and they won’t all be good things. And the more representation we get, the more often bad things will happen to characters we relate to.

But good things will happen too.

Queer couples get married. Disabled women run off with their favorite husbands. Middle-aged characters change careers. A multiracial polycule finds a home at sea. A fat man covered in tattoos stars in a drag show and all his friends cheer. All these things happened in the same show as Izzy’s death. This is what this world is.

Anyway. I know emotions are running high and I’ll probably get blocked or unfollowed by a few people for this. But I’m just trying to find my peace where I can, and if anyone else finds this useful, cheers.

too-fangirl-to-fuction

only letting queer roles be played by queer actors: broke, forces people to out themselves or be consumed by the mob, boring, forces queer actors to be put in tiny boxes, risk of compounding trauma

only letting homophobes be played by queer actors: hilarious, campy, nuanced, a serve