Denis Korobkov.

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Denis Korobkov.
ANDREW WYETH The Old Wagon Watercolor 21.5″ x 30″
Jan Sluijters - A sunny morning in Paris, with the Sacre Coeur in the distance.
Emile Antoine Verpilleux - Church Interior with Moarning People, color woodblock print, 1913.
Félix Vallotton, Intérieur avec femme en rouge de dos (Interior with Woman in Red), 1903
Near the Window, Maria Yakunchikova
Maria Yakunchikova
(Peintre russe,1870-1902)
The Queen of Hearts
1896
Artist :John Byam Shaw
Johann berthelsen - Atmospheric (mainly New York) snowscapes.
but what if Port’s type is actually taller than him, Catholic and loud af?
“Alexa, google how to ask ur neighbour and ur best friend’s neighbour for a 3some”
“Alexa, turn off personalised irl interactions based on my google searches”
Photography by Amer Mohamad for Marie Claire Ukraine, January 2022
Ana Nunez photographed by Miguel Reyes for L'Officiel Lithuania, Summer 2021
Sketch of a Studio Interior with Reclining Figure; verso: Skeches of a Spanish Dancer, John Singer Sargent, c. 1880-1881, Harvard Art Museums: Drawings
Page is loose from binding. Harvard Art Museums/Fogg Museum, Gift of Mrs. Francis Ormond Size: 26 x 35.2 cm (10 ¼ x 13 7/8 in.) Medium: Graphite on off-white wove paper (recto and verso)
https://www.harvardartmuseums.org/collections/object/195080
Landscape with Goatherd, John Singer Sargent, 1890–1891, American Paintings and Sculpture
Gift of Mrs. Francis Ormond, 1950 Size: 24 ¼ x 31 7/8 in. (61.6 x 81 cm) Medium: Oil on canvas
https://www.metmuseum.org/art/collection/search/12122
Girl with a Sickle, 1885, John Singer Sargent
Medium: oil,canvas
https://www.wikiart.org/en/john-singer-sargent/girl-with-a-sickle-1885
Portrait of Madame Pontillon (1871). Berthe Morisot (French, 1841-1895). Pastel. Musée d'Orsay.
This pastel focuses on the contrast of light and dark as Morisot creates the portrait of her sister. The darkness of her dress blurs together, but Morisot remains in control with the transparent quality of lace on her sleeves. Edma Pontillion’s fair skin is noticeable on such a dark background, and the right hand’s fingers are visible through the transparency of the lace sleeve. Her model’s face is the main subject of the painting, with the contrast of her black dress and dark brown hair bringing her face more into focus. The surrounding background of the figure adds light and color to the portrait, keeping the tone positive. The slice of blue behind her head cuts through the dull colors, while the blue is incorporated into the patterning of the surrounding fabrics of the drapes and couch. The same blue is also found in the model’s ring.
Bedouin Mother, 1905, John Singer Sargent
Medium: watercolor,paper