New Orleans

titsay
AnasAbdin
Cosmic Funnies
Mike Driver
Sweet Seals For You, Always
d e v o n

★

roma★

izzy's playlists!
Lint Roller? I Barely Know Her
i don't do bad sauce passes
NASA
almost home
art blog(derogatory)
we're not kids anymore.
todays bird
Monterey Bay Aquarium

Kiana Khansmith

@theartofmadeline
$LAYYYTER
seen from United States
seen from Australia

seen from Germany

seen from United States
seen from Poland

seen from United States
seen from United Kingdom

seen from Malaysia
seen from Germany
seen from United States

seen from Malaysia
seen from France

seen from Brazil

seen from Georgia

seen from Ecuador
seen from France
seen from Chile

seen from United States

seen from United Kingdom

seen from Türkiye
@r-estlessness
New Orleans
Valerie Esparza
*approaches my psyche like an emotionally inept father walking into his distraught daughter’s room*
I might be alone in this, but I really like the thing when specific accessories and clothing insist on you adjusting your body language to them. Like if you get long arcylic nails, you need to hold your hands like people with long arcylic nails do. Long skirts that demand that you hold the hem in your hand while going up and down the stairs like you're in a historical drama. Suits that force you to look at how everyone else is keeping their hands because you can't just shove them in your pockets.
I recently got myself a broad-brimmed hat that I wear every day now, and my favourite thing about it is how on windy days, I have no choice but to grab it by the brim to keep it down lest a breeze would steal it, like it's the fucking 1800s and I own a horse.
Johan Christian Dahl, The Elbe in the Evening, 1832. Oil on paper
the secret garden
San Francisco corps de ballet in Tomasson’s The Nutcracker
Photo © Amy Osbourne
“There are people we meet in life who miss being important to us by inches, days, or heartbeats. Another place or time or a different emotional frame of mind and we would willingly fall into their arms; gladly take up their challenges or invitation. But as it is, we encounter them when we are discontent or content and they are not. Whatever they are, we are not and vice versa. Two trains going in different directions that pass for a few powerful moments at full speed, blasting noise and wind but then they are gone. Whatever serious chemistry might have been possible if, isn’t.”
— Jonathan Carroll
Gondola in front of the Rialto Bridge, Antonietta Brandeis (Czech, 1849-1926)