$LAYYYTER
ojovivo

blake kathryn
Xuebing Du
The Bowery Presents
One Nice Bug Per Day
Misplaced Lens Cap
EXPECTATIONS
Keni

pixel skylines
Aqua Utopia|海の底で記憶を紡ぐ
YOU ARE THE REASON
occasionally subtle
sheepfilms
Cosimo Galluzzi

#extradirty

Origami Around
Stranger Things
Today's Document
TVSTRANGERTHINGS
seen from Malaysia

seen from United States
seen from United States

seen from United States

seen from United Kingdom

seen from United States

seen from Malaysia
seen from Malaysia
seen from Brazil

seen from United States

seen from United States

seen from Ireland

seen from United States
seen from United Kingdom
seen from United States

seen from United States

seen from Canada
seen from Colombia

seen from Malaysia
seen from New Zealand
@rabbitsmoon
"I actually never liked Arbus’s pictures of transvestites...I think that Arbus’s work is all about herself. Her genius is about not wanting to be herself, about wanting instead to be each person that she photographed. At the time she was photographing them, she was really trying their skin on. It’s the work of someone with empathy that borders on psychosis. But I felt with the drag queens she was seeking to reveal them and that wasn’t my desire. My desire was to show them as a third gender, as another sexual option, a gender option. And to show them with a lot of respect and love, to kind of glorify them because I really admire people who recreate themselves and who manifest their fantasies publicly. I think it’s really brave. I just really have so much love and respect and attraction for the queens. So I don’t like her stripping them and exposing them according to her own preconceptions of who they are."
-Nan Goldin on Diane Arbus
Andy Warhol enjoyed dressing for parties in drag, sometimes in dresses of his own design. He admired “the boys who spend their lives trying to be complete girls,” so in 1981 he and a photographic assistant, Christopher Makos, agreed to collaborate on a session portraying Warhol in drag. In many ways, they modeled the series on Man Ray’s 1920s work with the French artist Marcel Duchamp, in which the two artists created a female alter ego name Rrose Sélavy for Duchamp.
Grace: "I've always been a rebel. I never do things the way they're supposed to be done. Either I go in the opposite direction or I create a new direction for myself, regardless of what the rules are or what society says."