The Rose of No Man’s Land

[annaxmalina]

TICKLE OUTCRIES {2020}

[newyorker]

For decades, the photographer Vivian Maier supported herself as a nanny in the wealthy enclaves of Chicago. But her real work was roaming the streets with her camera, capturing images of sublime spontaneity, wit, and compositional savvy. When pressed about her occupation by a man she once knew, she said, “I am sort of a spy.” All the best street photographers are.

Read the full story, “What Vivian Maier Saw in Color,” here. 

[playburo]

Charles-Henry Bédué: The House of Happiness

[roserosette]

Death Bed, 1977, George Barry

[armthearmour]

Another of the skulls fused with a maille (chainmail) Coif recovered from the site of the battle of Visby, Gotland, ca. 1361.

[1030-42929-deactivated20191009]

Kenaf (Hibiscus cannabinus), Chelsea Physic Garden

Kate Friend

[pleoros]

John Baldessari - The Difference Between Fête and Fate, 1987.

[bandtshirt]

learning to think, anthony gormley, 1991

[unchildhood]

ANAÏS NIN

from a diary entry featured in The Diary Of Anais Nin, Vol. 4: 1944-1947

original photos and edit

[tapireye-deactivated20220708]

Vintage Moschino c. 1994 Faux Fur Question Mark Coat

[eternallethargy]

Undercoverism fw05 in Men’s Non-No magazine

[neo-catharsis]

Ernst Caramelle, Video–Landscape, 1974

[rottennperfect]

[equatorjournal]

Yoko Ono, A hole to see the sky through, 1971

[masculinityasperformanceart-dea]

Arlene Shechet

[oldmoonlullaby]

Fractured Angelics Collection

[shesnake]

Lucy Liu behind the scenes of Payback (1999)