I love cats and anime and arts and psychological thriller. anyway i live in earth, good for you. and right now i am into or well always be from the start blue exo fans. oh yes, you can call me Ra.
Official end card illustration by character designer and chief animation director Yurie Otogi posted by the official X account of AOEX and Official art posted by animator Lily on X!
Idk why, but i always imagine rin with likeā¦ gigant horns, but i never cam think HOW they would like(like, sheep, goat, "generic demon"ā¦)
Thanks for the ask!
I've seen my friends draw them in different ways! Usually they're kinda longer versions of his little nubs, kind of on the skinny side. Deer Antler! Rin seems to be a niche but really cool choice (I gotta go find those to reblog again later). Since Rin is a generic Shonen Protag Guy design, I'd say he'd get a Generic Demon Lord horn design in the shape of his flames with more flames floating around them yeahhhh get all the flames.
Personally I've always really liked the idea of his ethereal flame horns so I never really thought too hard on what kinda physical horns I'd like to see on him, besides ofc the idea that he would inherit Satan's look. BUT since I love Rin SO MUCH, I'll do a little deep dive just for you anon.
Spoilers under the cut for Post-ch 98 of the manga and Post-Season 5 of the anime. Just in case.
Kato seems to have gone the "generic demon" route if we look at the shape of his flame horns. They have a round base and curve out and up. And you're right, if they were material, they'd be pretty dang big!
I really like how the tips can be wiggly cuz they're just flames. They'd be so mesmerizing to stare at OwO
Ahem, back to theorizing about physical horns. There was a Q&A in one of the extras from one of the Of One Cloth volumes I believe, but I can't check right now because I know if I do I'll just start rereading them all and crying so here's a redrawing of what that Q&A was about.
Basically someone asked why Rin got little tiny nubbins and Rin was like "yea wtf give me something cooler! something bigger!" and then Kato went "be careful what you wish for" and gave him huge horns that would probably break his poor little neck.
Of course, Kato never gave a straight answer to the asker and we barely even get to see his nubbins anymore, but I think these silly horns came back in the form of whatever tf is atop Satan's noggin. I'm sure Kato never gave Rin these because can you imagine having to draw the main protagonist with these for more than like, two chapters? At one point there was a panel that looked like he had weird fingers with claw nails on his head :/
Rin also has a second horn form for when he goes Sicko Mode. I have no idea what they're supposed to be other than his normal horns merged into a V-shape, but I like to think of them as a crown. I drew them floating above his head, kinda like how Hellboy's full horns look, but smaller cuz he's just a bby demon.
As an artist... those horns just look like a lot of work to draw. But if you haven't seen Hellboy 1 or 2 yet, I'd really recommend it! It's got a lot of stuff an AoEx fan would like, especially Hellboy's cool horns that he shaves down because they're a lot of work to draw I MEAN a pain in the neck to have.
I think at some point in time we need to sit down and start explaining to artist who want to make a career out of art that there are FAR more options than just "living off of commissions" and "posting my art online and praying I get paid for it".
I don't know where this idea that the only way to make a living off of your art online is to simply do commission work, become a social media star, or join an industry comes from. I've fallen into this pitfall before as well, but I don't understand how it came to be.
I broke out of this mindset, though after I started helping a working artist. She had been an artist for over 40 years and started at a young age, and her main source of income? Doing local craft and garden shows. She had owned a gallery, done gallery work, done charity work, and now mainly works in using upcycled materials to create all sorts of products.
I used to think that my only options as an artist were to become popular enough that people would commission me or just give me money via patreon, but that's not the case. You can sell at craft fairs and conventions, you can provide a specific service, you can create assets and asset packs people can pay for, and you can create all sorts of physical or digital products to sell... and that's just the tip of the iceberg!
If you are constantly turning art into a numbers game to see how you can make enough money by posting the rightā¢ stuff online at the right time, you're only going to make yourself miserable.
The best way to make a living off your art has NOTHING to do with popularity, getting lots of engagement online, or besting an algorithm, it's all networking. It's all about finding the right people who want what you make. If all you focus on is your follower count and post engagement, you're just going to end up hating art.
"Having fun doesn't pay the bills", who told you that? Why did you believe them?
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