Random Splashes Of Ink

Spilled words.

[guerrillatech]

[kai-tastrophe]

tbh the most exciting part of my day is when i finally go to bed at night and start creating imaginary scenarios in my head

[writingadvice1]

60 Awesome Search Engines for Serious Writers

[referenceforwriters]

Finding the information you need as a writer shouldn’t be a chore. Luckily, there are plenty of search engines out there that are designed to help you at any stage of the process, from coming up with great ideas to finding a publisher to get your work into print. Both writers still in college and those on their way to professional success will appreciate this list of useful search applications that are great from making writing a little easier and more efficient.

Professional

Find other writers, publishers and ways to market your work through these searchable databases and search engines.

Litscene: Use this search engine to search through thousands of writers and literary projects, and add your own as well.

Thinkers.net: Get a boost in your creativity with some assistance from this site.

PoeWar: Whether you need help with your career or your writing, this site is full of great searchable articles.

Publisher’s Catalogues: Try out this site to search through the catalogs and names of thousands of publishers.

Edit Red: Through this site you can showcase your own work and search through work by others, as well as find helpful FAQ’s on writing.

Writersdock: Search through this site for help with your writing, find jobs and join other writers in discussions.

PoetrySoup: If you want to find some inspirational poetry, this site is a great resource.

Booksie.com: Here, you can search through a wide range of self-published books.

One Stop Write Shop: Use this tool to search through the writings of hundreds of other amateur writers.

Writer’s Cafe: Check out this online writer’s forum to find and share creative works.

Literary Marketplace: Need to know something about the publishing industry? Use this search tool to find the information you need now.

Writing

These helpful tools will help you along in the writing process.

WriteSearch: This search engine focuses exclusively on sites devoted to reading and writing to deliver its results.

The Burry Man Writers Center: Find a wealth of writing resources on this searchable site.

Writing.com: This fully-featured site makes it possible to find information both fun and serious about the craft of writing.

Purdue OWL: Need a little instruction on your writing? This tool from Purdue University can help.

Writing Forums: Search through these writing forums to find answers to your writing issues.

Research

Try out these tools to get your writing research done in a snap.

Google Scholar: With this specialized search engine from Google, you’ll only get reliable, academic results for your searches.

WorldCat: If you need a book from the library, try out this tool. It’ll search and find the closest location.

Scirus: Find great scientific articles and publications through this search engine.

OpenLibrary: If you don’t have time to run to a brick-and-mortar library, this online tool can still help you find books you can use.

Online Journals Search Engine: Try out this search engine to find free online journal articles.

All Academic: This search engine focuses on returning highly academic, reliable resources.

LOC Ask a Librarian: Search through the questions on this site to find helpful answers about the holdings at the Library of Congress.

Encylcopedia.com: This search engine can help you find basic encyclopedia articles.

Clusty: If you’re searching for a topic to write on, this search engine with clustered results can help get your creative juices flowing.

Intute: Here you’ll find a British search engine that delivers carefully chosen results from academia.

AllExperts: Have a question? Ask the experts on this site or search through the existing answers.

Reference

Need to look up a quote or a fact? These search tools make it simple.

Writer’s Web Search Engine: This search engine is a great place to find reference information on how to write well.

Bloomsbury Magazine Research Centre: You’ll find numerous resources on publications, authors and more through this search engine.

Merriam-Webster Dictionary and Thesaurus: Make sure you’re using words correctly and can come up with alternatives with the help of this tool.

References.net: Find all the reference material you could ever need through this search engine.

Quotes.net: If you need a quote, try searching for one by topic or by author on this site.

Literary Encyclopedia: Look up any famous book or author in this search tool.

Acronym Finder: Not sure what a particular acronym means? Look it up here.

Bartleby: Through Bartleby, you can find a wide range of quotes from famous thinkers, writers and celebrities.

Wikipedia.com: Just about anything and everything you could want to look up is found on this site.

Stanford Encyclopedia of Philosophy: Find all the great philosophers you could want to reference in this online tool.

Niche Writers

If you’re focusing on writing in a particular niche, these tools can be a big help.

PubGene: Those working in sci-fi or medical writing will appreciate this database of genes, biological terms and organisms.

GoPubMd: You’ll find all kinds of science and medical search results here.

Jayde: Looking for a business? Try out this search tool.

Zibb: No matter what kind of business you need to find out more about, this tool will find the information.

TechWeb: Do a little tech research using this news site and search engine.

Google Trends: Try out this tool to find out what people are talking about.

Godchecker: Doing a little work on ancient gods and goddesses? This tool can help you make sure you have your information straight.

Healia: Find a wide range of health topics and information by using this site.

Sci-Fi Search: Those working on sci-fi can search through relevant sites to make sure their ideas are original.

Books

Find your own work and inspirational tomes from others by using these search engines.

Literature Classics: This search tool makes it easy to find the free and famous books you want to look through.

InLibris: This search engine provides one of the largest directories of literary resources on the web.

SHARP Web: Using this tool, you can search through the information on the history of reading and publishing.

AllReaders: See what kind of reviews books you admire got with this search engine.

BookFinder: No matter what book you’re looking for you’re bound to find it here.

ReadPrint: Search through this site for access to thousands of free books.

Google Book Search: Search through the content of thousands upon thousands of books here, some of which is free to use.

Indie Store Finder: If you want to support the little guy, this tool makes it simple to find an independent bookseller in your neck of the woods.

Blogging

For web writing, these tools can be a big help.

Technorati: This site makes it possible to search through millions of blogs for both larger topics and individual posts.

Google Blog Search: Using this specialized Google search engine, you can search through the content of blogs all over the web.

Domain Search: Looking for a place to start your own blog? This search tool will let you know what’s out there.

OpinMind: Try out this blog search tool to find opinion focused blogs.

IceRocket: Here you’ll find a real-time blog search engine so you’ll get the latest news and posts out there.

PubSub: This search tool scours sites like Twitter and Friendfeed to find the topics people are talking about most every day.

[writing-prompt-s]

You actually write something instead of just reading the prompts

[the-trinket-fairy]

Unrealistic

[ivyblossom]

[casey-jane-lewis]

Fanfic authors: READ THE WHOLE FUCKING PAGE

[cthonical]

THIS IS ONE OF THE MOST IMPORTANT AND VALUABLE LESSONS YOU CAN LEARN AS A WRITER. I SAY THIS AS A READER AND A PROFESSIONAL GENRE EDITOR.

[randomsplashesofink]

Two things will immediately make me stop reading your story and move on to someone else: The first is not formatting dialogue correctly, the second is chunks of unnecessary (for the moment, at least) exposition.

[write-on-world]

[castletownranger]

HEY

For all you WONDERFUL FIC WRITERS who made the mistake of following me

LOOK AT THIS

[michaelbjorkwrites]

5 frustrating workshop rules that made me a better writer

Throughout the 15 workshops I joined in college and grad school, I encountered two types of writing rules.

First, there were the best-practice guidelines we’ve all heard, like “show don’t tell.” And then there were workshop rules, which the professor put in place not because they’re universal, but because they help you grow within the context of the workshop.

My college’s intro writing course had 5 such rules:

No fantasy, supernatural, or sci-fi elements.

No guns.

No characters crying.

No conflict resolution through deus ex machina.

No deaths.

When I first saw the rules, I was baffled. They felt weirdly specific, and a bit unfair. But when our professor, Vinny, explained their purpose (and assured us he only wanted us to follow the rules during this intro workshop, not the others to come), I realized what I could learn from them.

1. No fantasy, supernatural, or sci-fi elements.

Writers need to be able to craft round characters, with clear arcs. While you can hone those skills writing any type of story, it can be more difficult when juggling fantastical elements, because it’s easy to get caught up in the world, or the magic, or the technology, and to make that the focus instead of the characters. So Vinny encouraged us to exclude such elements for the time being, to keep us fully focused on developing strong, dynamic characters.

2. No guns.

Weapons have a place in many stories, but when writers include a gun, they often use it to escalate the plot outside of the realm of personal experience and into what Vinny called “Hollywood experience.” He wanted us to learn how to draw from our own observations and perceptions of life, rather than the unrealistic action, violence, and drama we’d seen in movies, so he made this rule to keep us better grounded in our own experiences.

3. No characters crying.

When trying to depict sadness, writers often default to making characters cry. While there’s nothing inherently wrong with that, tears are just one way to show grief, and they aren’t always the most subtle or emotionally compelling. That’s why Vinny challenged us to find other ways to convey sadness — through little gestures, strained words, fragile interactions, and more. It was difficult, but opened us up to depicting whole new gradients of grief and pain.

4. No conflict resolution through deus ex machina.

This is the only one of the rules I’d say is generally universal. Meaning “God from the machine,” deus ex machina is a plot device where a character’s seemingly insurmountable problem is abruptly resolved by an outside force, rather than their own efforts. These endings are bad for various reasons, but Vinny discouraged them because he wanted us to understand how important it was for our characters to confront their struggle and its consequences.

5. No deaths.

Death is inherently dramatic and can be used to good effect, but many writers use death as a crutch to create drama and impact. Writers should be able to craft engaging, meaningful stories, even without killing off their characters, so this rule challenged us to find other methods of giving weight to our stories (such as through internal conflict).

How these rules helped me grow as a writer

First things first, I’ll say it again: apart from #4 (deus ex machina), these rules were never meant to be universally applied. Instead, their purpose was to create temporary barriers and challenges to help us develop key skills and write in new, unfamiliar ways.

For me, the experience was invaluable. I liked the way the rules challenged and stretched my abilities, driving me to write stories I’d have never otherwise attempted. They made me more flexible as a writer, and while I don’t follow the rules anymore (I LOVE me some fantasy), I’ll always be thankful for how they shaped my writing.

My recommendation to you?

Give some of these rules a shot! Follow them temporarily while writing 2-4 short stories — but remember to always keep their purpose in mind, because the rules themselves will only help if you understand what they’re trying to achieve.

Write with purpose, and you’ll always be growing.

— — —

For more tips on how to craft meaning, build character-driven plots, and grow as a writer, follow my blog.

[swingsetindecember]

where a superhero has to deal with a supervillain who thinks they’re their best friend

“we’re enemies - last week you tried to rob a bank”

“i got us a groupon for that new thai restaurant”

“you stole it!”

“it’s really the savings that are the crime”

[sophielostandfound]

‘here’s a handmade friendship bracelet for you!’

‘you didn’t make that, the girl scout you stole that from is crying right over there!’

‘i also got you thin mints!’

[swingsetindecember]

“this box is half empty…”

“half the calories!”

[sophielostandfound]

‘and here’s a latte to wash the cookies down!’ ‘this to-go cup doesn’t have either of our names on it.’ ‘no one seemed to respond in the first 5 seconds after the barista called the name out, so i took it to make sure it wouldn’t go to waste!’

[swingsetindecember]

“why are you doing this while robbing a bank? who brings a latte to a heist?”

“well i thought you’d be thirsty from trying to stop criminals.”

“you’re the one doing the crime!”

“hey, i’m an artist. this isn’t even the only bank being robbed by me right now.”

[sophielostandfound]

‘speaking of art, i’ve already returned the original wharhol’s you stole back to the museum.’ ‘but those were your birthday present!’ ‘they were stolen and i don’t even like pop art!’ ‘so what you’re saying is something art nouveau for Hanukkah then?’

[swingsetindecember]

“we aren’t FRIENDS. you’re EVIL! you’re breaking the law right now!”

“is this because i didn’t come to your slam poetry night? i was in jail”

“i am aware. i put you there. AND YOU WEREN’T INVITED!”

[sophielostandfound]

‘i know, i just friended you on facebook so that you can invite me next time!’ ’…did you already friend my MOM?’ ‘she’s a lovely woman, we’re going antiquing next sunday!

[swingsetindecember]

“YOU CAN’T MAKE HER AN ACCESSORY TO CRIME”

“please, she’d never get caught with me”

“you get caught all the time!”

“well, yeah, by you”

[sophielostandfound]

‘and look, i even made a scrapbook of all the times you’ve caught me!’ ‘this is…incredibly comprehensive and oddly touching.’ ‘aww, i’m so glad you like it!’ ‘i’d like it a lot better if you didn’t have the back quarter of the book marked out for future crimes.’

[swingsetindecember]

“i’m just keeping the option open. you’d be awesome at it. it’s all i’m saying”

“i really hope this isn’t going to be used as evidence in your next trial”

“oh my god, remember that last public defender? hilarious. they used one of my old crime collages. i was touched you kept it”

[fialleril]

@scowlofjustice

Megamind and Metro Man, y/y?

[klywrites]

but… how do you write a simple standalone story when your brain defaults to epics and open-world concepts???

[bookenders]

Short story writer, here! 

I’ve been asked this before and my advice has always been to think of a short story like a scene from a big giant story. How does this one event happen? How do you show the effects of the outer world in this one little snapshot of space and time?

A short story operates almost exactly like a scene from a big long narrative, but with fewer threads that have the potential to continue. There’s a clear beginning, middle, and end, and the character changes in some way over the course of the story. Just, ya know, faster. 

If you have a concept for a huge, expansive fantasy world in your head, think about one random person in that world, be it a king or a shopkeeper or whoever. What are they like? What’s one thing that could happen that changes the way they live, or how they see something? Do they get a letter and have some Thoughts about it? Do they have to make a Choice in the next few days, or heck, maybe even hours? Are they finally going to confront their loud neighbor, only to find out that the problem wasn’t what they thought it was?

And with that, what are the most important details of this little arc? You don’t have room to include everything, so only keep what’s important. I know it’s super cool that the magic system in your world works in really interesting ways in various situations, but maybe you don’t need to include all of that information in your short story. Maybe just toss in one line, or half of a line, to imply that magic does cool stuff. 

When you develop an epic story, there are a ton of elements that you think of to flesh out your world. A short story is like one of those thoughts, but honed down to its bare essentials. Instead of going broad, go deep. 

Let’s say you have an idea for a city that floats on the clouds. Rad. Now your brain is probably tossing out ideas about that city’s culture, or how it stays afloat, or any number of worldbuildy things. To make a short story out of this broad concept, narrow it down. 

Cloud city. What do people in the cloud city do? Maybe they’re the best at shipping and trade, or they’re mostly merchants coming and going. Let’s pick one merchant. One merchant on their own sky ship, maybe not in the best condition, who needs to dock to get repairs. And there’s only one shop in the city that sells the part. So they walk through the city and decide to buy a snack on the way. When they get to the shop, they find out that the part has increased in price for whatever reason, and the money they spent on that snack made them unable to afford that part. Now they have to haggle or try to steal it. They make the choice and either return to their ship victorious, or run back and get away in the nick of time. They either learned that they’re more of a smooth talker than they thought, improved their relationship with the shopkeeper, or realized that they just became a criminal and their moral compass shifts. 

So in this example that I just came up with on the fly, there’s a beginning, a conflict, a rising action, a complication, a climax, a falling action, and a conclusion. There’s a little narrative arc and a character arc. All in all, a short story! Yay!

This isn’t to say that all your short stories should be limited by narrative time. Maybe it takes place over days, or weeks, or months, or, heck, even thousands of years (see: “The Last Question” by Isaac Asimov). Maybe it’s about a mundane superhero thing (see: “The Outer Reaches of Love” by JP Kemmeck). Maybe it’s about big concepts like identity and romance, but with a narrow scope of a few important encounters (see: “Good Country People” by Flannery O’Connor). 

My other advice is to read a bunch of short stories to see how they work. How are they structured? What details are included? What details aren’t included? How narrow is the focus? How are they getting across the themes and main ideas? How do they tell you about their characters? How much time do they take explaining things? 

I could legit teach a class about this, since I’ve taken several, but that’s the bare bones of it!

[anexperimentallife]

[bob-belcher]

[randomsplashesofink]

I come here for a good time, not to be called out like this

[insomniac-arrest]

the rush of listening to bops while people are fighting fills me with primal strength

[wouldyouliketoseemymask]

This is a compiled list of some of my favorite pieces of short horror fiction, ranging from classics to modern-day horror, and includes links to where the full story can be read for free. Please be aware that any of these stories may contain subject matter you find disturbing, offensive, or otherwise distressing. Exercise caution when reading. Image art is from Scarecrow: Year One.

PSYCHOLOGICAL: tense, dread-inducing horror that preys upon the human psyche and aims to frighten on a mental or emotional level. 

“The Frolic” by Thomas Ligotti, 1989

“Button, Button” by Richard Matheson, 1970

“89.1 FM” by Jimmy Juliano, 2015

“The Yellow Wallpaper” by Charlotte Perkins Gilman, 1892

“Death at 421 Stockholm Street“ by C.K. Walker, 2016

“The Ones Who Walk Away from Omelas” by Ursula K. Le Guin, 1973

“An Empty Prison” by Matt Dymerski, 2018

“A Suspicious Gift” by Algernon Blackwood, 1906

CURSED: stories concerning characters afflicted with a curse, either by procuring a plagued object or as punishment for their own nefarious actions.

“How Spoilers Bleed” by Clive Barker, 1991

“A Warning to the Curious” by M.R. James, 1925

“each thing i show you is a piece of my death” by Stephen J. Barringer and Gemma Files, 2010

“The Road Virus Heads North” by Stephen King, 1999

“Ring Once for Death” by Robert Arthur, 1954

“The Mary Hillenbrand Cassette“ by Jimmy Juliano, 2016

“The Monkey’s Paw” by W.W. Jacobs, 1902

MONSTERS: tales of ghouls, creeps, and everything in between.

“The Curse of Yig” by H.P. Lovecraft and Zealia Bishop, 1929 

“The Oddkids” by S.M. Piper, 2015

“Nightmare at 20,000 Feet” by Richard Matheson

“The Graveyard Rats” by Henry Kuttner, 1936

“Tall Man” by C.K. Walker, 2016 

“The Quest for Blank Claveringi“ by Patricia Highsmith, 1967

“The Showers” by Dylan Sindelar, 2012

CLASSICS: terrifying fiction written by innovators of literary horror. 

“The Tell-Tale Heart” by Edgar Allan Poe, 1843

“The Interlopers” by Saki, 1919 

“The Statement of Randolph Carter“ by H.P. Lovecraft, 1920

“The Damned Thing” by Ambrose Pierce, 1893

“The Legend of Sleepy Hollow” by Washington Irving, 1820 

“August Heat” by W.F. Harvey, 1910

“The Black Cat” by Edgar Allan Poe, 1843

SUPERNATURAL: stories varying from spooky to sober, featuring lurking specters, wandering souls, and those haunted by ghosts and grief. 

“Nora’s Visitor” by Russell R. James, 2011

“The Pale Man” by Julius Long, 1934

“A Collapse of Horses” by Brian Evenson, 2013

“The Jigsaw Puzzle” by J.B. Stamper, 1977 

“The Mayor Will Make A Brief Statement and then Take Questions” by David Nickle, 2013

“The Night Wire” by H.F. Arnold, 1926 

“Postcards from Natalie” by Carrie Laben, 2016

UNSETTLING: fiction that explores particularly disturbing topics, such as mutilation, violence, and body horror. Not recommended for readers who may be offended or upset by graphic content.  

“Survivor Type” by Stephen King, 1982

“I’m On My Deathbed So I’m Coming Clean…” by M.J. Pack, 2018

“In the Hills, the Cities” by Clive Barker, 1984

“The New Fish” by T.W. Grim, 2013

“The Screwfly Solution” by Racoona Sheldon, 1977

“In the Darkness of the Fields” by Ho_Jun, 2015 

“The October Game” by Ray Bradbury, 1948

“I Have No Mouth, and I Must Scream” by Harlan Ellison, 1967 

HAPPY READING, HORROR FANS!

[randomsplashesofink]

Reblogging just so I can find this later. Awesome.

[localadmin]

oh you like history? name everything that ever happened

[jayskull27]

[randomsplashesofink]

Ha!

[wordsnstuff]

Resources For Plot Development

Plot Structures

All About Plot Structures

The Novel Plotting Formula

Story Structure: Plot Points

Save the Cat! 15-Beat Plotting Method

The Snowflake Method 

The Hero’s Journey

Three Act Structure

29 Plot Structures

Methods Of Plotting

NaNoWriMo Prep: Plotting Your WIP with 90 Index Cards 

Plot from the End

27 Step Tutorial How Do I Plot a Novel

How to Create a Plot Planner — Part 1

Pre-Plot the Middle and End of Your Novel

Dance between Plotting the Overall Story and Writing

Pre-Plotting Made Simple

A Writing Plan that Incorporates Research, Plotting and Writing

NaNoWriMo Plot Development Guide

Cool Resources

One Page Novel Format Spread Sheet

Worksheets For Writers

Writing Blockbuster Plots

Pros and Cons of Pre-Plotting a Novel before Writing

How to Plot 2 Protagonists in a Novel

Plot Your Story Scene-by-Scene to Emotionally Engage Your Readers

Behind the Scenes – Scene Types

Plot and Emotion

3 Common Plot Problems

Control the Pacing of Your Novel

Plot Twists: What Are They and How to Plot Them

Above the Plot Planner Line: How to Test Pacing and Tension in Stories

Beginnings Hook Readers/Audiences. Endings Create Fans

Where To Start: How To Write the Exact Right Beginning of Your Story

How to Show Character Mastery and Transformation through both the Internal and External Plots

Cause and Effect Scene by Scene

How to Create Subplots

Emotional Elements of Plot: Stories that Last Evoke Emotion

How to Plot the End of Your Novel

Plot the Climax, Write the Climax, Re-Vision the Climax and Then Re-Write the Climax of Your Story

How to Decide Which Scenes to Keep and Which Ones to Toss

Where Exactly Does the End Begin in a Novel

Benefits of Pre-Plotting

30 Scene Ideas

Plot Generators

Romance

Fantasy

Paranormal Romance

Crime

Horror

Mystery

Science Fiction

Dystopian

Even More Options Here

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[september-stardust-deactivated2]

Lemons.

Summer speaks of loose apron strings, messy hair and sticky fingers, jars ready to be filled with a recipe only known to you and me. Summer sings of your arms sneaking around my waist from behind, your lips pressed against my nape as I stir, stir, stir the sugar till it melts away. Summer tells of picnics in the yard, taking breaks from bottling up the sweetness we are to pass on. Summer finds us slow dancing in the kitchen, radio static whisking us to summers past, when we had shared our first dance just like this. Summer speaks of transient love and somehow finding home in our own place, in our own time, in jars of marmalade we make together, you and me and sticky fingers, laughing till the fireflies come and light our summer nights.

[microsff]

Tweetstory

“Yeah, so I found out my new house is haunted.” “You know who you should call? Ghostbusters!” “Oh? Do they have an email address?” “Just call them!” “Ah. Can I text them?” “No, just call them.” “Um. Never said I minded the ghost. It’s not that bad.”

— Micro SF/F stories (@MicroSFF) April 27, 2019

via MicroSFF on Twitter https://twitter.com/MicroSFF April 27, 2019 at 10:30PM

[randomsplashesofink]

So relatable!