Babette Herschberger.
Mike Driver
occasionally subtle
Xuebing Du

No title available
Misplaced Lens Cap
Aqua Utopia|海の底で記憶を紡ぐ
will byers stan first human second
Stranger Things
h
taylor price

Product Placement
Peter Solarz
he wasn't even looking at me and he found me
d e v o n
No title available
dirt enthusiast

Origami Around

Kiana Khansmith

PR's Tumblrdome

tannertan36

seen from United States

seen from Malaysia

seen from Malaysia

seen from Malaysia

seen from Malaysia
seen from United States
seen from France
seen from China
seen from United States
seen from United States
seen from United States
seen from T1

seen from Türkiye

seen from Malaysia

seen from United States
seen from France

seen from United Kingdom
seen from Türkiye
seen from United Arab Emirates
seen from United States
@raskolnikov23
Babette Herschberger.
Artur Skizhali-Veys (1963–2022)
Mstislav Valerianovich Dobuzhinsky (Russian,1875-1957)
Illustration for Dostoevsky’s “White nights” written by Fyodor Dostoevsky, 1922
The architectural fantasies of Soviet and Russian architect, draughtsman and futurist Artur Skizhali-Veys (1963–2022)
Jean Jacques Lebel SUNLOVE 1967
Bona (Bona Tibertelli de Pisis-Pieyre de Mandiargues)
Bassa Marea (Ebb Tide) oil on canvas, 1956 signed Bona lower right recto also signed, dated, and titled verso canvas size size 14⅜" x 16½" (36.5 x 42 cm.)
Paintings by Matthew Wong, 1984-2019.
https://dma.org/art/exhibitions/matthew-wong-realm-appearances
Paintings by Margaux Williamson.
https://ocula.com/artists/margaux-williamson/
SISTERS WITH TRANSISTORS
Suzanne Ciani
Dalet Kaf - Morris Louis - 1959
Post-Painterly Abstraction
Modern Art Museum of Fort Worth (Fort Worth, Texas)
Karolina Matyjaszkowicz — We Ghosts of the City Forest are Coming for You (acrylic on canvas, 2021)
Castle seen from forest by Mark Ferrari.
ph. Danko Maksimovic - Belgrade, Serbia (2021)
Film: Kodak Portra 160 (medium format)
Matthew Wong (Canadian, 1984-2019), Night 1, 2018. Oil on canvas, 70 x 60 in.
Maynard Owen Williams -The Second Delphic Festival, 1930