yo...
is there such thing as stress-induced depression??
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@rawblackberry
yo...
is there such thing as stress-induced depression??
08.04.18 // 20:53 // day 8/30
day 8 - your bujo spread for this week - pretty in pink! 🌸
wear what you want! cut your hair off! get that piercing!! talk to her! wear makeup!! paint your nails! take more selfies!! fuck what anyone else thinks!!
Music is just wiggling air
don’t do this. don’t do this to me today.
OKAY BUT IMAGINE TONY AND PETER BONDING OVER SHARED ITALIAN HERITAGE/MOTHER FIGURES
• it starts when Peter cusses Happy out in Italian bc he’s frustrated
• Tony starts laughing his ass off and Peter has an “o shit” moment
• “where’d you learn Italian, kid?” “…Aunt May” “knew I liked that woman for a reason”
• full discussions in Italian to frustrate Pepper and Happy
• eventually Tony tells Peter about his mother, and tells stories about her in Italian
• when cap and co. get back they speak solely in Italian on coms
• talking shit in Italian near constantly
• Tony takes Peter to his mothers grave, it’s silent until Peter, in Italian asks:
• “so, Mrs. Stark, what are you wearing up in heaven? something skimpy I hope”
• Tony isn’t sure if he should laugh or cry
• when Peter meets Rhodey, he says something unflattering in Italian
• Rhodey just raises an eyebrow and asks Tony if this stick ass kid seriously just called him an asshat in Italian
• “yOU NEVER TOLD ME HE KNOWS ITALIAN” “I DONT BUT IVE KNOWN TONY LONG ENOUGH TO KNOW CURSE WORDS”
• Tony is dying in the background
• Peter holds speaking Italian with Tony over Harley Keener as “proof he’s Tony’s favorite”
• Harley asks F. R. I. D. A. Y. for Italian lessons the next day
i hate that i get so nervous about performing in front of my school but i can literally perform without a problem in front of strangers...
NEW ‘AVENGERS: INFINITY WAR’ PROMO ART!
duddeeee i can’t wait
don’t you love the smell of seasonal stress that causes depression, eating disorders, and crippling anxiety in the morning?
Spiderwing Bros, for your latest meme!
Who’s the messiest one:
Dick, but he’s only winning by a nose here, Peter isn’t exactly a neat person.
Who feels the most uncomfortable about PDA:
Peter. Dick, as we all know, loves to hug.
Who’s the funniest drunk:
Neither of them is really a fun drunk. They tend to be pretty maudlin drunks, really.
Who texts the most:
Dick uses more emoticons, Peter uses more text-speak, they both text constantly.
Who has the most embarrassing taste in music:
Let them serenade you with their joint rendition of “Call Me Maybe.” What? You don’t want to hear them sing “Call Me Maybe”? What about “Moves Like Jagger,” then?
Read: they’re both embarrassing.
Who reads the most:
Peter. He’s got the more deep-seated nerd impulses.
Who’s better with kids:
Dick. Peter likes kids, but he doesn’t have the natural rapport with them that Dick’s got.
Who’s the one that fixes things around the house:
Peter. He is the gadget-y, science-y type.
Who’s got the weirdest hobby:
Apart from their actual jobs? Well, Dick’s picked up cross-stitch, specifically so he can make little framed pieces for the other Batfamily members. They generally have little bats or birds on them. Bruce has one on his desk that reads, “I AM THE NIGHT,” in pink with a floral border, and it never fails to make him smile.
Who cooks and who cleans up:
They argue about who gets to choose the takeout place and then forget to clean for a couple of days.
29.01.18 //
Weekly spread I’ve been using all month ✨
Hi there, and welcome to the new mods. :) Hope you're all doing well! I got a question about writing villains. I don't mind if it takes a long time to answer, so feel free to put this to the bottom of the list if you've got a backlog, I have a feeling it'll be a hard one to tackle - or if you don't answer it at all that's fine too! Here goes: I have a really hard time writing villains. I've read and absorbed loads of advice on how to write them well, that's not the problem. (1)
My problem is that I don’t CARE enough about villains. All efforts I make to flesh them out feel like a mandatory chore, and (like anything you write out of obligation rather than enthusiasm) it shows in my writing. No matter how much work I put into the villains, they feel flat, and you can tell in the narrative that I had zero enthusiasm for it, that the villain is only there at all because the hero needed an enemy. (2)
I care more about my heroes and don’t want to spend time with villains, and forcing myself to puts me in a rut and puts me off working on my story altogether. I also find most villains in other stories unappealing, especially the extremely evil, power-hungry types. Do you have any advice for how to tackle this problem, to get inspired to work on something your story needs, when you don’t want to work on that? PS. Sorry for the length of this, I didn’t realise it’d got so long! (3 - end)
Hi, love! Thanks so much for your question :)
Many of us have felt exactly what you’re feeling right now. Villains are such an integral part of a good story, yet they’re written so distantly (and often poorly) in modern fiction that it’s hard to get a good example. Even the Harry Potter series, which can be hailed for many great attributes, left us wanting a bit when it came to Voldemort. I always got that same impression from J.K. Rowling – she had all these amazing characters, but when it got down to the villain, it felt like she just thought of a menacing name, removed a random body part, and called it a day.
The good news there is that, despite a somewhat two-dimensional antagonist, J.K. Rowling had no problem selling her story. Antagonists are important, but they’re not going to make or break your story – so if this is an area where you need improvement, that’s okay. Take it slowly and give yourself grace while you work through this :)
Writing Villains – What Makes It Difficult?
With that out of the way, I’ll address your problem. It sounds like you’re having trouble connecting with villains, and it’s the root of that issue that interests me. Ask yourself: what is it about a villain that feels uninteresting or unlikable to you? What deters you? Could it be that you struggle to write characters who…
are immoral or dishonorable? You may not want to write your villains because their personalities or actions are abhorrent to you. The more evil a villain, the more prominent this problem is – if you truly hate the antagonist’s actions, you may be reluctant to write them. You may even feel gross when you get to their scenes.
If this is the case: I’d suggest you try to dig into the reasons why their moral compass has been compromised. Think about the character’s past and personality. Were there influences in their life that desensitized them to this type of behavior? What inspires them to act this way? The more human and realistic these reasons are, the easier it will be for you to understand their actions.
interrupt, harm, or conflict with your protagonist? Sometimes when we develop our stories, we become attached to our protagonists – so much so that we begin to dislike any enemy or obstacle to the protagonist. It may be that if you’re strongly in support of your hero and their goal, the idea of writing the antagonist becomes sour in your mind.
If this is the case: Think of how the villain’s actions will affect your protagonist positively. Wanting to protect your protagonist from all evil (or just the really strong evil) may sound ideal, but it’s really denying your hero a chance to grow. How do the obstacles and setbacks change your protagonist? Does your hero grow into a more resilient person? Do they meet new people who will change their lives forever? Do they learn more about themselves? If you find that the villain’s actions don’t change your character in the long-term at all, then you may have a plot problem.
are not relatable to you? There can be two causes for this. For one, we as writers naturally create protagonists who we can support, appreciate, and relate to. So the next logical jump is to create villains who are the exact opposite of all those things. You may need to diversify your villain – make their personality more complex, and not just bad bad bad.The second cause of unrelatable villains – when people do bad things in real life, others often struggle to understand why. That’s the major question when tragedy strikes: why did this happen? Why would they do this? People with strong morals just don’t know how to think like that They can’t rationalize how these actions benefit the villain, or how the villain can live with themselves afterward.
If this is the case: Rewrite the outline of the story through your villain’s perspective, as if this is their story. Think about those big scenes where the villain succeeds, fails, plots, attacks – imagine them through their eyes. What are they feeling? What are they gaining and what are they losing? What do they want, and why do they want it so badly? Why are they doing what they’re doing? If you can’t answer these questions, that’s your problem right there.
aren’t as extreme as you feel they ought to be? For any number of reasons, many writers wind up “softening” their villains before the final draft. For some, they feel they’re “wasting space” on the villain or letting the story become too dark or dramatic. For others, they just feel uncomfortable unleashing their “inner evil” like that. For some still, they never let their villains get too extreme in the first place. Either way, if you’re writing a muted version of a true villain, it’s going to wind up boring you!
If this is the case: Let them get nasty. Get some paper and just brainstorm the worst possible things for your villain to do (while staying true to their character and motivations). For a second, forget about the age rating or demographic of your story. Think of terrible things. Think of actions that would change your story, change your protagonist’s life, in irreparable ways. Don’t hold back! Even if you don’t use most of these ideas, get them out there and see how they taste. You’ll feel more freedom when the antagonist is on the page – the true sense of power, knowing that your villain (and you, by extension) could do anything and no one can stop you.
you know are going to fail? Writing a story can be like watching a movie when someone’s already spoiled the ending for you. You know exactly how things end up, and the only decision left is, are you going to take part anyway? Is the journey important enough that you’ll watch, even when you know the endgame? And most importantly, will knowing the ending affect how you experience the journey? Logically, you should be able to just make the decision to watch the movie. But it’s not that easy.
If this is the case: Consider the ending. Is the villain truly going to lose in every way? Are they going to come away with any kind of victory, even if they ultimately fail or die? And even if they don’t find happiness or victory, how can you improve their journey to make it worth the time? How can you make an interesting enough villain that you can write their story, even knowing exactly how it ends? This is a true problem of any character, of course, but it’s the most challenging for villains, who often wind up with the worst endings. This is, in my mind, the most challenging hurdle when writing villains.
Of course, there are other less common reasons to struggle with villains, so if none of these address your concern, send another ask and we’ll get back to you. I hope you can find the cause behind your problem! :)
Happy writing!
- Mod Joanna ♥️
If you need advice on general writing or fanfiction, you should maybe ask us!
I’m selfish, impatient and a little insecure. I make mistakes, I am out of control and at times hard to handle. But if you can’t handle me at my worst, then you sure as hell don’t deserve me at my best.
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I’m not okay and i don’t know if that’s okay
i feel like i can relate to dean winchester more and more as i get sucked deeper and deeper into the black hole of supernatural
“my mind is on the brink of supernova”
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“does the universe care? no, it does not.”
-the wise words of snavedog
I need help...
So, recently i had a smallish/biggish fight/dissagreement with my best friend of 8.5 years. we talked it over and it was fine, except it wasn’t. i wasn’t acting normal because i was jelous and felt betrayed (the boyfriend was involved in the drama). she wasn’t opening up, and now that i’ve realized this, it’s been like this for a while and i feel stupid for not realizing it sooner. my mom had communicated with her mom because she hadn’t been at school for the past two(ish) months because she had been sick, and my mom found out that my best friend has depression. i had suspected it, but it was never confirmed until now, and i have no idea what to do..
i just want to know how to help her because i hate seeing her like this