Stephen Watts reading ‘Birds of East London’
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Stephen Watts reading ‘Birds of East London’
Read When We Marched for Homes by Simon Elmer
When We Marched for Homes
By Simon Elmer
When we walked the streets in the cold
FromShoreditch Church to City Hall
Having assembled at midday
On the last day of January
To demand a home to live in
In the city we were born in
Where were you when we marched for homes?
When the London Evening Standard
The night before printed two lines
About the march and two pages
About some millionaire’s wages
In the West End final issue –
Then it snowed early next morning
Where were you when we marched for homes?
When The Guardian on Friday asked
‘Are you taking part in the march?’
If only one in one hundred
Of their 200,000 readers
Answered ‘yes’ – where were the rest
When the rain fell on Saturday
Where were you when we marched for homes?
When you watched us from the café
Cradling your skinny latté
Against the cold that kept you inside
While you read about the issues
In next morning’s Sunday papers
Almost wishing you had been there
Where were you when we marched for homes?
When the Focus E15 Mothers
And the daughters without fathers
Marched through the streets with their banners
Saying ‘This is the beginning
Of the end of the housing crisis’ –
Though they have no home to live in
Where were you when we marched for homes?
When the coppers under orders
From their paymasters and owners
Stopped us marching through the City
Turned us down Spitalfields shouting
‘Social housing, not social cleansing!’ –
Past Barclays Bank and Boris Bikes
Where were you when we marched for homes?
When at One Commercial Street
We saw the poor door for the workers
And the marbled entrance lobby
For the City boys and bankers
Where Class War held up their banner
Saying ‘All Fucking Wankers!’ –
Where were you when we marched for homes?
When at Goodman’s Fields the signs said
‘Redefining City Living’
With luxurious apartments
In stunning new developments
Where they filmed us with their smart phones
From behind their plate-glass windows
Where were you when we marched for homes?
When we turned down Prescot Street
And businessmen in business suits
Stood outside under umbrellas
And doormen in silk top hats
Stood and held the umbrellas
Safe behind the lines of coppers
Where were you when we marched for homes?
When we stopped at Tower Hill
Underneath the railway bridge
And the band of women drummers
Made the whole street dance together
Chanting ‘Boris out! Boris out!’
Ringing through the iron girders
Where were you when we marched for homes?
When we crossed on Tower Bridge
Stopped the traffic over the Thames
And the East End met South London
So that our one or two thousand
Grew to three or more thousands
As we turned into City Hall
Where were you when we marched for homes?
When we passed One Tower Bridge
Where new homes are on the market
From one-and-a-half to fifteen million
For the Mayor’s future neighbours
And on their balconies we saw
Our flags and fists raised in defiance
Where were you when we marched for homes?
When we stood in Potters Fields
And saw how few of us there were
Between the shields of riot police
Beneath the dagger of the Shard
And though our banners now were sodden
Still our voices had not fallen
Where were you when we marched for homes?
When the speeches were concluded
And the leaflets were distributed
And photographs were being taken
Of the Aylesbury occupation
We turned to the absent thousands
In the flats and homes of London
In buy-to-let private investments
In property developments
In assured short-term tenancies
In uncertain rental vacancies
In ex-housing associations
In earmarked regenerations
On council housing waiting lists
On sanctioned housing benefits
In homes awaiting demolition
In rent arrears facing eviction
In newly taxed second bedrooms
On the couch of sublet front rooms
In furnished dives and in bedsits
On the street without benefits
In tower blocks they’d occupied
In council flats now privatised
In social housing left to rot
In recently illegalised squats
In empty homes of oligarchs
On sleepless benches after dark
In the doors of West-End hotels
In B&Bs and East-End hostels
In emergency night shelters
On the seats of bus shelters
On the steps of tube stations
On the floors of police stations
In homeless accommodation
In far away relocations –
And we asked our fellow Londoners
Where were you when we marched for homes?
Concrete Action Launch with John Murray of NAM
Forty years between them but both similarly radical,co-founder of the mid-70s New Architecture Movement (NAM) John Murray and Concrete Action launched Real Estates Week 6 on Wednesday 25 March.
Photography by Rachel Ferriman
The night not only saw the start of our final week but also the launch of Concrete Action, a new platform for professionals to leak about planning and regeneration anonymously.
The event began with John Murray reflecting on his architectural career and the work of the NAM. Formed from the Architects Revolutionary Council in 1975, NAM represented feminist groups, trade unions and professionals, for the practice of alternative design and building, and the accountability of designers and planners to community.
From NAM the National Design Service was developed. Supported by young Left wing councillors, local authorities, such as Haringey in the late 70s, had their own architects who worked as a team for the local community on public projects.
Such projects included the investment in the Broadwater Farm estate after the 1985 riots. For its close association with the community, a councillor accused the Haringey Architects for having “gone native”. John took the comment as a complement.
The encroachment of privatisation led to the closure of the Haringey Architects and the slow disappearance of its history.
Recently John McAslan was praised for opening the ‘first architect's studio in Tottenham’, offering apprenticeships to local young people. However, as John stated in a reply to one newspaper, the Haringey Architects were the first. Social history is being hidden, John said at the launch event. The possibilities for social change must be reinvented, he added.
One organisation doing just that is Concrete Action. Responding to weak ethical awareness within the architectural profession and the displacement of communities from destructive planning, Concrete Action offer to support leakers, professionals and communities.
Soon to be fully operational, the organisation will provide a translation service to explain in detail the exact meaning and implications of regeneration schemes. Other tools will include the mapping of developments and design support to counter these projects.
“There isn’t a direct pathway through planning,” one member of Concrete Action said, behind them a slide clearly demonstrating the multiple links connecting the council and developer - permission and consultation, building and community.
The chart also showed the planning process it is not dependent on a single element. Thus to change the process it is not enough to only subvert one part. Concrete Action hopes to combine conscientious professionals involved in different branches with communities affected by the planning process to restructure the system.
“Architecture should have little to do with problem solving,” British architect and writer Cedric Price said, “rather it should create desirable conditions and opportunities hitherto thought impossible.”
Concrete Action’s mission is not to fix the housing crisis but to facilitate for a new form of housing cooperation.
Hidden History, John Murray’s Letter to The Guardian
Below is the published letter from New Architectural Movement’s co-founder John Murray in response to The Guardian over the false claim John McAslan’s office is the first architect’s studio to open in Tottenham.
Sunday 4 January 2014
“John McAslan’s initiatives to open a studio and train localyoung people as architects from Tottenham (Haringey) and also to rectify the absence of black and minority architects in the makeup of the architectural profession, are to be very much welcomed (After Haiti, Tottenham: architect opens studio in riot scarred borough Guardian 4 Jan 2014). However, it is equally a timely reminder of the hidden history of the role of local authority architects services, which disappeared in the 1990s in the steady march of privatisation.
“The Haringey Building Design Service was especially pioneering. At its peak it employed around 200 staff, 60% of whom were black and ethnic minority, reflecting the Borough’s very diverse population. It had 8 multi disciplinary teams serving different areas of the Borough. As part of a policy to encourage local young people to become involved in architecture, each of the eight teams appointed two local young people as trainee architects. ie 16 in total. The majority were young black and ethnic minority men and women who were sponsored through college. What currently seems pioneering was then a core part of a public service shaped by the two strands of social change which fortuitously came together in Haringey in the 1980s. Firstly, a radical local Labour Council committed to equal opportunities and secondly, the impact of the New Architectural Movement (NAM).
“NAM was a social movement committed to extending accountability and user involvement in design services and Haringey local authority architects (including myself) were among some of the most actively involved. As neo-liberalism has advanced over thirty years and the social state is dismantled, it is important that we do not forget this radical legacy and the sense of agency to bring about social change from this era. And as the housing crisis deepens, what was once deemed possible as a part of the social state may well need to be reinvented.” John Murray
Books Change Lives
The project we made was created for the fun of it. Last summer, we would walk around the block, discussing ideas. Now, these thoughts are on paper, and put through every door in the estate.
Mandem would say “I’m reading your book.. it’s good”. We’re like “You read books!?”. People think that youth are not interested in education, or reading, or writing.
But this book showed that it’s not the content, but the context that the youth are not interested in. There are very few our age, speaking our language, writing books. If that were the case, there would be more enthusiasm in our schools. There would be more thinkers in our estates.
If this book has done anything, it has shown that a small act of writing, can change the thought patterns and beliefs of thousands.
Those who rule are those who write.
Authors of the Estate read today 25 March at 6.30pm
The Gunning Principles
Have you attended a consultation and believed the council were withholding information? If so they may have broken one of the Gunning Principles and possibly subject to a Judicial Review.
By no means is the following information authoritative but hopefully may provide some tips.
Under a month ago Lambeth council held a consultation for the regeneration of Cottage Garden estates. The council offered only one option for the elderly and disable residents of Knight’s Walk, a group of homes on the estate: demolition. During the consultation a tenant called the proceedings unfair and claimed the council had broken all of the Gunning Principles.
The Gunning Principles – or Sedley Principles as they are sometimes called – were recommended in the 1985 Judicial Review against Brent Council for conducting an inadequate consultation on schools.
The Gunning Principles are the following:
1) the consultation must take place when the proposal is still at a formative stage; 2) sufficient reasons must be put forward for the proposal to allow for intelligent consideration and response; 3) adequate time must be given for consideration and response; and 4) the product of consultation must be conscientiously taken into account.
For there to be a case against a council, its consultation - not the conclusion reached - must be found unlawful. “Judicial reviews are a challenge to the way in which a decision has been made,” the Judiciary website states, “rather than the rights and wrongs of the conclusion reached.” In other words, you cannot take a council to court because they have decided to demolish an estate but you could if the council did not explain fully their decision or involve the public in the process.
If you suspect the council is misinforming or misleading the public in a consultation question the process and seek representation. That was the advice of Paul Heron of the Haldane Society of Socialist Lawyers. He stressed the importance of complaining early, to prevent the further likelihood of a negative outcome.
Although, bear in mind, as housing law expect Sue Lukes recommended last week, the law is a tool and not the only option. The Gunning Principles may enable a campaign to pressure the council to change its decision process but by no means does that guarantee the final decision will be changed.
The Gunning Principles may help only in the short term, Jasmin Parsons from Our West Hendon cautioned. If a case is small and dependent on too many variables, it probably is not worth the effort. Instead, energy should be invested in actions you are sure of gathering support and winning.
There is a government hand out on consultations https://www.gov.uk/government/uploads/system/uploads/attachment_data/file/255180/Consultation-Principles-Oct-2013.pdf And two legal papers on consultations http://www.adminlaw.org.uk/docs/18%20January%202012%20Sheldon.pdf http://www.39essex.com/docs/seminars/ja_vbc.pdf
The New Architecture Movement
John Murray co-founder of The New Architecture Movement (NAM) launches the Final Week with Concrete Action, Wednesday 25 March 6.30pm. Read more about NAM below. The section is an entry from Spatial Agency. Go here for the original publication.
"The New Architecture Movement (NAM) was founded in 1975 and arose out of a conference organised by the more tightly knit ARC. NAM also took an explicitly oppositional stance to normative architectural practice: it set out to criticise the conventional notions of professionalism and the internalised structure of the profession, and in particular the system of patronage where the designer of a building has little contact with its user. NAM also called for the unionisation of architects, claiming that the RIBA failed to represent the majority of architects working within the private sector, dominated as it was (and still is) by private practice principals rather than their employees.
"Much of this discussion was presented in SLATE, the newsletter of the NAM, published between 1976 and 1980, which ran articles on local authority housing, education, women in construction, the Schools of Architecture Council, and features on 'What It Means to Architecture'. SLATE argued that architecture could not be separated from its political implications and social obligations, and that architecture as promulgated by the RIBA, had become an apologia for architects that was not accountable to the people who have to live in and with the architects' work.
"SLATE ceased publication in 1980 and NAM moved into different existences, including 'Women in Construction', one of the working groups within NAM, which was the starting point for Matrix, one of the first explicitly feminist architecture practices in the UK. However, by the mid 1980s most of the initial energy of these groups had been dissipated, overwhelmed, one suspects, by the ascendant values of the Thatcherite era. NAM's unapologetic critique of professional norms and the political structures that shape those norms is as relevant now as it was then, and SLATE, by turns acerbic, aggressive, witty and serious, remains an inspirational source." Spatial Agency
The Makings of a Hood Publication
Installment two from Authors of the Estate, reading Thursday 26 March 6.30pm
The way our youth culture is designed, you would be hard pressed to find someone who is not an author in estates like these.
We are always getting our voices out, but it’s on mixtapes.
We tell our stories on rap beats, which only reaches a certain demographic; people like us.
It’s not hard to find authors here. The key is to get their words into a foreign format. Say the same thing, but this time, say it in print.
For some reason, the printed book carries more weight than any rap song does.
Songs end up in the charts, but books end up governing countries.
A book reaches places our audible voices physically can not.
So we did not reinvent the wheel, we just changed the medium, and it made a world of a difference.
A little paragraph here, a little statement there. We spent our time last summer gathering our thoughts, and typing it up.
Before we knew it, we had a books worth of material. Now, our goal was to publish this book. But instead of going the traditional route, let’s give this book to those who need it the most: Our next door neighbours.
Let’s do a guerrilla book launch, where every resident gets a copy put through their letterbox without formal warning.
We did this experiment, to see how everyone would react. The results, we’re beginning to see, is something remarkable. We now understand that those who rule are those who write.
The word author
This Thursday, 26 March, Authors of the Estate, Andre Anderson, Raze, Predz UK, Kayden Bell, Jade Snyper, Nathaniel Telemaque, will be reading their stories and listening to yours.
On March 5th 2015, one thousand copies of ‘Authors of the Estate’ was given to every home on St.Raphael’s Estate, a place in North West London, notoriously known for its crime and poverty. This ninety-eight page publication is a compilation of musings, poems, stories, commentaries and manifestos written by six young thinkers who are also residents of the estate. This book was written for one reason and one reason only: to prove that the young person holding the pen is ten times more powerful than the one holding the knife.
The word author
and the word authority
has the same root meaning.
As a matter of fact,
the word ‘author’ in the original Latin tongue is a term to describe
someone who is a creator,
a master,
an enlarger.
and a sustainer.
So when we say that we are the Authors of the Estate,
we are not just saying we simply write.
We are saying we are the creators,
masters,
enlargers and sustainers of the estate.
Those who rule are those who write.
Round Up Week 5, Focus E15
Focus E15 brought their campaign for social housing to PEERin Week 5. During their residency they hosted classrooms and workshops. In these events, run by academics and activists, housing problems were identified and campaign strategies were promoted.
Echoed throughout the activities was the call to counter myths over social housing, popularised by mainstream shows such as Benefits Street.
The stigmatising of the poor is leading people to feel guilty and ashamed for being unable to pay their bills, afford food and meet their rent. Unsure how to survive, suffering anxiety and depression, some are driven to suicide
With faith, people can overcome struggles, Jasmin Parsons from Our West Hendon said. But they have to connect with each other and fight. This message was shared by Tawanda Nyabango of Carpenters Against Regeneration Plans. He said you have to fight to win.
For Parsons the most important thing to remember is the housing we face losing is ours. They are not the council’s - they are the people’s. The public pay for regeneration in taxes. They shouldn’t pay further and be forced out of their area.
“Never ask, demand,” was the principle stressed.
Know what the argument is, Nyabango said, and use their tools against them, Parsons instructed.
This advice was reinforced from law specialist in migration and housing Sue Lukes.
Before giving a broad overview on housing law, Lukes cautioned that law is like a washing machine: sometimes it works, sometimes it doesn’t
Lukes confirmed in the private rental sector the basic right to stay does not exist and with social housing no one has a complete right to council housing. In the consultation process of regeneration schemes pledges are not binding unless there is a legal relationship. The same applies to tenancy contracts. For there to be a case against the council or developer, a tenancy contract must cover the relationship between the tenant and the council or developer. If it does not there cannot be a case. This is why secure tenants find themselves faced with eviction from the council, as their contract does not relate to the developer controlling the regeneration scheme that threatens their home.
Where the law fails, groups should use collective power. To put pressure on a council a united front is necessary. The council do not want to seem favouring one group over another so local groups must build alliances to form a coalition campaign. This campaign must be aware of the law, especially of the law they break, for their actions should demand change to the law. Power is an alternative to the law and the creator of new laws.
But again, know what you want, Hero of Focus E15 urged. Speaking during the eviction workshop she encouraged people to keep re-evaluating their demands for the eviction process can change.
Hero told the crowd to always keep a record of letters and documents and collect a paper trail of correspondence with the council. If you receive an eviction notice make a plan for resistance or if you know of someone who faces eviction establish and strengthen points of support so they don’t feel like they are on their own.
The day of an eviction doesn’t have to be a gloomy affair. As friends will be gathered together the eviction should be celebratory. Music should be played, breakfast prepared, teas shared, games played. So that when the bailiffs arrive they see a group of people firmly staying put.
An eviction should be the start of a campaign and an opportunity to build a local movement.
And remember, it’s ours – not theirs.
Links to advocacy organisations, support groups and resources:
www.housing-rights.info
www.shelter.org.uk
http://www.evictionresistance.org.uk/
http://ldmg.org.uk/
http://www.squatter.org.uk/
Authors of the Estate featuring in Week 6
Prefab Museum
Elisabeth Blanchet, speaking with Jane Hearn on 26th March 2pm part of Week 6, talks about her work.
“The Prefab Museum is a unique living museum celebrating post-war prefab life ant the success of this part of Britain social housing history through art and by sharing memories and archive. I created its concept and development after the success of the Prefabs: Palaces for the People show I had at Photofusion in 2013. The Prefab Museum in Catford was a collaboration between artists and the estate community, which I curated. Over the seven months the museum has been open, more artists came forward to add to the collection and residents and visitors contributed with memorabilia, artefacts and stories. Wit Jane Hearn, who has been working in community development for the last 25 years and particularly in Catford, we created the Prefab Museum Ltd to extend the concept of the Prefab Museum online and in other potential geographical places.
“Established for just seven months - in Catford on the Excalibur Estate - after opening as an Arts Council funded pop-up museum in a real post-war prefab for the month of March 2014, the Prefab Museum attracted 4,000 visitors from across London, the UK and abroad. The museum was included in Open House London 2014 and after fruitful discussions with the local authorities and the residents’ association, it was supposed to extend till at least 2017. But in October 2014, the Prefab Museum suffered a fire, classified as arson by the police who couldn’t find the perpetrators. Judging that the situation on the prefab estate in Catford was too unsafe to re-open, I decided to keep on the project going online and to find a new home for it in 2015.
“I am a London-based photographer, film maker and mixed media artist. I am interested in life, people and documenting social conditions and communities. Through my different projects, I explore emotions, attachment, memory and nostalgia. I see my camera as a passport to meet people and discover their homes, their territories, the way they live. I started my project on prefabs in 2002 just after I moved to the UK. Fascinated by post-war prefabs and the stories of their residents, I began to document them all over the country. My work includes prefabs across the UK from London to Stornoway, Isle of Lewis. I have already published many features about prefabs for different media platforms (magazines, papers, films) and published two books. The last one, Prefab Homes, published by Shire Books, was out of stock 3 months after it was released. I am currently writing another one about the history of prefabricated homes in the 20th century for English Heritage.”
Round Up Week 4, Isik Knutsdotter
Her head leaned back, eyes closed and a smile on her face, the lounging woman listened to the chorus on the street.
The icons of regeneration – the sophisticated drinker, the wealthy couple, the seductive strawberry eater – were audience to the sun basking of art group Isik Knutsdotter - Louise Sayarer and Eva Vikstrom - joined with students from Middlesex University.
The performance was not for the displayed images of the mock boarding by DIG Collective but for anybody to participate.
As Alberto Duman of DIG Collective scrolled open the poem, Middlesex students sang the story written by Isik Knutsdotter who played the clarinet and a string folk instrument.
The poem was about two people who reveal to a community who they really are, based on a real event Isik Knutsdotter witnessed during their six-year participation on an estate.
Last year, part of Open House, at Wenlock Barn Estate, a gardener who usually kept to himself played his eclectic collection of music during the outdoor activities and a woman from Turkey, who many residents did not know lived on the estate, made flat bread for people to eat.
The visitors and neighbours found this this hard to believe and thought Isik Knutsdotter had set up this event.
But it was not an event. It was a moment in the lives of two people. From the opportunity in a community to come together two particular members felt free and comfortable to share themselves.
Isik Knutsdotter seek not to stage moments like these but to allow for moments like at Wenlock Barn Estate to happen on their own.
They are interested in the process of life and their art reflects this uncontrollable and incomplete passage.
The storytelling was the first time Isik Knutsdotter and the Middlesex students played together but after a few practices the ritual was performed naturally, the community spirit of Wenlock Barn Estate carried through.