when in 1995 pasarella (argentina nt coach) said that he would "never call up a homosexual player to the national team" and as a form of protest maradona and caniggia started to celebrate their goals in boca juniors like this
"I'm Dorothy Gale from Kansas"

Origami Around

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shark vs the universe
Keni
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todays bird
he wasn't even looking at me and he found me
NASA

Kiana Khansmith
Monterey Bay Aquarium
2025 on Tumblr: Trends That Defined the Year
🩵 avery cochrane 🩵
cherry valley forever

❣ Chile in a Photography ❣
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Show & Tell

Love Begins
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Andulka

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@realsweetcorn
when in 1995 pasarella (argentina nt coach) said that he would "never call up a homosexual player to the national team" and as a form of protest maradona and caniggia started to celebrate their goals in boca juniors like this
one of the best ways i’ve found to combat that inherent depressive pessimism without veering into toxic positivity territory is simply the phrase “i’m open to the possibility”
this particularly works with anything negative i’ve forecasted. “i woke up feeling like shit today, so my day is gonna suck” isn’t a particularly helpful thought, but “it’s a great day to be alive!!!!!” feels hollow and insincere when i have a pounding headache & am running on three hours of sleep
instead i’ll tell myself, “i really don’t feel good right now, but i’m open to the possibility that coffee and breakfast might perk me up a bit.” or “i’m in a lot of pain today, but i’m open to the possibility that my workday might still have fun parts despite that”
sometimes, when your impulse is to slam the door on anything good, but you’re not exactly up to going out & hunting it down yourself, leaving the door open just a crack makes all the difference
The Quiet Machine Ada Limón
“The song itself is about ... I always describe it as not fearing anything, anyone, any man, any woman, any war, any gun, any sling or arrow aimed at your heart by other people because there is somebody, finally, who loves you for real, and that you can achieve a real state of grace through somebody else’s love in you.”
JEFF BUCKLEY Grace | Live on The Late Show (1995)
jeff buckley + rebecca moore
— "Other people cry about the artist loss. And I do think his art was a gift to the world," she says. "But for me, it was like the gift of him ... He was just a very sweet, alive, caring person. And caring too much about everything. The takeaway from me about Jeff is I hope we learn how precious we each are and take better, kinder care of each other.”
jeff buckley. "it's never over" (2025)
Jeff Buckley photographed by Stephen Stickler, 1994
things i wanna try and figure out this week:
whether i want to get a record player and if so what is the set up (ask andrea for help)
what type of crochet hooks i need for filet crochet (potentially ask my boss for help)
what my priorities are for first few months of PhD research (then email the state archives for help)
ouro preto, brasil (2015): participants dressed as angels during the traditional holy week procession. photography by mario tama.
Sinéad O'Connor photographed by Bruce Weber
some of you don’t notice the patterns
"It might seem disproportionate, the emotion and the memories I have with him and with that time. But I just felt protected and nurtured and valued and believed in (...) He was encouraging me to discover me."
Kylie Minogue & Michael Hutchence | KYLIE (2026)
This link between referee and police body cams is likely as unintentional as it is perverse. But referees are ultimately football’s cops, the game and its hierarchies of power offering another refracted view of society not unlike the video games that pioneered first-person aesthetics and the technology required to produce them. (Lenovo has invested heavily in a line of hardware outfitted with the kind of processing power sought after by gamers, marketed with the slogan “Choose Your Weapon.”) And much like video games are now made to be watched by the millions tuning in live on streaming platforms or recorded on YouTube, body cams, too, have their audience. They are more than a means of transparency; they are also tools of surveillance.
I had looked skyward as I alighted in the Meadowlands ahead of the Norway–Senegal match. Storms threatened to delay the match, and a deluge had just passed. Against the backdrop of purple clouds, to the right of the American Dream mega mall, hovered two drones. Whether they were there for broadcast, security, or perhaps a feed for both, I wasn’t sure. But the organs of security were unmistakable. The gauntlet we’d run between Penn Station and the swamp where the match would take place had been riddled with cops: NYPD, Transit Police, National Guard, NJ State Troopers, Unidentified Militarized Police (UMP!). Were they, too, cammed up? I couldn’t get many close looks in the rush, but I was confident my passage to the stadium had been captured, logged, and beamed to a hard drive somewhere for processing or to languish in data storage.
Lenovo, like most tech companies, sees law enforcement as a key market, and it sells its various products as a means of parsing the immense amount of data that today’s surveillance state produces. It doesn’t produce the cameras themselves (though Motorola Solutions, the other half of Motorola Mobility that Lenovo acquired in 2014, also a prominent World Cup sponsor, does). Instead, Lenovo deals higher up the supply chain: What do you do with the resulting files? How do you store them? How do you make them more usable, more accessible? Providing the back-end infrastructure for functional surveillance is where Lenovo focuses its efforts. “Police officers are often in a state of continuous evidence collection, especially with body cameras. The handling and storage of that evidence often requires multiple different types of media, devices, and reporting—eating up hours of valuable time in an officer’s week,” Lenovo tells us. “This has started to change thanks to automation and cloud-based evidence processing.”
Seeing Like a Referee, Jonathan Tarleton