Charles Matton
The Blue Armchair in a Red Living Room, 1986

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Charles Matton
The Blue Armchair in a Red Living Room, 1986
Olga Ingurazova
1959 Marc Chagall Exhibition Poster Le Peintre En Rose
Armenia, 1922, Martiros Sarian
Size: 29x22 cm Medium: oil, canvas
Treasures from old Korea: eBay Purchase Film Discovery
Photographer Ben Larsen ordered a bunch of photography-related items on eBay, one of these is a Kodak Plus-X Pan black and white 35mm film. Ben then developed the film at home and the results were surprising — photographs taken in South Korea about half a decade later.
Get a glimpse of mid-1900s in Gyeongbokgung Palace in Seoul.
Exhibition. September 13, 2016–January 8, 2017. The artist Martha Wilson founded Franklin Furnace in 1976 with a mission to present and preserve avant-garde art, especially forms that were vulnerable due to institutional neglect, their ephemeral nature, cultural bias, or politically unpopular content. A main aspect of Franklin Furnace’s program was the creation of an independent archive of international artists’ publications, which became a leading repository for experimental publications by contemporary artists. In addition to the book archive, Franklin Furnace ran a very active exhibition and performance program, providing a space for artists who were experimenting with publishing to perform or exhibit their work through readings and installations. This exhibition celebrates the 40th anniversary of Franklin Furnace by examining the first five years of the organization’s history. Historical photographs, correspondence, and printed matter document the founding of this artist-run space and its early activities. Selections from the artists’ books archive, which was acquired by the MoMA Library in 1993, trace the early development of the collection and the scope of works found in its holdings. The materials presented here provide a historical view into the vibrant scene that Franklin Furnace created at its storefront loft in Tribeca as it worked to archive and exhibit new genres in contemporary art.
Raise the Red Lantern, 1991, Zhang Yimou
It’s good to be bad
What does it mean to be a “bad girl?” That was the question that inspired illustrator Ann Shen to create her debut book Bad Girls Throughout History. Having grown up as the quintessential “good girl,” Shen struggled with how young men, when outspoken, were perceived as leaders and mavericks, while the same behavior exhibited in women put them in the bad category. She decided to tackle this misconception and reclaim the term “bad girl,” flipping it on its head to embody all the awesome things women have done throughout the ages to pave the way for a better world.
What resulted was the original Bad Girls Throughout History, a 12-page zine that Shen created and sold herself. The response was so positive that she created a second volume, and then ultimately expanded the collection to the 100 women featured in the book today.
In honor of the launch of this dynamic and beautifully illustrated book, we chatted with Shen to learn more about five of her favorite women from the book.
Harriet Tubman
One of the greatest, most selfless, and courageous humans to ever grace this earth, Harriet Tubman is easily my favorite Bad Girl. She escaped the abusive horrors of slavery (a law and accepted norm at the time) to then turn around and risk her own safety to help hundreds of others to freedom. Tubman was, among being a nurse, scout, and spy during the Civil War, the first American woman to lead an armed assault—resulting in the liberation of over 750 slaves. At the end of her life, she donated her estate to open a care facility for elderly African-Americans. She was the one person whose life story made me break down in an ugly cry when doing research for all her endurance, resilience, and grace. Harriet gives me such hope for humanity.
Mae West
Impossible to forget, Mae West was a living goddess whose star is a permanent fixture in Hollywood history. She wrote all her own legendary one-liners and was in control of her own sex symbol status. In fact, she created it! Becoming a bona-fide movie star at the age of 40, West is an enduring symbol that women can be whatever they please at whatever age they please. I love her for her incredible wit—one of my favorite lines from her is: “Marriage is a fine institution, but I’m not ready for an institution.”
Mary Blair
One of the most influential artists in Disney studio’s (and my own personal work’s) history, Mary Blair was a brazen artist who had a unique vision and fierce design sense to back it up. I love that in a time where women were relegated to ink and paint jobs, Mary was bold enough to march into Walt Disney’s office and demand she be on the South America trip with other (mostly male) visual development artists, a move that would change her artistic work and the visual direction of Disney studios.
Ruth Bader Ginsburg
Now that I know where she came from—being one of the nine women in her class at Harvard Law School, supporting her cancer-stricken husband and young daughter while in school—to become the badass judge that she is, I’m even more grateful that Ruth Bader Ginsburg is one of our Supreme Court Justices. We are truly blessed to be living in a time where we can witness Ginsburg delivering fiery dissents as a model of leadership and intelligence.
Dr. Ruth Westheimer
Dr. Ruth Westheimer was one of the most surprising and delightful women I researched for this book. Knowing she was a leader in the field of sex therapy, with her frank yet coy style of discussing a wide range of sexual topics, I was surprised to find out that she was also an orphan survivor of the Holocaust and a trained Israeli sniper. There’s so much more to her story, which you’ll read in the book, but she’s a living testament to the saying “good things come in small packages”—she’s a diminutive 4’7”!
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For more of the baddest women out there, check out Bad Girls Throughout History here today.
Dreamy Stillness, Nguan
Singapore born photographer Ngaun’s body of work is a pastel-tinted dreamscape of brutalism and loneliness, with the occasional flower or rainbow mixed in.
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#tbt to July, 1982. David Hammons for Messages to the Public.
John Everett Millais,Ophelia (detail) 1852.
Annie van Gemert
© Vivian Maier, Chicago (Woman Hunched with Floral Bag), 1972
Jiaxi Yang
The Lenny Interview: Kimberly Drew, aka @MuseumMammy Meet the Instagram Star Elevating Black Contemporary Art by Doreen St. Felix
Full interview
Kimberly Drew: There’s a narrative around technology that assumes a very Silicon Valley orientation. Blackness is a technology in and of itself. The way we survive and thrive has always been contingent on building technologies against the system that sets us up to fail.
Doreen St. Felix: You began your career on the Internet. Can you tell me about beginning your Tumblr, Black Contemporary Art? Is there a connection to be drawn between your two disciplines — art history, which can be coded as white and bourgeois, and African American studies?
KD: I didn’t realize how overwhelmingly white art history was because I never equated art with whiteness. I come from a family of people who are very creative, and creativity was this thing that was totally open-access. Art was always around, and whenever the family would gather, we went to museums. I never felt uncomfortable in a gallery space, but it’s great to hear from people who do feel that way so I can try to figure out how to create better spaces for those people, though it’s not my personal experience.
On Hearing a White Man Co-opt the Body of Michael Brown by Rin Johnson
Essay here