Ride the elevators where they work,
See how the bus boy is treated,
Go into the basement of the post office and live
That world for a time, visit their rooms, you see.
*
from “I WAS A TWENTY-FOUR-YEAR-OLD SEPARATIST” by Kimberly Alidio
occasionally subtle
"I'm Dorothy Gale from Kansas"
One Nice Bug Per Day
d e v o n
Claire Keane
hello vonnie
Not today Justin
I'd rather be in outer space 🛸

ellievsbear

★
let's talk about Bridgerton tea, my ask is open

blake kathryn

shark vs the universe
noise dept.
Monterey Bay Aquarium
🩵 avery cochrane 🩵

#extradirty
Sweet Seals For You, Always
taylor price
Lint Roller? I Barely Know Her
seen from United States
seen from Türkiye

seen from Malaysia

seen from Portugal
seen from United States
seen from Canada
seen from Venezuela
seen from United States
seen from Türkiye

seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from Argentina
@recklessyokohama
Ride the elevators where they work,
See how the bus boy is treated,
Go into the basement of the post office and live
That world for a time, visit their rooms, you see.
*
from “I WAS A TWENTY-FOUR-YEAR-OLD SEPARATIST” by Kimberly Alidio
struggling to hold the danger back,
I will lower the rope ladder to meet you.
. . .
from "Epithalamium that Refuses to Ignore the Possibility of a Zombie Apocalypse" by Matthew Olzmann
Koko Taylor’s powerhouse vocals and Little Walter’s harmonica brilliance electrify the stage of the American Folk and Blues Festival in 1967.
Harlem, New York. Photograph by Martine Barrat (1990s)
ida karpik, the wind
John Baldessari. National City, sunset, 1966
sophie calle: take care of yourself