Destápate el cerebro

Intense architecturing and a lack of serotonin. Blatantly real, indubitably feeling.

[diegolunadaily]

I’m here to investigate how to tear down walls.

[melisica]

Davide Carovana

[melisica]

Jung Lee

[1000drawings]

by Sasha Haritonova

[reddeadquiroga]

Arráncame la sed. (at Polanco, Mexico City)

[reddeadquiroga]

Sin descanso en la ciudad que nunca descansa.

[goldlila]

[feelinqblue-deactivated20170707]

[artissimo]

blood moon 14 by angel ganev d'artiste Digital Painting 2: Digital Artists Master Class

[melisica]

Madeleine Brunnmeier

[trynsave]

[archatlas]

Lee Jeong Lok

The Tree of Life series began in the winter of 2006. It was a freezing winter with bitter winds. I saw a glimpse of green at the tip of a bare branch. “Did I really see it then?” Whatever it might have been that I saw, a seed of life must have been embedded inside that dry branch devoid of vitality, like all the trees that have to endure the long, barren winter. Although not clearly visible, it is without doubt that this vitality exists. This is not the only invisible thing that exists in this world! This was a kind of awakening.Awareness of something that exists in spite of its invisibility.

With light, I have been painting something that exists despite its invisible nature; places that correspond to the visible world, places beyond our sensual cognition, profoundly mysterious places that nevertheless cannot be separated from our world of cognition. Painting with light is the body, mind, and the soul harmoniously following the rhythm; it was an act of delivering positive energy felt by the body, rather than creating something from nothing. 

Text by artist.     

[architectureofdoom]

McMahon Hall, University of Washington, Seattle, Kirk, Wallace & McKinley Associates, 1966

[atlantidasul-blog]

[melisica]

April Farnum

[untrustyou]

[hirxeth]

“It seems I’ve created a monster.”

Inglourious Basterds (2009) dir, Quentin Tarantino