Ziegfeld girl Albertine Marlowe photographed by Alfred Cheney Johnston, 1917. From my collection.

Game Changer & Make Some Noise

oozey mess
KIROKAZE
noise dept.
Keni
YOU ARE THE REASON
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#extradirty
Monterey Bay Aquarium

shark vs the universe
Lint Roller? I Barely Know Her
let's talk about Bridgerton tea, my ask is open

if i look back, i am lost
Cosimo Galluzzi
The Stonewall Inn
Phantogram Three

izzy's playlists!
Fai_Ryy
almost home
seen from Pakistan

seen from United Kingdom
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seen from Bangladesh
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seen from Lithuania
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seen from Türkiye

seen from United States
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@redhairclara
Ziegfeld girl Albertine Marlowe photographed by Alfred Cheney Johnston, 1917. From my collection.
Lily Elsie by Foulsham & Banfield, published by Rotary Photographic Co Ltd bromide postcard print, mid 1900s
Queenie Smith featured in Harper's Bazaar. Photographed by Alfred Cheney Johnston, 1923.
Clara Bow for THE FLEET'S IN (1928)
"Clara Bow was a "natural." She was one of the most colorful stars the screen has ever known, with natural unrestrained talent and natural brilliant beauty. Her thick, wavy, flaming red hair framed her face and set off her huge amethyst-colored eyes. When those enormous gems looked up at you, you looked into the biggest pair of purple glims that anyone has ever seen." – Jack Oakie, Jack Oakie's Double Takes (1980)
Kendall Lee, Holding A Pearl Necklace, by Edward Steichen, Vogue Photos
Edward Steichen, Kendall Lee, Cartier Earrings, 1925
Martha Mansfield photographed by Alfred Cheney Johnston, 1919.
Sappho (1898) by Laurence Koe (British, 1869 – 1913), signed 'LAURENCE KOE' (lower right), oil on canvas, 103 x 127.5 cm (40 9/16 x 50 3/16 in), Private Collection
Clara Bow advertising Fisk Tires in her 1928 Chrysler Imperial Roadster
Arline Judge, 1930s
Jobyna Ralston in For Heaven's Sake (1926)
2002
Norma Shearer as Fay Cheyney in THE LAST OF MRS. CHEYNEY (1929) dir. Sidney Franklin
Silent Screen Beauty
Blanche Sweet
In A Production Still From Her Film
The Storm (1916)
Allegorical Figure of the City of Piacenza, for a Pendentive in the Chapel of Saint-Roch, Church of Saint-Sulpice, Paris by Alexandre-Denis-Abel de Pujol
French, 1821
graphite, heightened with white, squared in graphite, on beige paper
Metropolitan Museum of Art
Joan Crawford photographed for Possessed (1931)
Martha Mansfield photographed by Alfred Cheney Johnston, 1919.