[redhairclara]

Ziegfeld girl Albertine Marlowe photographed by Alfred Cheney Johnston, 1917. From my collection.

[gacougnol]

Aleksandr Khlebnikov (1897-1979)

Portrait with a bottle of perfume. Circa 1925.

[redhairclara]

Lenore Hughes featured in Harper's Bazaar, 1918. Photographed by Alfred Cheney Johnston.

[summertimenoir]

Angel (1937) - directed by Ernst Lubitsch

[summertimenoir]

The Kiss (1929) - directed by Jacques Feyder

[redhairclara]

Mary Nolan featured in Vogue, 1923.

[naldibutnice]

Dorothy Revier in Submarine (1928) Dir. Frank Capra

[ghw-archive]

Lily Elsie by Foulsham & Banfield, published by Rotary Photographic Co Ltd bromide postcard print, mid 1900s

[redhairclara]

Queenie Smith featured in Harper's Bazaar. Photographed by Alfred Cheney Johnston, 1923.

[stylelikeclara]

Clara Bow for THE FLEET'S IN (1928)

"Clara Bow was a "natural." She was one of the most colorful stars the screen has ever known, with natural unrestrained talent and natural brilliant beauty. Her thick, wavy, flaming red hair framed her face and set off her huge amethyst-colored eyes. When those enormous gems looked up at you, you looked into the biggest pair of purple glims that anyone has ever seen." – Jack Oakie, Jack Oakie's Double Takes (1980)

[columboscreens]

[galerienoirchic]

Kendall Lee, Holding A Pearl Necklace, by Edward Steichen, Vogue Photos

[thejazzera]

Edward Steichen, Kendall Lee, Cartier Earrings, 1925

[redhairclara]

Martha Mansfield photographed by Alfred Cheney Johnston, 1919.

[7pleiades7]

Sappho (1898) by Laurence Koe (British, 1869 – 1913), signed 'LAURENCE KOE' (lower right), oil on canvas, 103 x 127.5 cm (40 9/16 x 50 3/16 in), Private Collection

[stylelikeclara]

Clara Bow advertising Fisk Tires in her 1928 Chrysler Imperial Roadster

[precodesoul]

Arline Judge, 1930s

[littlehorrorshop]

Jobyna Ralston in For Heaven's Sake (1926)