Itzal shepherds Page out of the library.Â
See the full size image here https://www.deviantart.com/trisent/art/Itzal-and-Page-In-The-Library-858199303

No title available

JVL

Discoholic đȘ©

â
d e v o n

if i look back, i am lost
noise dept.
Game of Thrones Daily

Janaina Medeiros
tumblr dot com
Show & Tell

shark vs the universe

Andulka

â
taylor price
h

No title available

Kiana Khansmith
DEAR READER

pixel skylines
seen from United States

seen from United States

seen from Indonesia
seen from Paraguay
seen from Canada
seen from United States

seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from Philippines
seen from Germany
seen from United States
seen from United States

seen from United States
seen from United States
@redsugar124
Itzal shepherds Page out of the library.Â
See the full size image here https://www.deviantart.com/trisent/art/Itzal-and-Page-In-The-Library-858199303
https://www.deviantart.com/trisent/gallery/74861353/vampires
Itzal shepherds Page out of the library.Â
See the full size image here https://www.deviantart.com/trisent/art/Itzal-and-Page-In-The-Library-858199303
Say hello to Itzal the Ancient and Page the Dhampir. I have some more pics of them on my deviant art account.Â
https://www.deviantart.com/trisent/art/Vampire-Itzal-Holds-Page-848744552
https://www.deviantart.com/trisent/art/Teenaged-Vampire-Girl-835332678
https://www.deviantart.com/trisent/art/Ancient-Vampire-2-835136547
Vampire Chronicles Show
When the heck are we getting a vampire chronicles show?Â
https://variety.com/2019/tv/news/anne-rice-vampire-chronicles-hulu-dead-1203449088/
Blood Communion
Just finished reading blood communion by Anne Rice.
*Spoiler alert
Was so happy Marius didnât actually die.Â
Vampire Chronicles show is happening. IT.IS.HAPPENING! AHHHH!
I adore her cosplay of Lestat so much. *-*
She really does look like Lestat.
Toying somewhere between love and abuse    (âŠ) Freshly disowned in some frozen devotion Â
Another breathtaking pic of Marius and Armand by sheep skeleton
i should go to bed
Louis and Lestat kissing. Hubba hubba
Marius Flies Armand To Russia
In the Interview With The Vampire series by Anne Rice are two lesser-known books, The Vampire Armand and Blood and Gold both of which depict what is, in my opinion, the best couple in the entire series. Marius de Romanus, child of the millennium and Amedeo, later be known as Armand, leader of the coven at Les Innocents. Marius is Armand's sire and they have an oh, so delicious relationship if you're into the kinky stuff. One of my favorite scene with them though isn't kinky at all. Armand asks Marius to fly him back to his homeland, to Russia and I always vividly imagined the adolescent Armand in the master's arms, floating up in a starry night sky. I so wish I had more time to work on it, to darken up the shadows. I have finals to study for though and choir in the morning. The medium is Prisma color markers.
* A colored version is coming next Sunday.
I love the scene from the books The Vampire Armand and Blood and Gold where Marius flies Armand to Russia. These two books both recount the same scene. The novels are part of Anne Riceâs Vampire Chronicles, a series that includes the all too famous Interview with a Vampire.Â
I think I loved this scene because Armand is brand new to vampirism and Marius has never been more in love with him and for several nights Marius holds Armand in his arms and flies with him in the starry heavens. I always envisioned this scene so vividly but Iâve never seen an illustration of it. Thatâs why I wanted to draw it.Â
The Tomb Part 3
(READ PARTS 1 AND 2 to see what came before)
Hugo Morgan, the newly graduated archeologist and expert of ancient languages, edged down the sloping passage in search of his colleague. He braced himself on the wall but the ends of his fingers curled into the open cavity of an eye socket. Hugo flinched away. Like the burial chamber, these passage walls were made of bones and skulls.
âDr. Fen?â His words came out a whisper. He tried again. âDr. Fen?â he couldnât manage a yell, not with the way that he trembled. Perhaps an hour had passed since the superstitious villagers sealed Hugo and the other archeologists into the tomb. Barnes lay dead in a pool of blood by the exit and Prestonâs corpse was crushed into the dirt floor of the burial chamber. Dr. Fen was missing... and so was the woman, oh god, the mummy, absent from her sarcophagus. Perhaps she was the fabled monster. Perhaps she had clawed out Barnes' throat. But how on earth had she smashed Prestonâs head?
The slope steepened as Hugo progressed, more and more until the young man ambled down sideways, leaning backward on his arm now and again. Dirt shifted around his boots. He shone his light on the floor, careful of each step. Down, down, down until he came upon some scattered and filthy papers, marked up in Dr. Fenâs handwriting. They were his osteological notes, about the bones in the walls and of course about the mummy, the perfectly preserved, missing mummy. Â The pages cascaded in little avalanches of soil as Hugo skidded onwards and downwards. If he could find Dr. Fen, then he would also find the manâs backpack. Inside the doctorâs pack was a pickaxe. Hugo planned to mine his way out of the tomb before he starved or ran out of air down here, and he knew his time was short. Already he panted. Each breath burned with dissatisfaction. Suddenly his foot went plop through the surface of a cool liquid. It was the pool of water Preston mentioned. Ripples danced outward from the epicenter of Hugoâs ankle, waltzing with the shadows and glints of electric light as Hugoâs flashlight cast its beam. Hugo held very still in the gloom. Where is Dr. Fenn? he thought. With a sweep of his arm, he shone his light this way and that. No one to be seen. No corpse, just dirt, and papers, some of them sliding now to the pool and floating away with the ripples. Yet, where was the doctor? There were no other rooms nor passages in the tomb. This was impossible. Had he and the mummy simply vanished?
Hugo stood upright, or least, as high as he could against the slope. He looked around again. He failed to fathom it. âDoctor Fen!â The shout echoed and died. Then he turned around, staring blankly at the skeletal wall at the far end of the pool. The skulls stared back. His fingers went limp and the flashlight angled downward, shining through the clear water. Hugo stepped forward, both feet in the water now standing on flat stone as he peered onward on tiptoe. A few paces forward was a sheer drop-off. Sloshing through the shallows Hugo continued to the edge and looked down into the surprisingly deep depths of the pool. His light cast some twenty feet below the surface and there at the bottom was an opening in megalithic rocks of a rectangular shape. It looked like a proper doorway. Perhaps it was a proper doorway at one time and then the place flooded. Now, Hugoâs mind flooded. The realization halted all further thoughts and numbed his body; There are other rooms in this place. There are rooms beyond that doorway and if I want that pick-axe I have to swim down there. Hugo looked at the flashlight in his hand. He remembered the darkness, the pure and absolute darkness when heâd dropped it. Hugo backed up. He sat down, his bottom in the dirt and his feet still in the water. He put his hands to his face. I can sit here and slowly starve to death, he thought, or can I swim down there in complete darkness and possibly drown. He stewed in his fears. His head was light. Was he already running out of air? No. No that would take days, wouldnât it? Hugo rummaged through his leather satchel and found his lunch tin. He ate the sandwich and managed to keep it down. Then he turned the tin over his hands. He put the flashlight inside it. He shut the lid. The darkness fell. Opened the tin again and light returned. The flashlight fit inside of it. Hugo took the second flashlight, Barnesâ flashlight, off his belt and he tested it. It fit too. Hugo figured his own flashlight was lower on batteries. He turned on Barneâs light, put his own in the tin, clasped it shut and held it under the water. No bubbles. He pulled up the tin, opened it and found his flashlight still dry and shining inside it.
Hugo ascended the slope a few steps. He slid the shaft of his old flashlight into the empty eye socket of a skull. He shut Barnesâ flashlight inside the lunch tin, clambered back down to the edge of the water and removed his boots his satchel, and his jacket. He lodged his effects behind a femur that jutted out sloppily from the wall. Then, he held the lunch tin under his arm, folded his hands and prayed silently, Please, God, protect me.
He stepped down. The cool water sent shivers up through Hugoâs naked feet. He walked to the drop-off and sat down in the water. He let out a startled sound. So cold. He took a deep and panged breath slid off the edge plunged into the icy water. He swam downwards through the darkness. The light from above barely penetrated the surface. He struggled, kicking and stroking but the lunch tin tugged behind him. Hugo yanked it down. It bobbed straight back up. Hugo couldnât swim down. He swam back up. His head broke the surface and he gasped. In front of him, the tin floated on the surface of the water. Hugo let out a frustrated grunt, frog stroked to the edge and went back to the earthen slope. He opened the tin. The flashlight inside was fine. Hugo picked up a fistful of dirt and put it in the tin. Hand over hand, he filled it will soil, burying the flashlight within. With packed and level dirt up to the brim, he closed the lid and clasped it shut. Then with a much heavier lunchbox dangled from he hand, he jumped back into the pool. He kicked and stroked and sank quickly to the flat stone bottom. With his hands and heavy tin he pulled himself along the floor and passed through the doorway into true darkness. Kicking now, he ran his fingers along the ceiling above him. His lungs burned. He prayed there in the dark cold water and cramped stone space. Donât let me drown, Lord. Donât let me drown. Then the ceiling stopped. Abruptly his uplifted hand, running along the ceiling, scooped through the empty water. No more ceiling. He stopped, touching the rim where ceiling ended. He slid his palm upward along a smooth stone surface; a wall. Maybe he could follow it up to the surface. Please, God let there be a surface. Hugo pushed off the floor. He kicked and stroked, muscles straining, lungs screaming. He worked desperately against the weight of his lunch tin. Now and again he found a crease in the stone and used it to climb. Still, he struggled to rise through the water. In the blackness, he couldnât know if perhaps he was sinking, if he was using the same crease over and over to push up only to plunge down again. He didnât know. He couldnât see. He reached out for the wall again and grasped a ledge. He yanked himself over it. Still, he didnât break the surface and now, he lacked a wall in the in the inky void to guide him. Hugo kicked and paddled with his hands but now he truly wondered if he was rising at all and the lunch box was so heavy in his arms and by God, he needed to breathe. His chest heaved. He felt a few bubbles escape his mouth. I donât want to abandon my flashlight, he thought. God, oh, god. He found the air. Hugo gasped and heaved and wailed in delight for the stale oxygen. âThank you, Lord,â he said aloud, âOh, thank you,â and then he realized something was wrong. Water dripped off him, off his face, off his lunch tin... off of his dangling feet. Hugo flailed. No walls. No ceiling. No floor! He floated not in water but air. He reached in all directions. He kicked and squirmed as if something were holding him and he might wriggle free but the only sensation that gripped him was weightlessness. Â Something gleamed in the dark; two vibrant red points of light, getting larger ... no... getting closer. Hugo quit kicking. They were red circles, these lights, right beside one another. The bare flats of his feet touched gently down upon dry stone. Hugo stood there in the black, the lunch tin clamped tight to his chest with both arms as he stared at what he knew to be a pair of eyes, glowing and crimson. They blinked. Hugo let out a cry. He flinched away. Yet, nothing happened. The eyes only looked at him. Water lapped at a shoreline somewhere and Hugoâs breath echoed around him without end. Â Gaze still locked upon the red eyes Hugo bent to the floor, shivering. He set down his lunch tin. He unclasped it as quietly as he could. His fingers dove into the tight-packed dirt and bit by bit Hugo dug out the flashlight. He shook off some soil. His thumb clicked the dial. A beam of light sliced through the darkness.Â
Hugo shielded his eyes until the colors and shapes of the world around him came into focus.
Dr. Fenâs backpack lay sideways on the stone floor. A pace away sat the Doctor himself, pale-faced, slouched over, his long white beard stained with red. Fenâs open eyes looked at nothing.Â
A figure crouched behind him, its red eyes squinting against Hugoâs beam. It stood up. Dr. Fen slapped limp and sideways against the floor.Â
Her flesh was porcelain white, her hips wide and waist narrow. Plump breasts sported grayish nipples. A bleached triangle of hair blossomed on her mound. She stood upright and regal in her nudity, resting a foot triumphantly atop the Doctorâs corpse. Surely this supple, beautiful creature could not be the dry and tanned lump of leather which lay in the sarcophagus hours earlier.Â
Hugo lifted the beam to her face but she turned away and made a sound. The flashlight tore itself out of Hugoâs hand. It flew in the air and the she-creature caught it. The beam cast upon the floor, upon the Doctor as he lay there with his jaw agape. Small red wounds speckled the bend in his neck.Â
The woman spun the flashlight around in her hands. Her white fingers were about all Hugo could see of her with the light pointed in his direction. He could, however, still see the Doctorâs backpack. As the woman seemed to marvel at his device Hugo grabbed a strap of the bag. He pulled it toward himself. The flashlight switched off with a click, then back on again. Hugo unbuttoned the backpack and stuck his arm in. He felt the Doctorâs first aid kid. He moved it gently aside and found a long wooden shaft. His fingers curled around it. Slowly, quietly, watching as the deadly beauty waved the beam of the flashlight randomly about the room, Hugo pulled the pick-axe out of the doctorâs bag. He took the heavy tool in both hands.Â
He jumped up and lifted the pick-axe high. Hugo swung it down. Cold hands caught his wrists. The flashlight turned back toward the womanâs face. He knew the face, knew she was indeed the mummy, but the living article with full white cheeks, gleaming animal eyes and blood drizzling down the edges of her lips.Â
âHugo,â she said. When she smiled he saw her teeth, sharp and red with blood.
Hugo staggered. He left the pick in her iron grasp, backing against a wall.Â
âHugo,â she said again. She dropped the pick-axe. It clunked against the Doctorâs head. The woman approached with languid steps. Hugo lurched toward the water, making to dive but he froze in place, unable to move. She stepped in, breasts pressed against his chest. âHugo,â she whispered. She leaned in. She nuzzled his cheek. Then she bit his throat.
Though Hugoâs scream reverberated time and again off the ancient stone walls, not a living soul could hear.Â
Above ground, the villagers, man, and woman alike worked feverishly with shovels, reburying the cursed tomb. Two police officers, gagged and bound, looked helplessly on. A third lay in the grass and the gathering dew, moaning, drifting in and out of a fitful slumber and cradling a nasty bruise on his forehead. Children watched over the officers. The younger ones slept in the grass as their parents worked. When the November sun finally rose over the roofs and gables of the small Sardinian village, the tomb was nothing more than an earthen mound again, another hill in the picturesque countryside.Â
The flamboyant Brat Prince in an intricate vest and necktie. I drew a picture of Lestat from the Vampire Chronicles. He doesnât quite look like the Lestat that I picture in my head and actually, some of his features make me think more of Marius. What do you think? How do you picture Lestat? Do you picture Tom Cruise? If not, what are his features like in your mind?Â
all hours are alucard loving hours
Akasha Teaches Lestat to Fly
"Slowly she started to rise. Never taking her eyes off me she traveled upwards, the sheer silk of her gown billowing only sightly. I watched in astonishment as she rose higher and higher, her cloak ruffled as if by a faint breeze." This is one of my favorite scenes in Queen of The Damned, a book that's part of Anne Rice's Vampire Chronicles. I have never seen an illustration of this scene and so I was compelled to draw one myself.
The Tomb Part 2
Hugoâs outstretched hands trembled around the shaft of the flashlight as he descended the slope ever farther into the blackness. This shoulder then that one, brushed against the precious carvings and paintings on the walls with every footfall down the narrow passage.
âDoctor Fen?â Hugo shouted again. âPreston?â His calls returned to him in echo.
Now, approaching the entrance to the bone room, Hugo hesitated. Only his arm extended into the horrible round burial chamber with its walls made of stacked skulls and femurs, ribs and pelvises. Slowly, Hugo cast his electric beam across the dirt floor until it illuminated the sarcophagus at the center. He ran his light down the length of the stone coffin. Then he saw it; a hand poking out from behind the edge of the sarcophagus.Â
Hugo stood frozen on the threshold between the megalithic passage and the burial chamber, in the full knowledge that the man laying behind the sarcophagus would surely have called back were he still conscious... or still living. Even so, Hugo managed a stiff throated croak. âPreston? Preston if thatâs you say something to me damn it!âÂ
Again Hugoâs voice ghosted back at him, the ancient skulls in the walls taking up the chorus of his terrified tune.Â
With a gulp and a breath, Hugo edged forward. Stepping, creeping. Dirt and bone fragments crunched under his boots.Â
He lifted high his flashlight as he approached, well over the sarcophagus, shining it down the secondary passage beyond, the one that went deeper still into the maw of the earth. Darkness. Emptiness. Hugo stopped. He looked over his shoulder. A quick flick of the light showed the same emptiness in the passage from which he came. Then he cast his light in the obvious place; the sarcophagus. Emptiness there too... The mummified woman was gone. Here and there a fragment of putrid flesh rested on the gray floor of the stone box but the woman herself, so perfectly preserved and historically valuable was simply gone.Â
âSurelyâ Hugo thought, âthat was Her hand I spotted laying there on the other side.âÂ
Continuing now, he rounded the stone coffin. His beam and gaze fell to the floor, to the bloodied remains of Preston squashed and smashed face first into the dirt, blood still oozing and pinkish brains exposed and glistening. Hugo cringed away, catching his scream in the palm of his hand. He clamped his eyes shut. Tears welled up. He breathed. He breathed precious warmth through the creases in his fingers. His ears rang in the silence. A circle of light danced on the megalithic ceiling as Hugo rocked and hummed and breathed âjust breathe. Get a hold of yourself.â The tears flowed down both cheeks. Barnesâ words played like a looping record in his mind. âThe mound is said to be the grave of a genuine monster and all who enter either die or become monsters themselves.â
Yet, that was nonsense. Everyone had said so... but then the villagers, they believed it. They believed it so completely they saw fit to seal Hugo and the other archeologists into the tomb and now Barnes was dead and Preston was dead and the mummy was missing and... Doctor Fenn.Â
Hugo whirled about, sweeping every inch of the room with his battery-powered light. Indeed, Preston's body lay plain and awful on the floor, his head crushed flat but Dr. Fenn was as absent as the woman in the sarcophagus. Hugo circled the great stone coffin. He did it multiple times, looking frantically about at the floor.
Then he saw it. An imprint of the doctorâs pick ax lay undisturbed in the soil. The tool itself, however, was gone. No doubt, Dr. Fen had finished dressing the cut on his hand and then returned the pickax to the stuffed folds of his backpack. Hugo bellowed through his teeth. He stomped the dirt and swiped out the contoured mockery of salvation with his foot. The pickax might be his one way out of this tomb, his one way through the massive cover stone blocking the exit. Yet it was gone; missing along with Dr. Fen.Â
Once again Hugo shone his electric beam to the open square entrance of the secondary passage. The mysterious corridor tunneled downward through the bony walls and earthy floor. âThere is no other place he could possibly be,â Hugo thought.Â
Hugo walked back around the sarcophagus. He looked back and forth, back and forth between Prestonâs demolished body and the dark, downward slope. He knew he could not move the cover stone that sealed him into this wretched tomb. It would take fifty men with ropes and levers to nudge it an inch. Yet the igneous bluestones were relatively soft. Dr. Fennâs pick ax might mean the difference between life and death. Still, Hugo stood gazing into the darkness. He hadnât yet seen that part of the tomb. Perhaps, death waited for him in those depths. Still, with every inward breath, Hugo felt all the more starved for air. When the villagers sealed the tomb they cut him off from the only source of oxygen.Â
Faced with the slow suffering of suffocation or the maw of a mythical monster Hugo paced in a frenzy, round and round the circular room. He wrestled with every unexplored recess of his soul, obsessing and aching over all the awful possibilities of what lay waiting in the shadows, of how long he might lay gasping if he ran out of air and which of the two deaths was a preferable end. Finally, he stood squarely with the opening of the descending passage and he knew he had to rage against the darkness.Â
Hugo stepped forward.