Viajo Porque Preciso, Volto Porque te Amo (Karim Aïnouz & Marcelo Gomes, 2009)

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Aqua Utopia|海の底で記憶を紡ぐ

Janaina Medeiros
Alisa U Zemlji Chuda
DEAR READER

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"I'm Dorothy Gale from Kansas"
PUT YOUR BEARD IN MY MOUTH
Sweet Seals For You, Always
Mike Driver
Monterey Bay Aquarium
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Peter Solarz

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if i look back, i am lost

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oozey mess

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d e v o n

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@reelcine
Viajo Porque Preciso, Volto Porque te Amo (Karim Aïnouz & Marcelo Gomes, 2009)
Edge of Tomorrow (2014), dir. Doug Liman
Do you ever think it's coming back? All that shit from the '90s? We were despised, but you read the stuff online now, it sounds just the same. Do I think it's coming back? Yeah. It's back, you fucking idiot. Right now, it's here.
TIP TOE • 1.01
Genuinely incredible single serve site I just found: a guy made a search tool so you can find completely empty AMC movie screenings in your area and enjoy a private or near-private theatre.
THE HUNCHBACK OF NOTRE DAME (1996)
dir. gary trousdale and kirk wise
HOKUM 2026・dir. Damian McCarthy
David Lynch
When Night is Falling (1995) Patricia Rozema
idiots (affectionate)・[33/?] ⤷ 2.20 — “Humbug”
All these rooms… This place builds them. Backrooms (2026) dir. Kane Parsons
ONE HUNDRED AND ONE DALMATIANS (1961) dir. Wolfgang Reitherman, Hamilton Luske, Clyde Geronimi
LOVE IN THE AFTERNOON 1957 — dir. Billy Wilder
— young ryan coogler's advice on going to film school
Jauja (2014) Directed by Lisandro Alonso
untitled part 1: everything and nothing (1999) souha bechara after her release from captivity in israeli prison el-khiam in south lebanon.
An intimate dialogue that weaves back and forth between representations of a figure (of resistance) and subject with, Soha Bechara ex-Lebanese National Resistance fighter in her Paris dorm room taped (during the last year of the Israeli occupation) one year after her release from captivity in El-Khiam torture and interrogation centre (S. Lebanon) where she had been detained for 10 years, 6 years in isolation. Revising notions of resistance, survival and will, recounting to death, separation and closeness; the overexposed image and body of a surviving martyr speaking quietly and directly into the camera juxtaposed against her self and image, not speaking of the torture but of the distance between the subject and loss, of what is left behind and what remains.
On Vimeo (40:46) https://vimeo.com/71401594
"Love me for as long as I have left. Then forget me."
A Place in the Sun (George Stevens, 1951)
三船敏郎 // MIFUNE TOSHIRO 婚約指環 // Wedding Ring (1950)