reflekci o ickelfer

[monster2003]

[zsntt]

Radnóti Miklós: November

Megjött a fagy, siklik a ház falán, a holtak foga koccan. Hallani. S zizegnek fönn a száraz, barna fán vadmirtuszok kis ősz bozontjai. Egy kuvik jóslatát hullatja rám; félek? Nem is félek talán.

[sc0rpiofeels-deactivated2018102]

Rhye;woman

[colin-vian]

Georges Braque  1955

[sojinails]

[lip-smackers]

36

[dictionaryofobscuresorrows]

adronitis

n. frustration with how long it takes to get to know someone—spending the first few weeks chatting in their psychological entryway, with each subsequent conversation like entering a different anteroom, each a little closer to the center of the house—wishing instead that you could start there and work your way out, exchanging your deepest secrets first, before easing into casualness, until you’ve built up enough mystery over the years to ask them where they’re from, and what they do for a living.

[chaosophia218]

Vincenzo Scamozzi - Vitruvian Man, “L'Idea dell'Architettura Universale” (The Idea of Universal Architecture), 1615. Throughout the course of human history, the concept of Proportions has been applied across civilisations. The knowledge of Sacred Geometry, and the Golden Ratio in particular, was considered highly advanced and closely linked to secretive Spiritual Wisdom and religious traditions. In the West, the knowledge of Sacred Geometry was intentionally guarded for hundreds of years and may have been purposefully forgotten or discarded. This illustration aims to initiate a contemporary dialogue surrounding the lost knowledge of Proportions and Sacred Geometry, and shows how Proportions can inform the essential design of life in the present and how we may use this knowledge to create a blueprint for the future.

[semioticapocalypse]

Emil Hoppé. Airship (Zeppelin) construction hall. Friedrichshafen, Germany. 1928

[::SemAp FB || SemAp::]

[backpackgamestrong]

[tai-korczak]

23 Emotions people feel, but can’t explain

Sonder: The realization that each passerby has a life as vivid and complex as your own.

Opia: The ambiguous intensity of Looking someone in the eye, which can feel simultaneously invasive and vulnerable.

Monachopsis: The subtle but persistent feeling of being out of place.

Énouement: The bittersweetness of having arrived in the future, seeing how things turn out, but not being able to tell your past self.

Vellichor: The strange wistfulness of used bookshops.

Rubatosis: The unsettling awareness of your own heartbeat.

Kenopsia: The eerie, forlorn atmosphere of a place that is usually bustling with people but is now abandoned and quiet.

Mauerbauertraurigkeit: The inexplicable urge to push people away, even close friends who you really like.

Jouska: A hypothetical conversation that you compulsively play out in your head.

Chrysalism: The amniotic tranquility of being indoors during a thunderstorm.

Vemödalen: The frustration of photographic something amazing when thousands of identical photos already exist.

Anecdoche: A conversation in which everyone is talking, but nobody is listening

Ellipsism: A sadness that you’ll never be able to know how history will turn out.

Kuebiko: A state of exhaustion inspired by acts of senseless violence.

Lachesism: The desire to be struck by disaster – to survive a plane crash, or to lose everything in a fire.

Exulansis: The tendency to give up trying to talk about an experience because people are unable to relate to it.

Adronitis: Frustration with how long it takes to get to know someone.

Rückkehrunruhe: The feeling of returning home after an immersive trip only to find it fading rapidly from your awareness.

Nodus Tollens: The realization that the plot of your life doesn’t make sense to you anymore.

Onism: The frustration of being stuck in just one body, that inhabits only one place at a time.

Liberosis: The desire to care less about things.

Altschmerz: Weariness with the same old issues that you’ve always had – the same boring flaws and anxieties that you’ve been gnawing on for years.

Occhiolism: The awareness of the smallness of your perspective.

Source article. Where words came from.

[tyulen]

[vangoghcean]

books are so beautiful; each page tells a story, literally and figuratively.  the bent corners and loose pages, the stains and waviness of pages once wet; they’re all indications as to what type of people have read the book.  they tell us where the book has been and let us simply imagine what it was doing there.  the words tell a story too obviously, but i often wonder how that’s the only story people pay attention to.

[lucasregazzi]

Plank Piece, 1973 Charles Ray

“Ray was part of a wave of artists during the 1970s who addressed sculpture as an activity rather than as an object. In the iconic two-part photographic work Plank Piece the artist documents the use of his own body as the sculptural component. The static photograph belies the performative nature of the activity presented. Contrived through a complex balance between weight and gravity the artist suspended his body using only a plank of wood, creating a minimal, graphic image that is at once humorous and unsettling.”

[gosh]

[frey-roller]

[thedakini]

[nevver]

[topcat77]

Mark Rothko

 Pink on pink, 1953