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AnasAbdin
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@refugeturned
The air conditioning at the Sunrise Motel in east Nevada left much to be desired. Most elements of the Sunrise Motel, east Nevada, left much to be desired, but Im could have overlooked most of it if the temperature inside wasnât creeping towards ninety, heat drawing out the stink of previous tenants and Imâs own unwashed laundry. Despite the closed curtains, sunlight flowed through the window and illuminated the rough, uneven fibers of the roomâs sand-brown carpet, dust particles swirling aimlessly in and out of view. Imâs palm pressed into the same carpet, cheek on top of knuckles, as she lay face-down on the floor. Sweat pooled slick in the dip of her lower back, even with her shirt soaking up as much as it could â sheâd be naked if she wasnât sure sheâd be putting on a show for the hotel manager and his cleverly placed cameras. Fuck, it was hot. Her eyes closed again, and Im swallowed back the bile creeping up her throat, the vague taste of Makerâs Mark threatening to make another stain on the patchwork carpet. Count the shots â one, two, three, five, nine. Her leg twitched, smacking her ankle into the bedpost. Nine, ten, twelve. She smacked it again, on purpose. The quiet rumble of a car passing on the freeway, the muffled chatter of her neighborâs tv, and the jingle of a new renterâs keys. Busy, for a Tuesday. Busy for any day, in a shithole like this. Clips and phrases danced past her eyes and ears, memories to short to string together but too long to be pleasant. A groan, and she turns to press her forehead into her hand, sweat that had been gathering at her temple changing direction to slide along her cheek and cling to her upper lip, finally soaking into the rug. âGross.â The announcement of the obvious came from somewhere behind her, vaguely in the area of the bathroom. Footsteps padded around her, then disappeared with the creak of bedsprings. âI donât want to hear about it.â Im addressed the floor. âYour condensation isnât needed.â âCondescension?â âSee, thatâs the kind of smart mouth that gets you in trouble.â Her abdomen tightened, fighting another wave of nausea. âKeep it up, and Iâll puke on your shoes.â âAwesome. Are you gonna spend the whole day on the floor?â She could hear him rustling around, digging for something in the nightstand drawer, then a rush of air as he tossed the majority of the bedsheets on the floor. âProbably. Baked alive is as good of a way to go as any.â Â Â âIâd beg to differ.â âThen beg.â She risked a glance upwards, squinting against the spear of sunlight up at the bed, but all she could make out was his shin, thrown over the side of the bed, and his foot, barely swinging in time with nothing. âDid you know your toes are kind of fucked up?â The foot disappeared over the top of the mattress, only to reappear a moment later. âYeah, I guess they kind of are.â Silence grew again in the room, expanding until it refused room for anything else but the heat, each baking the two bodies encompassed within them. Without the distraction of chat, Imâs body sank into the floor beneath her, eyes slipping shut with her rolling breath, and her mind melted even further. The afternoon doldrums sat heavy on her back, stagnant and dull, until sheâd surrendered her consciousness to the Sunrise Motel, east Nevada.
Television, California, USA, Ernst Haas, 1976
chromogenic print
Elsa Bleda (French-Turkish, b. 1988, Aix-les Bains, France, based Johannesburg, South Africa) - The Zone, 2016 PhotographyÂ
âListen, Iâm not saying no, Iâm just sayingâŚâ Imâs heart pounds as she places one foot in front of the other, higher and higher, turning slowly in circles as they slowly approach the apex of the lighthouse. Her boots scrape each step in time with her labored breaths, each echoing in the cement cylinder, just loud enough to be heard over the gulls screaming outside. âIâm just saying not right now. Timing just isnât right.â To be honest, the timing was never right. Always this, always that, always the rogue thing trying to end their lives in one big bloody mess. But it was a convenient excuse, and one that usually seemed to slide past the radar without much of a blip. âWell then, when?â Samâs nearly a full story ahead of her, peering down over the railing with his hair in his face. Dammit. She keeps climbing, pretending to focus on her feet to avoid his eyes. âI donât know. But do you really think that this would work? That weâd be able to just⌠go on as normal?â The door down on the bottom floor groans with the weight of the wind, steel buckling on a molecular level, filling the sun-cold lighthouse with the chill of November and just a hint of Hemingway. âThatâs the point.â She doesnât realize heâs still stopped until she nearly bumps her head into the back of his knees. âNormal doesnât cut it anymore. Heâs imploding, Im. If we donât do something now, heâs going to collapse in on himself and we wonât be able to dig him out.â Im sighs, ducking her chin into the collar of her jacked to feel the light scrape of the zipper on her lower lip. Flickers of wind brushed the tips of her freezing ears, and she brings her hands up â gloveless â to tug her hat back down. Sam presses his lips together, waiting for a response, waiting for her to give him anything to use as ammunition against her, waiting for the words to come out of her mouth so he could tuck them into his pocket for later. They could each be so stubborn, a trait they probably picked up from each other, ricocheting off one another until someone could step between. A tennis match from hell. But this was shaping up to be yet another life or death scenario, and he needs her to see things his way. She just starts up the stairs again, sidling past him against the wall and tilting her gaze upwards. Itâs light enough outside that he can see her nose twitch, and sheâs obviously uncomfortable enough that sheâs avoiding the subject. âInterventions are so twenty-eighteen.â Im hikes her jeans up, trying to the ragged cuffs from trailing on the rain-damp stairs as best she can, attempt at humor punctuated by a short huff as she skips a step. âIf you want to organize a self-help group in the bunker, be my guest.â âImâŚâ His tone is beyond exasperated. ItâsâŚtired, and she almost gives in, turns around and walks back down until theyâre face to face. But she doesnât, climbing higher and higher until the ceiling becomes the floor, and she steps out onto the worn wood of the lantern room. The ocean stretches out before her, white peaks forming and disappearing into the horizon, the loud rush of wind past the glass and water smashing against the land making her dizzy. Despite the panes, the steel, the railing, she felt the vertigo of possibility until the tower seemed almost to lean with her, tipping endlessly into the water beneath it. Footsteps ascend behind her and she creeps to the side, putting herself as near dead center as possible. Sam opens his mouth, and she rushes to speak, say anything before he tries to continue their conversation. âItâs gorgeous, isnât it?â It wasnât. She hated it. But he was nodding slightly and glancing around. A seagull perched on the wide railing just beyond the glass, wind ruffling its feathers. The green of the grass faded into the uneven outcroppings until the land gave way suddenly to the ocean, letting the saltwater eat away at its base as if with the unspoken agreement that they had been one, long ago. Clouds dipped low, refusing to burn off with the afternoon sun, and the cold seeped deep into Imâs body, tinging her stomach with a chill undeterred by her borrowed coat. The gull stared at the pair, or perhaps its own reflection, and Im stared back, waiting for it to open its red-tipped beak and scream at them. But it just sat in silence, seemingly expecting something similar. Do something exciting. Something new. A few moments and it rolled its wings back, shaking its head and stepping off the railing, catching a powerful seabound gust underneath it. Im cleared her throat and glanced up at Sam, only to find him looking at her first.
{{ as a way to stay fresh, and also to use my one and only muse, iâm still going to be posting my writing here! these will be mostly one-shots, little blurbs of scenarios and musings that jump out at me as some inspiration. if youâd like, feel free to use them as starters or the like, but theyâre mostly to keep my writing bug occupied }}
The Impala in every episode: 02x05 Simon Said
SENTENCE MEME âś BILLIE EILISH / PART II Â Â Â feel free to change words and pronouns as needed.
â8âł
â Wait a minute, let me finish â â I know you donât care but can you listen? â â I came committed, guess I overdid it â â Wore my heart out on a chain around my neck, but now itâs missin' â â So I think I better go â â I never really know how to please you â â Youâre lookinâ at me like Iâm see-through â â I guess Iâm gonna go â â I just never know how you feel â â Do you even feel anything? â â Donât treat me badly â â You said it so sadly â â I did the best I could, not thinkinâ you would have left me gladly â â I know youâre not sorry, why should you be? â â âCause who am I to be in love when your love never is for me? â
âmy strange addictionâ
â Donât ask questions you donât wanna know â â Learned my lesson way too long ago â â Take what I want when I wanna and I want ya â â Bad, bad news, one of us is gonna lose â â Iâm the powder, youâre the fuse. Just add some friction â â You are my strange addiction â â My doctors canât explain my symptoms or my pain â â Put your lips on my skin and you might ignite it â â Hurts, but I know how to hide it â â Canât you tell Iâm crass? â â Canât you tell Iâm wired? â â Tell me nothing lasts, like I donât know â
âbury a friendâ
â What do you want from me? â â Why donât you run from me? â â What are you wondering? â â What do you know? â â Why arenât you scared of me? â â Why do you care for me? â â When we all fall asleep, where do we go? â â Say it, spit it out, what is it exactly youâre payinâ? â â Am I satisfactory? â â Iâm thinkinâ about the things that are deadly â â The way Iâm drinkinâ you down like I wanna drown, like I wanna end me â â Keep you in the dark, what had you expected? â â Iâll meet you in the park, Iâll be calm and collected â â We knew right from the start that youâd fall apart â â Itâs probably somethinâ that shouldnât be said out loud â â Honestly, I thought that I would be dead by now â â Bury the hatchet or bury a friend right now â â The debt I owe, gotta sell my soul â â I canât say no â â Careful â
âilomiloâ
â Told you not to worry â â Maybe thatâs a lie â â Honey, whatâs your hurry? â â Wonât you stay inside? â â Remember not to get too close to stars â â Theyâre never gonna give you love like ours â â Where did you go? â â I should know, but itâs cold and I donât wanna be lonely â â Show me the way home â â I canât lose another life â â Hurry, Iâm worried â â The worldâs a little blurry or maybe itâs my eyesâ â The friends Iâve had to bury, they keep me up at night â â I couldnât love someone âcause I might break â â If youâre gonna die, not by mistake â â Tell me youâll come home, even if itâs just a lie â â I tried not to upset you â â Let you rescue me the day I met you â â I just wanted to protect you but now Iâll never get to â
âlisten before i goâ
â Take me to the rooftop, I wanna see the world when I stop breathing â â Tell me love is endless â â Donât be so pretentious â â Leave me like you do â â If you need me, wanna see me, better hurry âcause Iâm leavinâ soon â â Sorry canât save me now â â Sorry I donât know how â  â Sorry thereâs no way out but down â â Taste me, the salty tears on my cheek â â Thatâs what a year-long headache does to you â â Iâm not okay, I feel so scattered â â Donât say Iâm all that matters â â Call my friends and tell them that I love them â â Iâm not sorry â
âi love youâ
â Itâs not true, tell me Iâve been lied to â â Crying isnât like you â â What the hell did I do? â â Never been the type to let someone see right through â â Maybe wonât you take it back? â â Say you were tryna make me laugh â â Nothing has to change today â â You didnât mean to say âI love you" â â Up all night on another red-eye â â I wish we never learned to fly â â Maybe we should just try to tell ourselves a good lie â â Didnât mean to make you cry â â The smile that you gave me even when you felt like dying â â We fall apart as it gets dark â â Iâm in your arms in Central Park â â Thereâs nothing you could do or say â â I canât escape the way I love you â â I donât want to, but I love youâ
âgoodbyeâ
â Please, please donât leave meâ â Please â â Itâs not true â â Take me to the rooftop â â Told you not to worryâ â What do you want from me? â âDonât ask questions â âWait a minuteâ â What is it about them? â
rxnaascxncx¡:
  WHY DID IT HAVE TO be this way? A life that existed, a life that drew breath from savagery- FROM BARBARITY ! Why did it have to be this way? A reality of fighting and praying and dying just so that hands could break, and tear, and take away. A continuous cycle of suffocating the good from people; a living that stole from the world and replaced a quagmire of those shouldered their ACRIMONY ! A world that the Winchesters created. A world where Dean would destroy the very people he once promised to protect, save, and heal⌠inch by damned I N C H .
  EYES NARROW A FRACTION when Im leans closer still; squeeze shut as her body forces air from his. A struggle as lips bare a full set of teeth in vain effort to push her free without b r e a k i n g her. He gasps for breath as her weight doubles, grip loosening only enough to give her the leverage sheâs fighting for- BUT NOT SOON ENOUGH. It was a scream enough to jar his senses; a ringing in his ears enough to drown everything else out. Dean releases her then, the arm that had restricted her falling to the floor. BODY LIMP to give an image of a man DEFEATED. He didnât want this- never wanted this. Why did it have to be this way? âIm,â his whisper was a shout, âstop."Â
Im falls away then, landing clumsily on his shin before kicking his legs out from under her in a scramble to distance her wounded self from him. Her arm clutched to her chest, she heaves breath after breath into her aching lungs. Emotions rip through her, tangled together as they refuse to make room for any kind of logic, any kind of sense that may have saved her pained conscience from the wounds of defeat. She lost. Leaning back, she lets her spine hit the ground. Weakness. His concession tore into her pride with claws sharpened on her deficiencies, and she lay on the floor bleeding rage and sorrow and humiliation. She almost wishes he killed her outright. She slams the sole of her boot down in frustration, the thud jarring up her spine and shaking loose a tear from the corner of her eye to mix with the sweat on her temple and disappear into her hair. Theyâd shaped her into the image of her being, only to push her away, keep her down, hold her just far enough away to be useful, but never close enough to be them. A sharp exhale trips into another, each jostling her shoulder enough keep the ache fresh, and she closes her eyes with the realization that sheâs laughing. Crying? Laughing, ragged and broken, with enough edges to snag her throat on its way out. âFuck you,â she repeats, hugging her arm closer. âFuck. You.â
âIf somebody stole the Impala, what would you do?â
I want to be here again! I miss all of you, I miss Im, and I miss writing. Feel free to like this is if you want a starter, or also feel free to send in something from my asks tag! Donât be shy!Â
* mini starter call
send a word for a starter. feel free to combine prompts.
â dial â for a phone call starter
â beep â for a texting starter
â silence â for a nonverbal starter
â sun â for a good morning starter
â moon â for a goodnight starter
â care â for a sick starter
â hurt â for an injured starter
â zzz â for a tired starter
â recovery â for a hospital starter
â heart â for a caring starter
â onion â for an angsty starter
â trouble â for a worrisome starterÂ
â boo â for a scared starter
â lull â for a comforting starterÂ
â balloon â for a happy starter
â rawr â for a silly starter
â grump â for a bad mood starter
{{ anyway iâm alive? i miss im so much but like... e n e r g y............ }}
back to the post apocalypse
 Horror Aesthetic      Â
(REPOST, DONâT REBLOG ) Â Â Bold whatever applies, italicize what applies sometimes.
TAGGED BY: n/a TAGGING: Â n/a
GOTHIC HORROR:
gaslights.  corsets.  ballrooms.  candlelight.  mist.  starless nights.  full moons.  cobbled streets.  horse-drawn carriages.  mysterious strangers.  bogs.  moors.  forests.  mountains.  castles.  velvet.  silver.  brass.  gold.  jewels.  domino masks.  the opera.  dangerous romances.  tragic  romances.  violins. roses.  lilies.  empty graves.  crosses.cemeteries.  snow.  ice.  the gallows.  crows.  milk-white skin.  ambiguous illness. fangs.  pointed nails. something howling in the night.  capes.  gloves.  top hats.  straight razors. lightning.  pipe organs.  underground caverns.  bats.  mice.  rats.  ravens.  cats.  pearls.  attics.  talismans.  axes.  wood.  isolation in a room full of people.  vampires.  werewolves.  ghosts.  coffins.  western europe.  eastern europe.  bones.  churches.  catacombs.  mausoleums.  spiders. books.
CLASSIC Â HORROR .
black   &   white.  powder puffs.  red lipstick.  winged eyeliner.  white kitten heels.  black lace lingerie.  icy blue eyes.  rain.  abandoned cars.  skeletons.  acid.  poison.  voyeurism.  switchblades.  strangling.  overcoats.  looking over your shoulder.  trans-atlantic accents. private detectives.  dinner parties.  haunted mansions. alcohol in glass decanters.  cobwebs. perfect blonde curls.  kitchen knives.  shock.  cellars.  dust. dark alleys.  empty streets.  driving at night. horn-rimmed glasses.  radiation.  zombies.  serial murder.  paranoia.  the city.  witches.  the devil.  cannibalism.  conspiracies.  amulets. abject terror. the american south.  the american northeast.  england.  analog cameras.
SLASHERS .
bloodbaths. Â massacres. Â wanton nudity. Â newspapers. Â leather jackets. letterman jackets.converse sneakers. Â obscured faces. Â social unrest. Â bonfires. Â lakes. Â babysitters.suburbia. Â high school. Â lockers. Â dead leaves in the fall. jack-oâ-lanterns. outdated television sets. Â nightmares. Â psychiatrists. Â hospitals. unstoppable forces. Â gunfire. Â police. Â landline telephones. Â household objects turned into improvised weapons. Â halloween.secrets.revelations. Â character masks. Â scrunchies. Â queerness. Â wild curls.jeering children. Â parties. fire. swearing. Â revulsion. Â california. the american midwest. Â ambulances.
PARANORMAL Â HORROR .
malevolent spirits. Â seances. spells. Â missing bodies. hidden graves. Â white noise. Â static. Â flickering lights. Â rings of salt. Â demons. poltergeists. dark histories. Â old buildings. Â cold air. Â mausoleums. Â wells. Â urban exploration. Â a dog barking at something you canât see. Â black ooze. Â old photographs. Â faces you can swear youâve seen before but canât for the life of you figure out where. Â dark bodies of water. Â crucifixes. Â priests. Â possession. Â exorcisms. Â dolls.
CRYPTID Â & Â URBAN Â LEGEND Â HORROR .
aliens.  blinding light. dark woods.  driving at night.  claw-marks.  bite-marks.  men in black. memory loss.  dismembered bodies.  sewers.  flashlights.  cell phones.  video cameras.  cars with tinted windows.  abandoned houses.  unlabeled cassette tapes. bugs.  big cities.  urban crimes.  clowns.  something rustling outside your window. glowing light. unsolved mysteries. suburbia.  mirrors.  the american pacific northwest.  the american midwest.  hiking  /  backpacking.
THRILLERS .
daylight. Â fluorescent lighting. morgues. Â asylums. Â unwavering eye contact. Â tension. lit rooms with no one inside them. Â a dog digging in the newly-planted flower bed. Â steely gazes. paperwork. Â anagrams. Â codes. Â convicted killers. missing persons. Â law enforcement. Â federal agents. Â small towns. Â suspicion. Â paranoia. subdued terror.dimly-lit parking lots.