2020. “Patient Zero”. Original Picture Soundtrack. Dir. Patient Brothers. April 2020
2020. “Néboa”. TV Series TVE. 8 episodes. Original Picture Soundtrack. Dir. Gonzalo López-Gallego. January 2020
2019. Peckinpah Suite. Documentary. Turner/TCM. Original Picture Soundtrack (w/ Wild Honey). Dir. Pedro González Bermúdez. December, 2019.
2019. “Foodie Love”. TV Series HBO. Soundtrack Feature Film / Song “Foodie Love”. Dir. Isabel Coixet. December 2019
2018. “The Spirit of Painting”. Documental de Cai Guo-Qiang. Museo del Prado. Original Picture Soundtrack. Movistar. Dir. Isabel Coixet.
2018 “2001: Sparks In The Dark”. Turner/TCM. Original Picture Soundtrack (w/ Wild Honey). Dir. Pedro González Bermúdez.
2018. “Dawn Wiener: a piece in two chapters”. Nowness. Original Picture Soundtrack. Dir. Felipe Almendros.
2018. Comercial. “Dawn Wiener: a piece in two chapters”. Conde Nast. Original Picture Soundtrack. Dir. Barbara Anastacio.
2017. Comercial. Looking back at 2017. Original Picture Soundtrack. We Transfer.
2016. “Un perro andaluz” (Un Chien Andalou). Score. The National Gallery of Art. Washington. Dir. Buñuel & Dalí.
2016. “The Hollow Point”. Soundtrack Feature Film / Song “Odyssey Of Fire”. Dir. Gonzalo López-Gallego.
2016. “Un corazón roto no es como un jarrón roto o un florero”. Short. Original Picture Soundtrack. Dir. Isabel Coixet.
2014. “Too Much Johnson”. Turner/TCM. Original Picture Soundtrack. Dir. Orson Welles.
Remate is a composer and multi-instrumentalist with a classical formation (having graduated from the Royal Welsh College of Music & Drama in Cardiff, UK). He has released 15 albums over the years, the most recent being Kitasato (2018), an album featuring electronic pieces about female characters from contemporary movies. In 2014, he wrote the original score to ORSON WELLES' "lost" film Too Much Johnson, and he has composed several works for ISABEL COIXET, recently the soundtrack to The Spirit Of Painting (commission from Museo Del Prado), a documentary about the artist Cai Guo-Qiang. As a songwriter, he has been called "an off-kilter Sufjan Stevens" (THE SUNDAY TIMES). As a composer of film scores he operates somewhere between the minimalism of Terry Riley and La Monte Thorton Young, classical music, art-pop and ambient. He is currently mainly working in film and television.
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