Hmmm i notice Gemini and Sagittarius are very common in marriage dates, as in the day a couple gets married. Typically, Purva Ashadha and Ardra specifically but ive also seen the other nakshatras in those rashis. I had previously noticed how Ardra women seem to be very very marriage oriented and love the idea of being someones wife and be in a longterm, committed relationship. They tend to idolize their partners as well. The symbol of Ardra is The Diamond đ so it makes sense there is a lot of marriage association here because of how culturally tied to weddings and marriage diamond rings đ are. Diamonds are also formed from a build-up of heavy pressure and some peopleâs perception of marriage is that itâs meant to be hard and difficult at the beginning and gradually become more beautiful and âworthwhileâ (like a diamond) as time progresses. I donât necessarily agree with that but itâs a common mentality all over the world so, again, it does make sense that this nakshatra is heavy in wedding ceremonies.
Purva Ashadha is also the nakshatra that symbolizes Twin Flames and divine counterpart unions, according to Claire Nakti. And in my experience, i have seen this also being a recurring theme amongst male and female natives born under this asterism. They donât necessarily believe in fate but they believe in a sort of âdivinely occuring morphing of souls and fleshâ that must occur in a romantic partnership to make it worthwhile. If any of you have seen the movie Together (2025) starring Alison Brie and Dave Franco, this is an eerily accurate display of the nature of Purva Ashadhaâs nature in regards to passion and romantic relationships. Alison Brie and Dave Franco are married in both the movie and in real life and they are both Purva Ashadha native (her Sun, his ASC). I wont spoil too much but the premise is some sort of cosmic and mysterious supernatural force has been found in a cave that can physically make the flesh and souls of a couple forcefully merge into a sort of terrifying entity.
Taylor Swift and Margot Robbie are both Ardra natives.
Something else thatâs interesting i noticed is that Mula nakshatra seems to be associated with jewels as well, especially Crystals. My mother is a Mula Sun (conjunct Purva Ashadha Mercury) and her name is actually Crystal. I have seen many Mula women having the name âCrystalâ or âClaireâ, both relating to things that are shiny and âclearâ, free of roughage and debris, things that were previously cleaned at its ârootâ and polished heavily until it produced something shiny and materially tangible; like a gem, a jewel, a diamond. They start off as dirt and rocks and minerals and need to be carefully crafted by nature to produce the desirable end result. Mula nakshatraâs shakti is to âget to the root of all progenyâ and this nakshatra relates heavily to the ability to destroy and/or expose things hidden in the shadows or the dirt and muck to produce clarity and purity.
Mula is also the yoni counterpart to Ardra, both being the Dog đ yoni. An interesting Yoni as well since dogs and canines/wolves alike have a history in humanity as being used to âsniff outâ both falsehoods and material valuables in the environment around us (such as how police forces use dogs to sniff out drugs, money, jewels, even other human beings, pretty much anything of value at the moment can be sniffed out by a trained dog). To put oneself into the literal dirt and mud (like a dog sniffing through the ground) to find and/or create something pure and beautiful, to uncover truth hidden in the darkness by sinister forces.
This is also interesting because the succeeding nakshatra of Purva Ashadha is symbolized by the âWinnowing Basketâ and Claire Nakti pointed out how winnowing baskets are historically used to sift impurities out from the valuable grains and minerals by farmers, to create the best, most perfect product that is both beautiful, true to cosmic truth, and free of spoilage from outside forces that would wish to impose on it; like a parasite. She also noted how this relates to Venusâ nature to do the exact same thing in its individuals born under its energy. Venusians are outwardly soft and friendly (like dog or monkey) but inwardly quite corrosive and manipulative, but in the sense that they are very strict on the energies and people that they are willing to let into their personal âbasketâ of cosmic truth and creation.
They are discriminatory and focus on exclusion and rarifying themselves and the people and possessions they hold onto, while simultaneously making active (but silent) efforts to push out those people and things that they feel would ruin their Venusian pleasures and the purity they have brought to them. She explained that this is also why Venusians can tend to be racist/racial or ethnic supremacists as they donât enjoy being forced to âincludeâ others if not absolutely necessary from their perspective. To them, the more inclusion brought unto something sacred or precious leads to more poisoning of the valuable materials and energies they have spent however long curating. This can also even display in their romantic relationships. Purva Ashadhas are not the type to enjoy polygamy, orgies, threesomes, etc (lol) anything that would involve having to bring people into their romantic relationship because, to them, the relationships they maintain are too valuable and sacred to be âsulliedâ with the outward energies of others.
Through the corrosiveness of Venus, and being the height of Venus as well, Purva Ashadha natives have worked tirelessly and ferociously to build the purity and sanctity of both their personal space and their personal relationships. Therefore, to allow others in, even to allow them to bring verbal criticism on their relationship, is something they would immediately dismiss and turn their nose to. They put a lot of time and passion into curating who and what they have and they refuse to compromise that for anyone or anything else. Passion and purity, above all else, are important to keeping oneâs âbasketâ shaken free from the dirt and muck around them. You have to be tedious and nitpicky and laserfocused to remove those impurities. And if youre not then you cant be shocked or disappointed that it never turns out the way you want it toâŚ.
On a last note, itâs also interesting to note that Gemini rashi is symbolized by both âThe Twinsâ but also âThe Man & The Womanâ depending on who you speak to and what part of the world you are from. So it does make sense itâs a prominent nakshatra in marriage. Itâs the initial union of Man and Woman after they both fell from Paradise/The Garden of Eden in the preceding rashi of Taurus (Krittika, Rohini, Mrigashira). In Gemini, the Man and The Woman have now been âcursedâ with conscious thought and free will, the realization of âdualityâ and how treacherous and deceptive it can be in both life and death.
Claire said that in Gemini, Adam and Eve meet after this duality develops but instead of accepting soul unity (Purva Ashadha) they both become hectic and start a constant back-and-forth of âfleeing and chasingâ; with the Taurus and Gemini portion of Mrigashira starting both the chase and the fleeing from Brahma lusting after his daughter in Rohini. Ardra is then the moment of Man/Adam questioning his humanity and the power of divine Creation he may or may not have in comparison to his Creator. He questions Eve in both her Rohini (the robotic and ready to please, naive and baby like woman who is born of Adamâs rib and mentally ignorant of duality and suffering but blissfully so) and Mrigashira (the woman flickering in and out of a robotic dream state and conscious sentience, confused and ready to flee from him and refuse his spiritual ownership over her) states. In Ardra, Adam is confused if he is really The Creator or The Created and how Eve plays a part in that understanding. Through his constant and critical examination of Eve in both her states, he begins to understand the cosmos better.
This is interesting too because Claire also explained how Ardra men tend to be very hypercritical, especially over women who reject them, because they cant help but see how ridiculous and frustrating the nature of life and duality truly are. Thinking of every Jonah Hill movie tbhâŚ.she also used Ex Machina and Fifty First Dates as the examples of Ardra men trying to frustratingly but tirelessly try to understand Eve flickering in and out of her Rohini and Mrigashira states in one body. I think the movie Total Recall (2012) also does a good job of portraying this, as it stars Rohini Sun and Ardra Moon Collin Farrel and the Mrigashira actresses Jessica Biel and Kate Beckinsale with both women taking on very confusing and challenging aspects of both Rohini and Mrigashira towards his character; their constant flickering in and out of âdualityâ in both romantic and violent scenarios around him leads him to come to shocking and terrifying conclusions about his existence as Creator and Created and what it means to be conscious and sentient. The movie also stars Bryan Cranston, who has a Mrigashira ASC, and in the movie his character acts as a sort of interesting foil to Collinâs very âsusceptible to illusionsâ Rohini energy; as the male Mrigashira native, Bryanâs character is also aggressively pushing to âwake upâ Collin from Eden/Paradise so that he can truly meet (and take charge of) duality on its head instead of fleeing from it.
Both Sagittarius and Gemini rashis are related to twin souls and the concept of either a distant or unified âMan & Womanâ archetype of consciousness and sentience.
Mrigashira is Adam and Eve, getting kicked out of Paradise/The Garden of Eden and falling into the world of duality and suffering. Ardra is Adam and Eve meeting for the first time in the duality of the human world, and both being sort of âon edgeâ and at a stalemate of trying to furiously understand and adapt to the opposite sex and each otherâs existences in relation to being The Created and The Creation. They both question their purpose and the purpose of life and higher power and why the world is so different from the world of perceived myths and fairy tales (flashbacks to Eden and Paradise now being positioned as fiction and fables of moral caution rather than their spiritual past as Ardra is also very heady and struggles to believe in religion and myth and prefers science). Ardra is also interestingly very common in fairy tales and fables for this reason.
Punarvasu is the restoration of âgoodnessâ and âlightâ by Man and Woman coming together to create the mythified existence of âHeavenâ from flashbacks of their time in Paradise. âHeavenâ is their idea of what they formerly knew as Eden. And through duality, they now also create the perceived existence of âHellâ which is simply their mythified take on the place our spirits crossed to after being pushed out of Eden/Paradise. Like Aditi/Bhuvaneshwari (the deity of Punarvasu), the Man and Woman archetype in this nakshatra start to become the imaginative creators of their own realities; like children playing with their toys or Barbie stepping into new universes with a simple thought on her mind, Man and Woman are now self-expanding their own Creations and their own ideas of what it means to be âCreatedâ. The sentiment of âHell is Earthâ and âHell is other peopleâ is in Punarvasu. Punarvasu is also where we see âThe Matrixâ storyline become important as itâs where Man and Woman have to âchooseâ if they will continue to expand their own Creations through increased âplayâ and imagination, thus finding their own way back to âHeavenâ, or if they will stay stilted and stuck in the tears and suffering of Ardra. Thus, allowing themselves to settle into the misery that is âEarthâ aka âHellâ as we know as that which exists after âThe Fallâ. I believe this is why I have seen âsigning bad contractsâ prominent in Ardra and Punarvasu. Like Neo choosing the pill of choice, natives have to choose their fate and sometimes they choose wrong, leading to âdevil contractsâ they must tirelessly slave at struggles induced by their poor decisions, through their own heroic efforts to recreate their lives and fix the âHellâ they have brought unto themselves. This kinda happened in the Shrek movies. Shrek is voiced by Ardra Mike Myers and Fiona is Punarvasu Cameron Diaz. The fairytale nature is also heavy in these movies, relating to both Ardra and Punarvasuâs need to use fiction and writing to better understand their place in the world. The connection to fairy tales is interesting as ive seen Gemini and Sagittarius rashis both being related to being studious bookworms and also writing childrens books or fairy tales and fables, also creating coloring books.
In Punarvasu, the Man and Woman archetype become âThe Two Restorers of Good and Lightâ as they temporarily put aside their confusions and struggles in Ardra.
The following nakshatras after Punarvasu interestingly relate to the following cosmic events that the Man and Woman go through, such as the building of ancestral ties on the human plane via progeny and familial institutions in Cancer and Leo, the full exploration into the material world and all of its riches (and destructive effects) in Virgo (which is also the debilitation of Venus, showing this is the point where Man and Woman temporarily separate once again as they have let the intense duality of Virgo and the material world take precedence over their union and spiritual connection). We forget that we are both The Created and The Creator and now focus only on being The Creator and stirring up the material plane, completely ignoring the possibility of a Creator existing. We only want to create material wealth while dismissing spirituality and our existence prior to reincarnating in this lifetime. This rashi is also where atheism and agnosticism is common. In Libra, the Man and Woman are no longer with each other for pure reasons and are instead brought together by karmic, material ties and contracts; the pure love from time in Paradise is fully gone and hyper focus of the union now becomes about obligation and fulfilling a material necessity for each other, maintaining public appearances and seeking out the approval of others (7th house is the house of others and the public) instead of seeking out only each other. In Scorpio, these material ties become toxic and codependent. The use of sex is now necessary to return to spiritual understanding of life outside of duality and the earthly world, as we now remember how our libido is tied to our spirit and anima, our previous lifetime in Paradise. Sagittarius is the spiritual trip/mission we now take to put ourselves back on the back of what we call âHeavenâ.
In Mula, all the impurities and enemies picked up in the prior rashis and nakshatras begin to cloud and darken our lives and our energies. It becomes necessary to seek out only the cosmic truth and to destroy all of the material gains from the prior rashis, in order to get back to spiritual abundance. This nakshatra is interestingly said to be bad for marriage for this reason; though unions are spiritual in nature, at this point in the wheel, the marriage is superficial and not of benefit to either partner until they have fully shed the toxicity and materialism of the past nakshatras. After doing so, Man and Woman can proceed to Purva Ashadha, where the two souls finally reunite as a joint soul that has fully purified itself from the suffering and evil in previous asterisms. Two become one after tireless exclusion, passion, and determination to keep themselves and their union sacred. In Uttara Ashadha, the two souls have fully merged so well that there is no longer any need to distinguish between male and female souls and animas, as they are now the same exact person in the same exact body. The divine twins have become a self-deified entity that surpasses the Earthly plans, which is why the deity of this nakshatra is said to be the entire Vedic pantheon of Gods and Goddesses, as we have now become a sexless entity akin to those deities. Like the mongoose yoni, we no longer have a âcounterpartâ because we are our counterpart. There is no one to seek out because we became one and now walk together as one, obtaining the shakti to now conquer all and any obstacles as we are no longer fighting each other for dominance in the divine union; we are now working as a symbiotic machine that surpasses humanity and is now something robotic or alien, but in a Heavenly way. This is why Uttara Ashadha is often seen in stories about ghosts, sentient robots fighting for dominance against humanity, and Godly figures âcreatingâ their own worlds and watching from their own Olympus or Heaven actions from afar as their creations restart the cycle we once struggled through. This asterism is the height of the Sun and our Sun is the closest thing we have to both âHeavenâ and âHellâ in our earthly world. When we are impure and stuck in duality, we struggle to obtain the Sunâs energy and are instead burned and putrified by it, we âfallâ back into an even lower level of âHellâ than the one we currently live in. Many cultures speculate there to be multiple layers to âHellâ rather than one swift fiery bottom. If we are pure and finally merged our split soul back to one and become a self-deified entity, we can now touch the Sun and harness its energy to achieve further heights out of our earthly âHellâ and get closer to âHeavenâ aka back into Paradise.
Movies like Tomorrowland (2015) and Blade Runner (1982) display Uttara Ashadha themes of the unified twin soul gaining invincible strength and finding a human version of âHeavenâ or âUtopiaâ. In Tomorrowland, Uttara Ashadha Moon Britt Robertson encounters Uttara Ashadha Moon George Clooney after she magically transports to Utopiam realm called âTomorrowlandâ, where everyone and everything is perfect and pure. Georgeâs character exists amongst other immortal and perfectly brilliant beings such as himself and their joint existence in Tomorrowland becomes like the Vishvedevas to Brittâs character and Tomorrowland itself becomes a symbol for Olympus or the Devasâ Lokas. Georgeâs character grows tired of being a perfect, powerful, and immortal being though and wants to help her make a change in both of their worlds for a better âTomorrowâ. This is so interesting, because something extremely similar happens in the tv show The Boys and the movie Megamind, both starring Uttara Ashadha natives Erin Moriarty and Brad Pitt as ridiculously powerful, immortal, and perfect beings who grow bored and tired of their lives and the Utopian images theyve taken on, so they decide to become rebellious and make changes to save the âTomorrowâ of their worlds in some unexpected ways. In Blade Runner, Uttara Ashadha native Sean Young plays perfect, powerful, and sentient bioengineered AI robot that has gone âRogueâ and starts rebelling against society. The double Punarvasu native Harrison Ford is tasked to be a âBlade Runnerâ and take down other robots like her who have decided to rebel and stray from their position in society to be perfect and immortal creatures who are at the constant beck and call of immoral humans. So interesting because ive also previously notes the theme of âGood Girl Gone Badâ in Solar women, especially Uttara Ashadha and Uttara Phalguni. Also a theme of them getting vengeance on immoral people who once harassed or manipulated them and their purity/innocence for personal gain. Itâs also such an interesting side by side to how i noticed how Solar individuals tend to be used by their lazy and immoral families as cash cows that slave away with their skill and strength to keep making money for them. Uttara Ashadha has a desire to âbreak freeâ from the bleakness of duality previous nakshatras are stuck in, and wants to ârebelâ to truly live their own lives and be free to make their own Heaven with their united divine soul keeping them protected internally from danger. Itâs interesting to note Uttara Ashadha is categorized as a âHumanâ nakshatra and in these movies, it is often noted how the UA natives are âmore human than other humansâ as they actually have a polished sense of self free from the opinions and oppression of other and they have true, secular morals rather than the self-motivated morals of many other humans. They either seem âtoo perfectâ or they quite literally are too perfect in that they are some sort of human-existence that is deified to the average human (like a robot or a superhero or a literal immortal creature in the sky, all looking human but never really being human).
Movies like Beetlejuice (starring Uttara Ashadha Moon Geena Davis) and Rocky Horror Picture Show (starring Uttara Ashadha Moon & ASC Susan Sarandon), also showcase the supernatural elements of UA in relation to counterpart unions. In Beetlejuice, the ghosts of Geena and her husband (played by Revati Sun, Hasta Moon Alec Baldwin) have hired the Purva Phalguni Sun, Swati Moon Michael Keaton to help shoo away living couples that are trying to rent their old marital home. Beetlejuice (being a Libra) has the intention of using the various contracts of marriage to trap both families to his will and also allow himself to come back from his own death in order to be human again; this makes sense as Libra sees value in marriage less for love and romance and more for the necessity of upholding material gain, image purposes, and selfish goals. Both families get rid of him by the end and then decide to remain peacefully in the household with each other, showcasing how Uttara Ashadha and Revati can accomplish divine union on both material and spiritual realms within themselves and also shared with others for ultimate liberation. Rocky Horror Picture Show also has Ardra native Richard OâBrien creating a divine counterpart for Dr. Frank that he wishes to explore sexually and scientifically, the titular Rocky. In the film, Uttara Ashadha Susan Sarandon also has a breakthrough moment where she chooses to break free from her perfect and good nature to be more sexually free and socially rebellious, as she desires independence from her partner after he cheats on her, showcasing he doesnt have the willpower to develop and maintain a divine union with her. Janet then sleeps with Rocky (Krittika Sun) and the two become a united couple, which infuriates others in the household. Ive talked about it before, but something about the energy of two Solar individuals in a divine union is so powerful and beautiful that it almost feels threatening to others who arent as Solar as them. Itâs basically two immortal and perfect âmade in a labâ beings joining forces amongst more average humans.
The following nakshatras in Capricorn then pertain to obtaining both literal and metaphorical heights, that can either help us in getting better access to the abundance of Heaven or bring us back down into suffering from not properly maintaining the limitless strength we gained in Uttara Ashadha to keep ourselves from succumbing to the controlling people that now want to take advantage of our strength in Capricorn.
The wheel goes all the way to Pisces where, as the exaltation of Venus, we purify both the âHeavenâ and âHellâ and achieve divine union with our counterpart in both the âHeavenâ (Uttara Ashadha) and the âHellâ (Uttara Bhadrapada, see Claire Naktiâs the billionaireâs bride video). Now that we are fully unified and complete in both the material and spiritual realms, we now have the full power and discernment within ourselves to become fully liberated from the gruesome cycle of reincarnation and suffering/duality in Revati nakshatra, which means we can now return to Eden/Paradise and settle our souls back into bliss, now with the newfound power of both The Created and The Creator bound together in harmonious unison.
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