Not so Regular

It's just me and my loves....

[radicalgraff]

"Fuck ICE"

Mural seen in San Diego, California

[gameraboy]

Keith Haring for Sesame Street

[glitterghoul]

Vintage bathroom wallpaper

[robsheridan]

Stills from the 1988 sci-fi horror miniseries VIDEONOMICON, in which a mysterious AV club lures university students into a paid “research program” that isn’t what it seems...

A group of volunteer students, eager for some easy cash in exchange for “providing feedback on a series of audio-video test patterns,” find themselves hypnotized by a bizarre video pattern, becoming addicted to watching it for hours a day under the guidance of a mysterious figure who only speaks through a microphone installed in wall-mounted goat heads. Soon the AV club reveals itself as a front for a demon-worshipping video cult that is using the students as flesh vessels in a Techonocallistic ritual to transfuse demonic spirits through interdimensional video signals, trapping the souls of the students in a netherverse while their bodies become warped meat puppets controlled by demons to conquer earth.

Videonomicon was the first in a series of original films produced for the obscure premium cable network Zolmax that were also written and directed by Zolmax’s eccentric founder, mysterious auteur turned media mogul Maxim Voronin. After having his films rejected by major studios and networks for being too disturbing, Voronin founded Zolmax, pitching it as “Cinemax for the strange.” A mix of curated cult films and original content, Zolmax’s programming was described as “some of the most bizarre and deranged material to ever find its way onto television.” Black magic, devil worship, sexual depravity, and excessive gore were common sights on Zolmax, “painting a picture of a very disturbed man at the helm of this blasphemous sewer of a network,” wrote TV Guide in 1989.

Unphased by criticism, Voronin continued to produce his own films for his network for eight more years, including two sequels to Videonomicon.

To be continued…

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NOTE: This alternate reality horror story is part of my NightmAIres narrative art series (visit that link for a lot more). NightmAIres are windows into other worlds and alternate histories, conceived/written by me and visualized with synthography and Photoshop.

If you enjoy my work, consider supporting me on Patreon for frequent exclusive hi-res wallpaper packs, behind-the-scenes features, downloads, events, contests, and an awesome fan community. Direct fan support is what keeps me going as an independent creator, and it means the world to me.

[robsheridan]

Sisters of the Solstice. Sweden, 1975. Rumors swirled for centuries about a secretive community of women who harnessed the power of the Solstice for dark magic that granted them eternal life. Hushed whispers called them a coven of witches and warned of ritual sacrifice, cannibalism, walking dead, communications with the devil, and a bloodlust towards any man who would dare enter their territory… but was any of it true? By the 20th century, the Sisters had long been relegated to a dusty old myth, until photographer Sera Clairmont published these photos in her Spectagoria magazine.

Clairmont gave sparse details about her time with the Sisters of the Solstice, saying she was only given access to their rituals under a vow of secrecy. “These women have only ever asked for privacy,” she wrote, “and because they protect that fiercely, they are called evil. Are they practitioners of magick? Certainly. They give themselves to the earth, and the earth returns them to life. One cannot make such exchanges without sacrifice, but that is their way. Many generations ago, these women turned to the dark arts for protection when the world of men would offer them none. Men hurt them, so they adapted to survive. That the Sisters found the devil a safer bedfellow says more about men than it does about the Sisters. And as the soil grows their bodies anew, Midsommar after Midsommar, don’t be surprised if Mother Earth is taking notes. After all, who has a world of men hurt more than she?”

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NOTE: This is a work of fiction created by me. This alternate reality horror story is part of my NightmAIres narrative art series (visit that link for a lot more). NightmAIres are windows into other worlds and interconnected alternate histories, conceived/written by me and visualized with synthography and Photoshop.

If you enjoy my work, consider supporting me on Patreon for frequent exclusive hi-res wallpaper packs, behind-the-scenes features, downloads, events, contests, and an awesome fan community. Direct fan support is what keeps me going as an independent creator, and it means the world to me.

[robsheridan]

From the pages of SPECTAGORIA magazine issue 6, 1974. Spectagoria was a renowned underground fashion photography magazine surrounded by rumor and mystery. Founded by iconoclastic photographer/filmmaker Sera Clairmont initially as a showcase of her own work, the publication drew controversy for its dark themes and morbid imagery, which often used beauty, sexuality, and fashion as a means to, in Clairmont’s words, “let speak the darkness that surrounds us from other worlds.”

Christian groups in the United States called for a ban of the magazine, with Jerry Falwell accusing Clairmont of being “a witch and a pornographer in league with the devil himself.” Clairmont dismissed the accusations as “just more blatant examples of the sexism and double-standards that led me to forge my own path in a male-dominated industry.” But the boycott drew scrutiny to the magazine’s photographs, which at times contained images that seemed impossible, even supernatural, in nature. Some wondered if Sera Clairmont was related to Seraphina Clairmont, the famous Manhattan mystic who “spoke to demons” and lived at the mysterious Zorovic Building at the turn of the 20th century, and was rumored to have been buried alive in the building’s 1913 destruction.

Sera Clairmont went into hiding in 1976, but continued to publish Spectagoria until the early 80s, growing stranger and darker with each issue, fueling even more speculation that otherworldly powers were behind it before its abrupt end. No one knew where it was being published from, nor where - or *how* - its photos were taken. Very few copies of each issue of Spectagoria were printed, and today only a handful of scattered pages have been located and scanned. I will continue to share more pages as I find them...

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NOTE: This is a work of fiction created by me. This alternate reality horror story is part of my NightmAIres narrative art series (visit that link for a lot more). NightmAIres are windows into other worlds and interconnected alternate histories, conceived/written by me and visualized with synthography and Photoshop.

If you enjoy my work, consider supporting me on Patreon for frequent exclusive hi-res wallpaper packs, behind-the-scenes features, downloads, events, contests, and an awesome fan community. Direct fan support is what keeps me going as an independent creator, and it means the world to me.

[benzicons]

like if u save or use💙

[storyhearts-journey]

Ann Carrington, inspired by traditional French bobbin lace

[hometoursandotherstuff]

Fancy cat has her own living room. 

It’s all about the lighting in a cat condo, too. 

via moody maximalism

[fashion-beepbeep]

lady miss kier of deee-lite walking for thierry mugler fall/winter 1991

[sleazeburger]

Ummm this 80′s deco neon mansion outside of Palm Springs is on the market.  Any sexxy investors wanna throw me 12 million dollars? 

[design-is-fine]

Arthur Heyer (German-Hungarian 1872-1931) is known for his paintings of cats, in particular white Angoras. Because he loved to draw and paint cats so much, he acquired the nickname “Cat” Heyer. His favorite was always the white cat. Via Plum Leaves/flickr & Dorotheum

[tapireye-deactivated20220708]

Snail Bracelet by Vivienne Westwood

[tapireye-deactivated20220708]

Vintage Vivienne Westwood Fall 1993 Tartan Wool Platforms with Pink Ribbon Laces

[psychodollyuniverse]

John Alcorn (February 10, 1935 – January 27, 1992) was an American commercial artist and designer, and an illustrator of children’s books. In addition to his accomplishments in the areas of packaging, corporate and dimensional design, Alcorn designed the opening titles for several Federico Fellini films. During his career, Alcorn created numerous book jackets and paperback covers, and his work appeared in many major exhibits.

[confessionsofa30yroldtween]

[pankurios-templeovarts]

Every year needs its Ellen Rogers post.