Roman Savchenko @rmnsavch - Tumblr Blog

New work “A five-star social rating in an avant-garde black square with a massive green frame and elongated optical anamorphic highlights around it”.

Paper, colored pencils

21 x 30 cm

May 22, 2026

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Roman Savchenko (b. 1983)

A purple-pink field of inverted XY chromosomes, under the sun, rays and squiggles.

Digital art work drawing by hands.

May 10, 2026

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Digital collage from 2015 drawings.

April 11, 2026

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Part 1

A Solo Exhibition by Roman Savchenko (b. 1983)

Fast — Slow. Perception in Two Tempos

🗓️March 5 – 22, 2026

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The exhibition features over 60+ new artworks by Roman Savchenko, created in Tbilisi. These abstract paintings are inspired by the rhythms of Georgian writing and the artist’s emotions.

The project compares two ways of looking at images. One part shows how we look at things quickly, like we do on our phones. The other part invites you to look slowly and carefully at the art in front of you. It is an experiment to help us notice how we see the world when we stop rushing.

Curator: Evgenia Pavlova

Photo: Roman Savchenko

March 14, 2026

#contemporary art #art #abstract #abstract art #art collectors #artists on tumblr

Part 2

A Solo Exhibition by Roman Savchenko (b. 1983)

Fast — Slow. Perception in Two Tempos

🗓️March 5 – 22, 2026

📍 tmp_space

The exhibition features over 60+ new artworks by Roman Savchenko, created in Tbilisi. These abstract paintings are inspired by the rhythms of Georgian writing and the artist’s emotions.

The project compares two ways of looking at images. One part shows how we look at things quickly, like we do on our phones. The other part invites you to look slowly and carefully at the art in front of you. It is an experiment to help us notice how we see the world when we stop rushing.

Curator: Evgenia Pavlova

Photo: Roman Savchenko

March 14, 2026

#contemporary art #art #abstract #artists on tumblr #abstract art #art collectors

Fast — Slow. Perception in Two Tempos

A Solo Exhibition by Roman Savchenko (b. 1983)

Opening: March 5, 2026

📍 tmp_space

The exhibition features 60+ new graphic works by Roman Savchenko, including series such as “Abstract Improvisations, Without Titles, Two-Dimensional Music.” His practice explores the fluid gap between recognition and geometry, capturing the moment before the brain fixes a meaning. By contrasting fast and slow viewing, the project invites visitors to experiment with their own optics.

Curator: Evgenia Pavlova

#art #contemporary art #abstract art #artists on tumblr #fine art #art collectors #art exhibition

Roman Savchenko (b. 1983) artworks

PHASES OF PRESENCE | Group Exhibition

Invisible dimension №5. M-String Theory

2026, Acrylic on canvas

150 x 200 cm (60 x 79 inch)

Invisible dimension №4. M-String Theory

2025, Acrylic on canvas

150 x 200 cm (60 x 79 inch)

February 14, 2026

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Abstract improvisation / 2D Music, 2025-2026

Paper, graphite pencil, 147 x 203 mm

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Abstract improvisation / 2D Music, 2025-2026

147 x 203 mm

Paper, graphite pencil

#art #abstract #contemporary art #artists on tumblr #drawing

These works represent my transition from 2025 to 2026. I originally started them as quick sketches—blueprints for future small sculptures. My goal was to capture the rhythm and movement that I would later build in 3D.

However, during the process, the graphics began to set their own rules. The black and white contrasts became so powerful that they no longer felt like "previews." They became a complete, independent series. Here are the first seven works where I explore pure form and how a flat surface can mimic volume.

147 x 203 mm, Paper, graphite pencil

Which of these shapes would you like to see turned into a physical sculpture?

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The video presents animated abstract forms that can be perceived as sculptures without a stable position or final state. Their movement does not build a narrative or lead to a conclusion; it defines a way for form to exist in time.

The work continues Roman Savchenko’s long-term investigation of perception. As in his graphic series, the viewer’s attention is held in a state of instability: the form constantly shifts, transforms, and resists fixation. References to animation traditions appear through repetition, cycles, and minimal changes, rethought within a digital environment. Here, animation functions as a space in which an abstract sculpture can exist only through motion.

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Roman Savchenko: Abstract Improvisations, 2025

Paper, acrylic, colored pencils, 21 x 30 cm

These works explore the mechanics of perception, capturing the moment before form solidifies into meaning. By rejecting narrative, they force the gaze to decelerate, focusing on rhythm and color. The untitled, serial pieces remain open systems, where viewing is a unique event shaped by the observer’s state.

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Abstract improvisation / Untitled

Digital, animation

December 18, 2025

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Roman Savchenko (b. 1983)

Sweet Pastries RGB №1, 2025

Acrylic on paper, 21 × 30 cm

This is a play between digital brightness and a more tactile, sensory presence. RGB forms rise like soft, abstract pastries, while looping lines move like impulses or traces of perception.

The piece invites a flickering kind of looking — shifting between recognition and pure color — a quiet kind of reflection on how our vision drifts inside a world shaped by screens.

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