tell me how all this, and love too, will ruin us

- 27 -

[charnel-grounds]

Stefano Mazzolini, “Schela”

oil painting, 2021

[arte-artem-artibus]

William Edward Greengrass - Dandelion, 1936, colour linocut on oriental paper, 25.2 × 20.7 cm

[arte-artem-artibus]

Liane Chu - Let the Horse Drink from the River before Returning, 2026, oil on canvas, 124.5 × 104.1 cm

[arte-artem-artibus]

Claude Monet - La maison à travers les roses (The house through the roses), 1926, oil on canvas, 62.2 x 81.6 cm

[weepingwidar]

Brittney Leeanne Williams (American, 1990) - Living Stone on a Fixed Rock (2019)

[weepingwidar]

Walter Grab (Swiss, 1927-1989) - La Famille (The Family) (1953)

[weepingwidar]

Thales Pomb (Brazilian, 1989) - Pega, Mata e Come (Catch, Kill and Eat) (2024)

[purgatorialist]

[s0larize]

[horrorcitos]

Where the trees bend low

[disease]

“LONELY METROPOLITAN” HERBERT BAYER // 1932 [photomontage | 14 x 11″]

[pinkblanc]

Jaap Rameijer, The Beauty and Message of Orbs, 2013

[nevver]

Black hole sun, Angela Lane

[cardboardboxtechnology]

Hot House, by Ross Bleckner, 1995 The Broad Art Foundation, Santa Monica

[weepingwidar]

Citlali Haro (Mexican, 1991) - Cul-de-sac (2024)

[disease]

ANDY WARHOL / “SKELETONS” / 1987 [4 gelatin silver prints stitched together w/ thread | 9¾ x 7¾”]

[guy60660]

Xavier Escala