El caballero de la mano en el pecho [es.]
The nobleman with his hand on his chest + details.
El Greco (Domenikos Theotokopoulos)(1541-1614)
Mannerism. Renaissance.
Ca. 1580. Oil on canvas.
El Prado Museum (Madrid,Spain)
Cosimo Galluzzi
One Nice Bug Per Day

JVL
Claire Keane

No title available
TVSTRANGERTHINGS

Love Begins

Janaina Medeiros

tannertan36
"I'm Dorothy Gale from Kansas"
2025 on Tumblr: Trends That Defined the Year

Kaledo Art
$LAYYYTER
i don't do bad sauce passes
sheepfilms
Show & Tell
dirt enthusiast
we're not kids anymore.

shark vs the universe
d e v o n
seen from United States

seen from United States

seen from Canada
seen from Ecuador
seen from Canada
seen from United States

seen from United Kingdom

seen from Canada

seen from United States

seen from Germany
seen from United States
seen from United States
seen from United States
seen from Colombia

seen from Türkiye
seen from United States
seen from United States
seen from Türkiye
seen from United States

seen from Malaysia
@robinird
El caballero de la mano en el pecho [es.]
The nobleman with his hand on his chest + details.
El Greco (Domenikos Theotokopoulos)(1541-1614)
Mannerism. Renaissance.
Ca. 1580. Oil on canvas.
El Prado Museum (Madrid,Spain)
Viola [en.] + details.
Emma Sandys (1843-1877)
Pre-raphaelism.
Ca. 1865-1877. Oil on canvas.
Walker art gallery (Liverpool, United Kingdom)
The clearing [en.] + details.
Johanna Harmon (1963-)
Figurative art. Impressionism.
Ca. 2013. Oil on linen.
Private collection. 
The lament for Icarus [en.] + details.
Herbert James Draper (1863-1920)
Classicism. Neoclassicism.
Ca.1898. Oil on canvas.
Tate Britain Museum (London, United Kingdom)
Models used: Ethel Gurden, Ethel Warwick, Florence Bird and Luigi di Luca.
La confidence [fr.]
The confidence + details.
Elizabeth Jane Gardner (1837-1922)
Realism. Academicism.
Ca. 1880. Oil on canvas mounted on aluminum.
Georgia Museum of Art, University of Georgia (Athens,Georgia, USA)
Golden orchids [en.] + details.
Johanna Harmon (1963-)
Figurative art. Impressionism.
Ca. 2015. Oil on linen.
Portrait Society of America’s 2015 1st Place.
Hylas and the water nymphs [en.] + details.
Henrietta Emma Ratcliffe Rae (1859-1928)
Victorian neoclassicism.
Ca. 1909. Oil on canvas.
Private collection.
Burial monument in Staglieno Cemetery, Genoa.
White marble mausoleum of Antonio Cánovas del Castillo, at the Pantheon of Illustrious Men, Madrid (1906) by The catalonian sculptor Agustí Querol i Subirat (1860–1909)
Αγόρι με κεράσια [el.]
Boy with cherries + details.
Nikolaos Gyzis [Νικόλαος Γύζης] (1842–1901)
Academic realism. Realism.Munich School.
Ca.1888. Oil on canvas.
Private collection (London, United Kingdom)
Rosa María [es.] + details.
Eugenio Hermoso Martínez (1883-1963)
Modernism. Costumbrismo. Symbolism.
Ca.1907. Oil on canvas.
Museo Nacional Centro de Arte Reina Sofía (Madrid, Spain)
The victory of faith [en.] + details.
Saint George Hare (1857–1933)
Academicism (?)
Ca.1889-91.Oil on canvas.
National Gallery of Victoria (Melbourne, Australia)
The ✨hand touching✨ tho
Circe Offering the Cup to Odysseus [en.] + details
John William Waterhouse (1849-1917)
Pre-raphaelite brotherhood.
Ca. 1891. Oil on canvas.
Gallery Oldham (Oldham, United Kingdom)
Circe Invidiosa [latin]
Jealous Circe + details.
John William Waterhouse (1849-1917)
Pre-raphaelite brotherhood.
Ca.1892. Oil on canvas.
Art Gallery of South Australia (Adelaide, Australia)
Circe [en.] + details.
Beatrice Offor (1864-1920)
Pre-raphaelism.
Ca.1911. Oil on canvas.
Bruce Castle Museum (London, United Kingdom)
La Belle Dame sans Merci [fr.]
The Beautiful Lady Without Mercy + details.
John William Waterhouse (1849-1917)
Victorian neoclassicism. Pre-raphaelite brotherhood.
Ca.1893. Oil on canvas.
Hessisches Landesmuseum (Darmstadt, Germany)
This one is inspired by John Keats’ poem of the same name, as many others. So here is a fragment:
“This phrase—and the poem’s title—is from Alain Chartier’s courtly French ballad, “La Belle Dame sans Merci” (1424). Keats wrote the poem in a letter to George and Georgiana Keats, April 21, 1819”
La belle dame sans merci [fr.]
The beautiful lady without mercy + details.
Frank Bernard Dicksee (1853-1928)
Pre-Raphaelite Brotherhood.
Ca.1901. Oil on canvas.
Bristol Museum and art Gallery (Bristol, United Kingdom)
This is my favorite painting of the many inspired by John Keats’ poem of the same name. The lady is depicted as femme fatale and the knight keeps lamenting because she betrayed him, i don’t know, I think she stole his horse, good for her.
L’Ange déchu [fr.]
Fallen angel + details.
Alexandre Cabanel (1823-1889)
French academicism.
Ca. 1847. Oil on canvas.
Musée Fabre (Montpellier, France)
John Milton (1608-1674)
Many artist were inspired by John Milton's epic poem Paradise Lost. Cabanel displays Lucifer, a fallen angel, who is still beuatiful but his expression shows hate,rage and pain. His pride has been hurt but he is not looking for forgiveness: “Better to reign in Hell than serve in Heaven”