Prince
tumblr dot com

roma★

JVL

Love Begins

titsay
The Stonewall Inn
hello vonnie
$LAYYYTER
ojovivo
cherry valley forever
EXPECTATIONS

Discoholic 🪩
todays bird
Noah Kahan
h
sheepfilms
art blog(derogatory)

Product Placement

oozey mess
No title available

seen from United Kingdom

seen from United States

seen from South Korea

seen from Türkiye
seen from United States

seen from Sweden

seen from United Kingdom
seen from Germany

seen from Mexico

seen from United States

seen from India
seen from United States

seen from Türkiye
seen from United States

seen from United States
seen from United States
seen from Canada

seen from Mexico
seen from Germany
seen from Germany
@robinrossiter
Prince
Wham! - Last Christmas
Through my camera…A throwback classic and rare Prince. Add shoulder pads and some naughty…no problem. I was blessed to shoot this (in one day I think) with amazing Art Director Sotera Tschetter and great crew from Minneapolis. - Scott McCullough Available on “Gett Off” the home Video Warner Bros. and Paisley Park Records Produced by P.O.V. Films - closed Cinematography/Camera by Scott McCullough Production Design and Art Direction by Sotera Tschetter Directed by Randee St. Nicholas Edited by Prince FAIR USE This video, along with the audio, have been uploaded for entertainment purposes only, and both are ABSOLUTELY IN ACCORDANCE with fair use standards (section 107 of the U.S. Copyright. Act.).
GOOD QUALITY Violet the Organ Grinder video uploaded by cinematographer Scott McCullough #MustSee
I found the story behind this early photo of Prince! Always thought this was a fan photo (well, it is, in a way). I don’t know about you, but I’ve had fun imagining what this “fan” encounter might have been like. I mean she’s fully dressed w/ long sleeves and all standing right next to Prince in his bikini briefs and those thigh-highs with his arm around me…errrr, her.
Turns out this is Judy Carter, a standup comedian who opened for Prince in 1979 at The Roxy on Sunset Strip. Found this piece she wrote for Psychology Today:
Sad Day When Your Prince Dies
Personal story about how Prince changed my life
Posted Apr 21, 2016
It was Nov 26, 1979 and it was Prince’s first tour ever, starting in LA. I’d been warned by comic Ed Bluestone that a white Jewish comic (me) might not be ideal for Prince’s audience. Challenged accepted! I needed a plan.
I got an idea.
I picked up my accordion and got to the Roxy early. Seeing people lining up for the show, I put on dark glasses and pretended to be blind, playing the song, “Lady of Spain,” over and over again for an hour. Some people were kind and threw quarters. As the line began to move, I could hear his hip fans comment, “Thank God we don’t have to listen to that crap anymore!”
When everyone was seated and psyched up to see Prince, the announcer said, “Now, opening for Prince is comedian Judy Carter.” I walked out on stage with the accordion and heard the entire audience exclaim in unison, “Oh shit!”
From that point on, it was a love fest between the audience and me. Supported by their enthusiasm, I was flying high. I didn’t want to end except that I couldn’t wait to tell Ed Bluestone that if there was actually a bridge, I’d crossed it and connected.
Later, Prince came into my dressing room and introduced himself. I was struck by how tiny he was. Onstage he’d had such a huge presence. It was obvious that he was painfully shy as he said, “Thank you for opening for me. You were really terrific.”
After performing more frequently, I learned that it was unusual for a headliner to watch the opening act, let alone speak to the underling. But Prince was unique – a kind, supportive, and generous man.
That led to me becoming the opening act for every African American act that appeared at the Roxy, including the Temptations, the Four Tops, the Manhattans and jazz singers like Clint Holmes and Esther Phillips. Those gigs were responsible for me getting a contract with Caesars Palace.
Thank you, Prince. You will be sorely missed. Tonight I will party like it’s 1999.
Judy Carter teaches online comedy classes.
A public reception hosted by Andrea Swensson of 89.3 The Current will open a new photography exhibit “Heyday: 35 years of Music in Minneapolis,“ a companion to the new book from Minnesota Historical Society Press featuring photography by Daniel Corrigan and text by Danny Sigelman. Corrigan and Sigelman will give a book talk and will be available to sign copies of the book. A cash bar will be available.
Corrigan has been photographing the Minneapolis music scene since the early ‘80s—just as the scene was coming to life. As both a freelancer and the official house photographer for the legendary club First Avenue, he has captured thousands of live concerts, shot countless band promo photos and was behind the camera for many of the best-known and most beloved album covers by local artists. The exhibit includes framed photographs and a slideshow with many unpublished Corrigan photos.
The exhibit will be located in the museum’s central Mill Commons and is free and open to the public during regular museum hours through April 30, 2017.
(via “Heyday: 35 Years of Music in Minneapolis” Exhibit Opening | Minnesota Historical Society)
Purple Rain: The Oral History by Brian Raftery Spin, July 2009
Prince's purple suit by Minnesota Historical Society Via Flickr: Prince's suit from the movie Purple Rain.
•Only wanted to see you underneath the Purple Rain•
Photo 1: www.instagram.com/apollonia_kotero
WHY THE ‘PURPLE RAIN’ MOTORCYCLE WAS THE PERFECT PRINCE RIDE
One of the most enduring images of Prince is the Purple Rain album cover and movie poster showing him astride a purple motorcycle. With billowing smoke, dramatic backlighting and heroic upward angle, Prince and his tricked-out ride make for a truly indelible image.
Prince rode a motorcycle as diminutive as the musical icon himself -the bike was actually a customized 1981 Honda CM400 twin-cylinder starter bike that was notable for its low seat height and its automatic two-speed transmission that absolved His Purpleness of having to squeeze a clutch lever.
He kitted out the bike with a classic ‘70s Vetter Windjammer fairing and a seat with pink velour inserts. Most motorcyclists would be dismissive of such a small-scaled machine, but Prince’s ride fit the five-foot-two pop god perfectly.
Honda’s advertisements from the time touted the low, 30-inch seat height and the ability of even short riders to stand confidently flat-footed rather than on tip-toes. Certainly it would have detracted from Prince’s imperious appearance in the Purple Rain photo if he’d appeared in danger of toppling over. As it stands, it just might be one of the most memorable pop culture motorcycle photos of all time.
Depending whom you ask, two or three bikes were used for the film. One belonged to Prince; the other, or others, were replicas used by stunt riders for the more daring sequences. Next time you see Purple Rain, watch the not-Lake Minnetonka scene and look closely at the motorcycle tires — you’ll see how the tire changes from street to off-road tread.
Prince kept his motorcycle and used it again in Graffiti Bridge, his 1990 sequel to Purple Rain. His bike retained its Vetter fairing, but was repainted black and some of its chrome pieces were gold-plated. After Graffiti Bridge, the motorcycle was retired to his Paisley Park estate.
The Hondamatic line was not so lucky. Honda produced the 400cc version from 1978 to 1981. Other engine sizes were offered in different years, but sales were poor, and Hondamatics were discontinued after 1983.
When ur Prince flirts with u…
Take me now!
Prince 💜
U Did What?
PRINCE