i don't have anyone but you

mary. eighteen. unquality. twilight saga + robsten appreciation life. unhealthily obsessed with iron man & pepperony shipper. tv series addicted. movies junkie. +

[notdavidfincher]

[fanficpattz-blog]

[endlesslykristen]

[gonegirls]

[robstenwhore-blog]

Tatiana Maslany being cute confused when trying to explaining the process of shooting clone scenes.

[claryalec-deactivated20160301]

[zamonian]

"Let’s see how this plays out for me" [x]

[robstenwhore-blog]

OH MY GOD HIS LAST VOW WAS AN EMOTIONAL ROLLERCOASTER I AM DYING PLEASE HELP ME

[adleration-deactivated20140706]

i’m busy!

[jonathan]

does anyone else read the lips of people on gifs to figure out which part of the subtitles they are saying

[severlac]

[sarark-deactivated20150726]

Once you’ve become a part of the public eye, you’re professional life is often confined. You’re stereotyped and caught in a certain character who people associate you with. Sometimes I like to make a joke out of manipulating the way people perceive me. I want artistic freedom even if it’s just to challenge myself over and over again.

[artemisfowls]

[polidics-deactivated20190402]

why the fuck is Sherlock Holmes’ brother named Microsoft 

[ughkimnamjoon]

[mayhemidnights]

[voguekristens]

[robstenwhore-blog]

congrats on your face » 20. Lily Collins

[lifeofareputationgirl]

'Twilight' begat 'The Hunger Games' which begat a flurry of would-be fantasy franchises. No matter if 'Divergent' or 'Fifty Shades of Grey' hit anywhere near the heights of even the first 'Twilight' or ends up in the dustbin of franchise history alongside 'The Host', the notion of a female-centric blockbuster franchise as a viable investment is here to stay. Five years ago, 'Twilight' proved once-and-for-all that the female-centric blockbuster was no fluke and no fallacy. It proved that you didn't need the elusive male “cross-over” audience, and it proved that you didn't need to expand your targeted fan base if your fan base was big enough already, a lesson currently being taken to heart by films like 'Instructions Not Included' and 'The Best Man Holiday'. Love ‘Twilight’ or hate ‘Twilight’ (I’m firmly in the “like” category), the Bella/Edward romantic fantasy was in its own way the most feminist franchise in recent memory. It proved that female-driven blockbusters could do anything that male-driven blockbusters could do at the box office. If you’ve already bought your ticket to the next Katniss Everdeen adventure tonight, you can thank Bella Swan for that privilege.

Forbes (via flawlesstew)