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kaleidoscope mind

[yodaprod]

1981

[wittlecritter]

I’ve been thinking about Howl’s Moving Castle and how Sophie’s curse is a physical symbol of her self belief of being unlovable (especially after growing up with beautiful, sought after women in her family.) How Howl tries to undo the curse the moment she steps into his castle but he *cant* because Sophie doesn’t want it to be broken. How, in the film, Sophie gets so close to breaking the curse in the field, but hearing Howl call her beautiful went against her self views, so she reinforces her sense of self by turning 90 again.

And the way that her love and kindness make her younger again and again. How film Sophie sacrifices her long hair, perhaps what past Sophie would have seen as her only beauty, for Howl but she’s grown so much that she still remains young, perhaps even confident about her grey hair, showing that Sophie no longer links her appearance to her lovability or worth and she learned to accept herself as she is. In this essay I-

[littlechmura]

In Reina’s mind, they were binary stars, trapped in each other’s gravitational field and easily diminished without the other’s opposing force.

from The Atlas Six by @olivieblake

[priveting]

[sallizzle]

[an-ode-to-trees]

[blasphemousangel]

[leahberman]

suddenly quiet

instagram

[macbcth]

— T. S., Invisible String

[laclefdescoeurs]

[love-personal]

[yard-sales]

[mpdrolet]

[eliselaserre]

[quickweaves]

[andantegrazioso-deactivated2018]

[myfashionburden]

elie saab fall/winter 2018 couture