follow me at @rowanisawriter i block every follower on here this is my room and the door is locked
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RMH
Three Goblin Art
Lint Roller? I Barely Know Her

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PUT YOUR BEARD IN MY MOUTH
2025 on Tumblr: Trends That Defined the Year
Stranger Things
trying on a metaphor
occasionally subtle

ellievsbear

titsay
$LAYYYTER
Peter Solarz
Sade Olutola

if i look back, i am lost
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TVSTRANGERTHINGS
Not today Justin
Keni

seen from Germany

seen from Armenia
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seen from Indonesia
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seen from Germany
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@rowanssecretblog
follow me at @rowanisawriter i block every follower on here this is my room and the door is locked
she asked me if i believed in god and i told her that when i was four i almost drowned in a public pool and in my panic mistook a stranger for my father. i clawed my way up his leg. four years later he’d send my parents a picture of the scars alongside a tin of cookies. he said, “i hope she’s still okay. i carry her with me. it isn’t every day you save a life. it isn’t every day you feel like you were here for a reason. when it does happen, you have to cherish that memory. for once, i had a purpose. just being there was enough. she tore me open but she taught me a lot about love.”
Salman Toor (Pakistani, 1983), Immigrant Gathering, 2016. Oil on canvas, 122 x 81.5 cm.
it's so wild when your parent changes when you become an adult. my dad is very cordial and non confrontational - he regularly helps me with adult stuff like changing the oil or providing insurance tips. he's always smiling when i call him on video and providing jokes when i complain about college
when i was a kid, i would have to tiptoe around his anger issues often, sometimes running quietly past his work table until he got his own place completely separate from our family, locked away for days. every so often he would start screaming in the car and trying to hit me or my brother for talking too loud while my mom attempted to calm him down as he swerved on the road. and now he, smiling, helps me with car insurance.
like oh, this is just who you are when you have power over someone, and this is who you are when you dont have power over someone. no wonder you can have a normal life, friends, work while scaring the shit out of your kids and wife. i see it now. i see why no one would have believed me. that, i think, is one of the core fears of trauma - seeing the outside of it from the perspective of other adults that brushed you aside, and understanding. of course, that understanding gives the opposite of solace; it just gives you more grief with nowhere for it to go
— Marjane Satrapi, Persepolis
I have seen a young lady with her table loaded with volumes loaded of fictitious trash, poring day after day and night after night over highly wrought scenes and skillfully portrayed pictures of romance, until her cheeks grew pale, her eyes became wild and reckless, and her mind wandered and was lost — the light of intelligence passed behind a cloud, and her soul was forever benighted. She was insane, incurably insane from reading novels.
-- an anonymous pastor in 1864, on the greatest threat to young women
“I strain my heart, I stretch my hands, And catch at hope.”
— Christina Rossetti, excerpt of “De Profundis”, in Christina Rossetti : Selected Poems, ed. by C. H. Sisson (via somnoroasa)
nobody will ever get me the way john singer sargent does
like. are you kidding me
really strange how you can be almost at peace with something that happened to you but it will continue to be a defining moment of your life for the rest of your life. you wont think about it much anymore but in a conversation about a film someone will mention the year it was released and you’ll think to yourself, “that was before it happened” and you’ll see an old photo and think how strange it is to have existed before it happened and somehow it’s like living a life in two acts
If your lover lives in Hong Kong and cannot get to Chicago, it will be necessary for you to go to Hong Kong. Perhaps you will spend your life there, and never see Chicago again. And you will, I assure you, as long as space and time divide you from anyone you love, discover a great deal about shipping routes, airlines, earthquake, famine, disease, and war. And you will always know what time it is in Hong Kong, for you love someone who lives there. And love will simply have no choice but to go into battle with space and time and, furthermore, to win.
James Baldwin, Nothing Personal
At St. Andrew’s in Norfolk
— Francois Duc de la Rochefoucauld (via letsbelonelytogetherr)
Xavier Escala
i know we’re both just messing around pretending to be whole but look at me. if the train was coming would you move. if the ground was falling from under your feet would you even notice or would it just be another tuesday for you. if somebody stabbed you could it hurt worse than you already do. what i’m saying is that i love you but i think we both drive over the speed limit when it’s raining. what i’m saying is that i want to hold your hand and i understand about how you sometimes have to sit down in the shower. what i’m saying is that i’m here for you and if the train comes please move.
i wrote this 7 years ago, somehow. every day someone else finds it and whispers to me - oh, i understand this. something always turns in the wash of my stomach: i am so, so glad you feel seen. i wish you had no idea what this post was about.
i wrote this while working in a program for new writers. on wednesdays, two of the teachers would be contractually obligated to read our writing aloud to the group of 300+ teens. i had never read my work in public before. i had something like 6k poems and was panicking about it. none of them are good enough. sometimes the train is howling. it is hard, actually, sometimes, even as an adult.
and then i thought - what is one thing i wish i could tell all of them. each of these 300 kids. what did i need to hear, at 16?
i wanted to tell them about the day you wake up, and the sun feels warm finally. i wanted to tell them about carving a life out of soapstone, your hands turning bloody. i wanted to tell them that sometimes yes - it actually does feel easy. i wanted to tell them about weddings and cookie dough and long road trips. about albums of new music and old friends laughing and the sound of snow falling.
you will learn the pattern of the train. you will learn to close your eyes when you hear the engine rumbling. you will learn to let yourself have the grey days in their lily-soft numbness. sometimes it will feel like life is wet paint, and god has smeared your canvas across a sewer grate. sometimes it will be so boring it isn’t even pronounceable - the tenacious, soundless blankness. survival isn’t just ugly nights and wild mornings. it is also the steady, unimportant moments. it is just driving with your seatbelt on. it is calling a friend on the way home. it is burying your face into the fur of your dog.
when i had finished reading this poem aloud, the auditorium was silent for a solid minute. someone stood up to take a picture of where it had been projected onto a screen, and then three more people followed the action, and then - like a bad internet story, people remembered they were supposed to be clapping. kids came up to me after it - thank you for writing that. i think i hear a train coming.
i would write this differently now, i think, but it has been 7 years. i still live by the tracks. i also haven’t picked up a blade in over 10 years. the scars are still there, but these days i only pick up scissors to cut my hair. i know why you can’t tell your mom about it. i know how the numbness slips over everything, a restless horrible cotton. i know how when you dropped the dish, you weren’t crying about the broken glass. i know about feeling like all the roads have closed their exits, that you aren’t supposed to still-be-here - and yet.
i am still here, and still yours, and i haven’t forgotten. what i’m saying is if any hope is calling to you - i know it’s hard, but you have to listen. i’m saying keep driving, but slow down the car. sit down in the shower, i’m not judging you. we can stay in the dark with the good hot water and do nothing but stare. notice the stab wound. make it through another tuesday.
i know what it is like to miss yourself. do what you need to. come home to me. i am writing to you, my past self, from the future. i’ll be waiting for you.
and when the train is coming - please move.