Xuebing Du

@theartofmadeline
KIROKAZE
NASA
Misplaced Lens Cap

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let's talk about Bridgerton tea, my ask is open

titsay
Keni
Peter Solarz

Andulka

Kiana Khansmith

izzy's playlists!
YOU ARE THE REASON
he wasn't even looking at me and he found me
One Nice Bug Per Day

Product Placement
will byers stan first human second

seen from Canada
seen from France
seen from Azerbaijan
seen from United States
seen from United States
seen from United States
seen from Germany
seen from Brazil

seen from United States
seen from Tanzania

seen from Brazil
seen from United States

seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from France
seen from United States
@rstarrobinett
The world is blue at its edges and in its depths. This blue is the light that got lost. Light at the blue end of the spectrum does not travel the whole distance from the sun to us. It disperses among the molecules of the air, it scatters in water. Water is colorless, shallow water appears to be the color of whatever lies underneath it, but deep water is full of this scattered light, the purer the water the deeper the blue. The sky is blue for the same reason, but the blue at the horizon, the blue of land that seems to be dissolving into the sky, is a deeper, dreamier, melancholy blue, the blue at the farthest reaches of the places where you see for miles, the blue of distance. This light that does not touch us, does not travel the whole distance, the light that gets lost, gives us the beauty of the world, so much of which is in the color blue.
For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go. For the blue is not in the place those miles away at the horizon, but in the atmospheric distance between you and the mountains.
Rebecca Solnit
From Sotheby's, Joan Mitchell, Poems (1992), The complete portfolio, comprising eight lithographs printed in colors en-texte, with poetry by Nathan Kernan
I just realized that my dreams about the apocalypse aren’t about the end of the world, they’re about the disintegration of material reality.
Living for the future is the very posture of dissatisfaction and robs the present of its reality
Identity becomes a smear
There are emotions I can’t identity, but taste.
Time is meta sensory