I am the constant. I am the upgrade. Everything in my world responds beautifully to me.

Origami Around

izzy's playlists!
YOU ARE THE REASON
occasionally subtle
todays bird
NASA

@theartofmadeline
Sade Olutola
Noah Kahan
RMH
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TVSTRANGERTHINGS

No title available
KIROKAZE

if i look back, i am lost
h

oozey mess

gracie abrams
Cosmic Funnies

Discoholic 🪩
seen from China

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seen from Australia

seen from United States

seen from United States

seen from China

seen from United States

seen from Canada

seen from Malaysia
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seen from Germany

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seen from Argentina

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@rukableu
I am the constant. I am the upgrade. Everything in my world responds beautifully to me.
I’ve taken a good amount of psychedelics especially between 2020-2022. I want to trip for my 30th next year. Shrooms are great but I love LSD.
Baloise Insurance Company Office Tower in Basel, Switzerland by Valerio Olgiati (@valerioolgiati), 2021
Pentagonal concrete columns cast in brown-mauve pigment, each profile forming the silhouette of a house. The columns carry deep horizontal floor plates, externalizing the structure across the facade.
Inside, bronze-framed glass enclosures, terrazzo floors, and egg-crate metal ceilings.
Photos: Bas Princen (@basprincen)
Water is delicious.
Aquamarine is what I want when it comes to friendship.
I’m not a photographer or a visual director anymore. I’m just Ruka. Ruka Bleu. I do what I do and it inspires the world.
May everyone’s obsession with me turn into more beautiful money into my pockets. Bam bam shawam. And so it is.
Things take time. Liminal spaces are indispensable. Embracing that is embracing authenticity. A lack of appreciation for what lies between is detrimental to everything that is. Spirit to nasal to lung to life.
I love myself so much.
Leisure is vital.
I love myself so much.
I believe this is the end of my architecture and interior design study. New era pending.
New Entrance Façade of the Baroque Museum of Catalonia by David Closes in Manresa, Spain (2024)
The project intervenes on the former Jesuit college of Manresa, a complex whose baroque church was demolished, leaving only the conventual wings arranged around a cloister. The new entrance volumes are inserted in front of the former church's partition wall, simultaneously forming the new western facade of the building and preserving views of the traces left by the demolished church on that wall.
More than a functional access solution, the project creates an architectural pathway through the complex. Moving through the new volumes, visitors encounter views of the cloister, the barrel vaults, and the footprints of the old church, as well as views over the adjacent square and the wider urban landscape.
Architecture: David Closes
Photography: Adrià Goula, José Hevia
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