“what? oh yeah, i’ve seen Birdman”
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I'd rather be in outer space 🛸
he wasn't even looking at me and he found me
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“what? oh yeah, i’ve seen Birdman”
Güeros (2014) dir. Alonso Ruizpalacios
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William Moll. 53. Interbreverías personales.
Man Puts Eyes on a Clamshell Pet Bed to Make It Look Like His Cat Is Being Eaten by a Hungry Monster
“Red Fox And Magpie In Autumn” by Niko Pekonen
magpie: bet you can’t fit that whole thing in your mouth.
fox: watch me.
To all the people worried about the fox in the comments….he’s fine, just tripping balls. 😂
sss
These rules were originally tweeted by Emma Coats, Pixar’s Story Artist.
You admire a character for trying more than for their successes.
You gotta keep in mind what’s interesting to you as an audience, not what’s fun to do as a writer. They can be very different.
Trying for theme is important, but you won’t see what the story is actually about til you’re at the end of it. Now rewrite.
Once upon a time there was ___. Every day, ___. One day ___. Because of that, ___. Because of that, ___. Until finally ___.
Simplify. Focus. Combine characters. Hop over detours. You’ll feel like you’re losing valuable stuff but it sets you free.
What is your character good at, comfortable with? Throw the polar opposite at them. Challenge them. How do they deal?
Come up with your ending before you figure out your middle. Seriously. Endings are hard, get yours working up front.
Finish your story, let go even if it’s not perfect. In an ideal world you have both, but move on. Do better next time.
When you’re stuck, make a list of what WOULDN’T happen next. Lots of times the material to get you unstuck will show up.
Pull apart the stories you like. What you like in them is a part of you; you’ve got to recognize it before you can use it.
Putting it on paper lets you start fixing it. If it stays in your head, a perfect idea, you’ll never share it with anyone.
Discount the 1st thing that comes to mind. And the 2nd, 3rd, 4th, 5th – get the obvious out of the way. Surprise yourself.
Give your characters opinions. Passive/malleable might seem likable to you as you write, but it’s poison to the audience.
Why must you tell THIS story? What’s the belief burning within you that your story feeds off of? That’s the heart of it.
If you were your character, in this situation, how would you feel? Honesty lends credibility to unbelievable situations.
What are the stakes? Give us reason to root for the character. What happens if they don’t succeed? Stack the odds against.
No work is ever wasted. If it’s not working, let go and move on – it’ll come back around to be useful later.
You have to know yourself: the difference between doing your best & fussing. Story is testing, not refining.
Coincidences to get characters into trouble are great; coincidences to get them out of it are cheating.
Exercise: take the building blocks of a movie you dislike. How d’you rearrange them into what you DO like?
You gotta identify with your situation/characters, can’t just write ‘cool’. What would make YOU act that way?
What’s the essence of your story? Most economical telling of it? If you know that, you can build out from there.
Sources: [1] [2]
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I’ve seen this a million times and every time I forget what’s coming
Cada día nos acercamos más a la eliminación del dinero en efectivo...
Cada día nos acercamos más a la eliminación del dinero en efectivo…
[…] “Las enmiendas registradas por el Grupo Parlamentario Socialista al proyecto de ley de medidas de lucha contra el fraude, adelantadas por Europa Press, plantean la supresión de esa excepción legal introducida por el Ministerio de Hacienda en el proyecto normativo y la sujeción a ese techo legal de 1.000 euros de las transacciones de efectivo realizadas también entre particulares ” […] A ver…
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Evolución de la polca más famosa del mundo
Evolución de la polca más famosa del mundo
66 años han pasado desde la última versión a la que ahora tenéis todos en mente mientras imagináis a un gato moviendo la cabeza… Enviado por Moai.
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“Esta costumbre insensata de perderte y recuperarte, me mata. Me arrancas las alas al irte y regresas mi sonrisa amordazada al volver. Mis días se amontonan en el embudo de rutina y entonces te apareces arrancándome la pereza y sufrimiento, llenando de amor la coraza de los días que hemos perdido en el infinito del tiempo. Regresas a mi, de algún lugar lejano, regresamos al lecho subterráneo y nos vamos muriendo ahora separados.”
— Olga Cecilia Martínez Rojas
“The Makkachin tissue case was a present from Evgenia Medvedeva. We were roommates at Novogorsk, and she asked me then what I wanted as a souvenir from Japan. I told her that I wanted a tissue case like hers, but of a different character. So she brought me back this Makkachin.” ―Alexandra Trusova, JGPF 2017 Ladies Press Conference