THE PITT 2.01 | 2.04
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shark vs the universe

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almost home

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Claire Keane
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Three Goblin Art

Janaina Medeiros
Xuebing Du
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trying on a metaphor
let's talk about Bridgerton tea, my ask is open
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he wasn't even looking at me and he found me

if i look back, i am lost

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@saintcola
THE PITT 2.01 | 2.04
my knife, it’s sharp and chrome
come see inside my bones
The powerful colors of the 70s and the darkness and creepy atmosphere of the orphanage are brilliantly reflected in the costumes created by two-time Oscar-nominated costume designer Paco Delgado. For the world in the orphanage with the nuns and the orphan girls, he wanted everything to have a sort of gothic feeling. “From day one, Kasha (Arkasha Stevenson) said she wanted to have these figures sort of floating through the hallways,” says Delgado. “So, we designed the costumes with light materials. They look heavy, but in fact, they are really light, and they move with the wind.” Delgado continues, “Then for the girls, we knew that we were in an orphanage in the seventies, but we wanted a specific ambience, so the girls were dressed in uniforms and clothes that were made in the forties or fifties.” Margaret’s look, however, was completely different. “We wanted to create an outfit that reflected the fact that she was almost a novice. But at the same time, she was out in the world. So for her costume, I looked back at what Yves Saint Laurent was doing in the seventies, when he did these amazing outfits. They looked really severe, but at the same time, they had a sense of glamour and style.” In discussing Delgado’s craft, Stevenson says, “The details on all of Paco’s costumes were so magnificent. The nun habits are so unique: they had this unusual pleating, which became the common thread between everything in the orphanage. [x] THE FIRST OMEN (2024) Dir. Arkasha Stevenson
Jacob Anderson as LOUIS DE POINTE DU LAC Interview with the Vampire (2022)
i don't know where you end and i begin (x)
saw trap owners will be like stay the night bro we’ll fix it in the morning
Bram Stoker’s Dracula japanese poster
JOSIE AND THE PUSSYCATS (2001) Dir. Deborah Kaplan & Harry Elfont
I needn’t mention how essential dreaming is to the character of the rock star.
Velvet Goldmine (1998), directed by Todd Haynes
New jobs are fun because you’re asking questions like ummmmm how do you open. A door
Profondo Rosso (1975) Japanese Program
AKA Deep Red, The Deep Red Hatchet Murders, The Hatchet Murders, Profoundly Red, サスペリア Part 2, Suspiria Part 2
text from my coworker
girl you look like you drop common loot when defeated
Deep Red (1975) dir. Dario Argento