can i borrow the mandate of heaven for like 5 minutes

@theartofmadeline
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gracie abrams
Lint Roller? I Barely Know Her
d e v o n

Discoholic đŞŠ
The Bowery Presents
Not today Justin

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izzy's playlists!

⣠Chile in a Photography âŁ

Jar Jar Binks Fan Club
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Andulka
Sweet Seals For You, Always
noise dept.

oozey mess
occasionally subtle

ellievsbear
Noah Kahan
seen from United States

seen from Germany
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seen from China

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from Germany
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seen from United Kingdom

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seen from T1
@saintmaudes
can i borrow the mandate of heaven for like 5 minutes
THE HAUNTING â 1963, dir. Robert Wise
North York Moors, England by huggywanderlust
womensweatyupperlipmomentsinfilmbracket final round sister Jeanne jacking off vs Deborah Kerr in the innocents
Weâve all been there
let's revisit this with one obvious addition
womensweatyupperlipmomentsinfilm
governess in the innocents
sister jeanne in the devils
sister ruth in black narcissus
Demon Pond ĺ¤ĺăśćą (Masahiro Shinoda, 1979)
DAVID LYNCH đď¸ as GORDON COLE Twin Peaks, 1990-1992
speaking of 'things I want a cookie cutter of', I really want a sugar cookie stamp like this marble tile from the Ulugh Beg madrasa.
Source: Fliese (Wandverkleidung) | Tile (Wall Covering); Uzbekistan, 1434. Museum fĂźr Islamische Kunst, I. 4534.
âA rose is a rose is a rose, but not to the perfumer. Russian rose is softer, Indian thinner, Egyptian richer, Turkish sweeter, Bulgarian rounder, Moroccan brighter. Jasmine sambac is sharp, while grandiflorum jasmine is more full-bodied. Deepgreen Tasmanian boronia has a rich herbal scent, whereas the bright orange kind has a sweet-tart citrusy odor. Spanish, Tunisian, and French orange flower absolute all vary in sweetness and depth.â
â
Mandy Aftel, Essence and Alchemy: A Natural History of Perfume
Lisel Mueller, fragment from the poem "The Escape" â The Need to Hold Still: Collected Poems
No. 5, 1964, Mark Rothko
Medium: acrylic, oil, mixed technique, canvas
@consideredthings
We were two solitudes benefiting from a grace that was continuously reinvigorated in each otherâs presence, two solitudes who nourished each other.
Rabih Alameddine, An Unnecessary Woman
âI am eternally, devastatingly romantic, and I thought people would see it because âromanticâ doesnât mean âsugary.â Itâs dark and tormented â the furor of passion, the despair of an idealism that you canât attain.â
â Catherine Breillat
Columns - Geghard monastery (IV c.-XIII c.), Kotayk province, 2025
Nunney Castle Somerset, England