He Who Guards Truth With Lies
Y'all I just had shower thoughts and they got me thinking and prepare for a theme study unlike any other because this game still has me in a chokehold!
So Verso's Axon? We all know the infamous "He Who Guards Truth With Lies" and Renoir's fondness for parables. I've seen all sorts of interpretations, from it meaning the real Verso never really got the chance to be himself, to Verso being a master manipulator, wanting to be a musician but forced to be a painter (which I def don't think was the case) etc etc
Now my view of that, is that it actually means that Verso had a tendency, at least at the start, to hide painful truths by serving up more palatable lies (would LOVE to know why OG!Verso had to learn that, but he also reassures his sister while he's literally burning to death so). Not gonna go too much into the whys for these, but they're usually a combination of trying to spare others from an existential crisis or serve his ultimate goal of getting the Dessendres out of the Canvas.
Not telling anyone the truth that they're painted figures in a Canvas, not telling anyone that they're doomed to be gommaged one way or another, not telling Maelle of her true nature earlier, etc. I'm not gonna say he's right for these or even that he's being altruistic, but I definitely do think that HE thinks he's being merciful by not burdening them with it. "I envy those who know not that they are not."
Painted!Alicia tries to encourage him to tell the Expeditioners the truth, to stop protecting himself and them from it, but he's not ready at that stage. He's committed and he's not about to falter now.
But when does this shift? Act fucking 3.
Act 3 Verso is a whole different beast. He no longer has any reason to lie. There's no painful truth for him to guard anymore. From that point on? He's honest: brutally honest and the only one who consistently sees things exactly as they are. The person who takes on the liar mantle? Maelle.
Alicia-Maelle thinks she's still Maelle, but honestly she's not. Act 3 Maelle is completely different from Act 1 and 2. Verso points that out and she immediately rebuffs him.
2) Maelle thinks Renoir will restore Lumiere (AFTER HE JUST GOMMAGED THE WHOLE THING) and the person who points out how ABSURD that is? Verso. He even asks her why she thinks he'll help and she just responds with "Oh I'm his favorite :)" GIRL THAT WAS 67 CANVAS YEARS AGO. (I have SO MANY THOUGHTS about this, but that's for another post)
3) Maelle doesn't think highly of her Axon, but Verso points out it's true meaning: that the Axon was actually meant to represent the confidence her father had that she could achieve great heights but she does not see herself as capable (another consistent trait with Alicia and Painted!Alicia: she's literally her own Orphelin).
4) He does not think about bringing the dead/Gommaged back. He fantasizes about it, sure, but does not seriously consider it. Even Sciel, who has probably the healthiest relationship with life and death till then, falls into the trap of wanting to get her husband back (to the point of breaking up with Verso should you romance her). Considering how he describes Painting people, I doubt Maelle would be able to bring Pierre back exactly the way he was and even then Verso, of all people, knows exactly how painful it is to be made a copy of someone else. Even Sciel acknowledges this, but trusts Maelle to know what she's doing (which that's a 16 year old, y'all have a LOT of faith in her).
5) He's cautiously optimistic throughout Act 3, interacting with people like he's starting to accept there will be a future, but he's not as hopeful about it as the others.
6) And the big finale: Maelle insists that she's not going down Aline's path when she LITERALLY is. Talking about bringing back people who have passed, insisting she won't lose herself in the Canvas, showing a preference for living in the Canvas rather than returning to the real world, etc. She lies to Renoir and Verso finally confronts her about it, leading to their showdown. He's guarding truth again, but he's now doing it differently.
Now, he's not guarding the truth by hiding or concealing it.
Now, he's guarding the truth by making sure it's front and center and no one can ignore it.
And that's fascinating to me.











