I fly the ship.

Janaina Medeiros
Peter Solarz

❣ Chile in a Photography ❣
Today's Document
YOU ARE THE REASON

Product Placement
Cosimo Galluzzi

★

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One Nice Bug Per Day

shark vs the universe
noise dept.
tumblr dot com
Aqua Utopia|海の底で記憶を紡ぐ
styofa doing anything
"I'm Dorothy Gale from Kansas"
No title available
Lint Roller? I Barely Know Her
occasionally subtle

roma★
seen from Congo - Brazzaville
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@samcarterfan
I fly the ship.
STAR TREK: LOWER DECKS - S4E10 Old Friends, New Planets
One of the most common complaints about Star Trek I saw growing up was “why don’t they use the holodeck more? If you were living in that time period and you could just make anything you wanted anytime you wanted and live out fantasies forever, why aren’t more people addicted to the holodeck?”
And then generative ai was created.
And now I get it. I get why nobody on Star Trek spends all their free time in the holodeck. I get why all the crew are putting on stage plays, and holding music recitals, and building models, and playing poker. I get why everyone was so skeptical and mean to the Doctor on Voyager. I get why the ONE TIME we see someone obsessed with the holodeck it infringes on people’s likeness rights and permissions.
Because fundamentally at the end of the day we are human beings and we ENJOY working with our hands and making REAL human connections. A person who learns to play an instrument is always going to be viewed as an artist over someone who asks the computer to generate music for them.
Even as recent as Lower Decks they were making fun of the fact that the crew were putting on amateurish plays and holding music recitals. But after living with Ai for so long and seeing how detrimental it’s been to the world… I’d much rather watch my friends put on a stage play than “participate” in a holodeck movie.
What’s most amazing about this is that it was completely unintentional. I do not for one second think that the writers of the time in the 90’s were really thinking about the larger issues that generative ai and chatGTP would cause. How could they? Text to speech back then was still robotic as heck. More likely they wrote that stuff in because it was cheaper to film on sets the owned than try to build, film, or rent out different locations each week.
That’s the down to earth logistical real reason Data is reciting poems about his cat or Riker is in a play put on in ten forward. It’s just cheaper to do that than to build a whole new set or move production to a new location.
Yet at the end of the day, I think that unintentionally speaks to a very human need that ai is making more and more prevalent to us day in and day out.
And that’s the fact nobody wants to deal with generative SLOP.
clint barton social advocacy king
This outfit from Black Widow: Infinity
Years ago back when I worked in cubicle land, we were hiring junior software developers. They didn’t have to have a ton of experience, just a willingness to learn, and some demonstration of their software skills. Like: show me a program you wrote (any language) or a web site you designed. Anything.
And there was this one guy I talked with who seemed super sharp, but had virtually zero experience writing software. When it came time to do the show-n-tell part of the interview he whips out his laptop, brings up a website, and spins it around to show me what he made.
A website of tiny ceramic frogs.
Not for sale. Just… all these ceramic frogs, organized into categories. Frogs on bicycles, frogs with hats, frogs sitting on lily pads. It was a virtual museum of ceramic frogs in web form.
I scrolled through his online collection of frogs, slightly baffled.
“This is your website?” I asked finally.
“Yep!”
“You coded this yourself?” I popped into view-source mode and poked around some incredibly well-formatted, well-commented html. I nodded slowly. This guy was meticulous.
“Yep!”
“So… where’d all the frogs come from?”
“I made those too,” he says, beaming.
And while I’m processing this he rummages in his bag and pulls out a little ceramic frog working at a computer terminal. He places it on the table before us, next to the laptop.
“And THIS one,” he says, “I made for you! As a thank you for the interview.”
It was adorable. I hired him on the spot. I mean, why not? Worst case he’d wash out in 90 days and we’d hire somebody else. He turned out to be one of the best developers on our team.
And yes, his cubicle was loaded with ceramic frogs.
It's terribly simple. The good guys are always stalwart and true. The bad guys are easily distinguished by their pointy horns or black hats. And we always defeat them and save the day. No one ever dies and everybody lives happily ever after.
ANTHONY STEWART HEAD as Rupert Giles
man y’all remember when the avengers movie came out and everyone headcanoned that all the avengers would live together in the tower and had all these cute posts about various fun ways they could interact and then the movies literally never had any of them even be friends
I want to state, for the record, that “all the avengers would live together in the tower” wasn’t collective headcanon, it was canon. The very last scene of Avengers (2012), the one they left us on, is Tony redesigning the tower, designing a living area for each Avenger. That was, canonically, what was supposed to happen, in canon, and they just changed their minds and decided to… not. For whatever goldarn reason.
GHHFDGJHFDS THATS EVEN FUNNIER WHY IS MARVEL LIKE THIS
lie to me
Rest in peace to the incredible Anthony Stewart Head (20th February 1954 - 1st June 2026)
RUPERT GILES in BUFFY THE VAMPIRE SLAYER (1997-2003)
Dance with me ? - (2026)
Clint & Natasha 💗
maybe we’ll come across each other at the turning of the century, racing across the breaches between worlds. i’ll build my life on that maybe. (insp) (x)
Star Trek: Starfleet Academy (2026–) 1.03
Clintasha & Text Post Part 2
hello my name is denial and i’ll be your host this evening
STAR TREK: STARFLEET ACADEMY - S1E9 300th Night
STAR TREK: NEMESIS