
Origami Around
Cosimo Galluzzi
I'd rather be in outer space 🛸

Product Placement
occasionally subtle

oozey mess
"I'm Dorothy Gale from Kansas"
Today's Document

roma★
taylor price
Interview Vampire Daily
hello vonnie
★
Mike Driver
h
cherry valley forever

Love Begins

No title available
No title available
he wasn't even looking at me and he found me
seen from Italy
seen from United States

seen from Brazil
seen from Mexico

seen from Colombia

seen from Mexico

seen from United States

seen from Türkiye

seen from India

seen from Australia

seen from Lebanon
seen from United States

seen from Tunisia
seen from Singapore

seen from Netherlands
seen from Thailand
seen from Saudi Arabia

seen from Tunisia
seen from Thailand

seen from Türkiye
@sandrchitlal
“Rich kids should go to public schools. The mayor should ride the subway to work. When wealthy people get sick, they should be sent to public hospitals. Business executives should have to stand in the same airport security lines as everyone else. The very fact that people want to buy their way out of all of these experiences points to the reason why they shouldn’t be able to. Private schools and private limos and private doctors and private security are all pressure release valves that eliminate the friction that would cause powerful people to call for all of these bad things to get better. The degree to which we allow the rich to insulate themselves from the unpleasant reality that others are forced to experience is directly related to how long that reality is allowed to stay unpleasant. When they are left with no other option, rich people will force improvement in public systems. Their public spirit will be infinitely less urgent when they are contemplating these things from afar than when they are sitting in a hot ER waiting room for six hours themselves.”
— Everyone Into The Grinder
Untitled, Keith Haring, 1989
Acrylic on canvas 100 x 100 cm (39.4 x 39.4 in.)
Keith Haring (American, 1958-1990)
this body is not a home
jody chan sick (via @geryone) \ edward hopper interior, model reading (1925) \ olivia laing the lonely city (via @soracities) \ joan didion on self-respect (via @girlfictions) \ dion palinckx (2019) \ james tate selected poems (via @heartshop) \ @artofbrianluong \ olivia laing the lonely city (via @soracities) \ edvard munch self-portrait in hell
shout me a chai latte
Ocean Vuong, On Earth We’re Briefly Gorgeous
Berlin, Germany, photo by Rasmus Sumborg Nielsen
i like to pretend i already died and asked god to send me back to earth so i can swim in lakes again and see mountains and get my heart broken and love my friends and cry so hard in the bathroom and go grocery shopping 1,000 more times. and that i promised i would never forget the miracle of being here
Encyclopedia of an Ordinary Life, Amy Krouse Rosenthal
Heliot Emil SS23
Hannes Wallrafen
2015
Drawing
oil on photograph 210 × 297 mm
Kei IMAZU
flash sheets by presto_bene
Love and the Pilgrim by Edward Burne-Jones (1833–1898) · Oil on canvas, 1896-97 · Tapestry, 1909 (by William Morris) · Pencil on paper, c.1872
Flood by Paul Merwart (1855–1902).
““Do you ever wonder why mortals seek love so fervently?” asks Hermes, filling his goblet with more of Dionysus’ best wine. Dionysus is thinking of Ariadne again as he smiles sadly, “They walk through life only two steps ahead of death. Imagine what it must be like to know you are finite. You would constantly seek the beauty of love too, if you knew you were doomed. If you knew how your book ends, wouldn’t you want to fill it with beautiful things like love, too?””
— Nikita Gill, Excerpts from Maidens, Myths and Monsters