open to: m/f/nb/any
possible connections: a human, most likely. someone she's been patching up for a few weeks. good for crime muses. could be strangers, friends, or something romantic. pre-established relationships are fair game—go wild!
the general idea: i patch you up regularly and don't ask questions, and it works because it means you don't ask questions kind of dynamic—and usually that works for her, but she always fucks up when she starts to care. that's it... those are the vibes. go wild, and feel free to come plot!
They settle into the chair, and Annelise doesn't flinch. She hadn't when they showed up at her door, late at night, marking the third time this week. No questions are tumbling past her lips, and she doesn't have worried words to scold them with. She doesn't ask how or why—she doesn't need to. The quiet between them has grown in the past few weeks like an unspoken recognition. Don't ask, don't tell works fine—until she starts to care. Then it gets messy.
Her hands move with a careful precision, every stitch deliberate, the bracelets on her wrists clinking with every unnaturally fast movement. She's far quicker than a human would be, and still more meticulous about it than she thinks they would be. Her senses are better, and her training before now was nothing if not overdone—first her father, then nursing school. She glances up only once, to see the way they watch her hands as she works. She doesn't hide here. There are no questions from them, either—and she knows what they must be thinking.
"It works because we don't ask," she says, voice low and soft. There's no accusation in her words—just a soft, subtle kind of truth, and then a quiet that typically means she's searching for something to say. She wants to ask—of course she does; her curiosity is nagging at her every second—but that would mean inviting them to ask their own questions.
Questions she isn't sure she's ready to answer.
Annelise leans back, gloves off, wiping her palms against her skirt. From an ashtray on the side table, she steals a half-smoked, hand-rolled cigarette, lights it, and then takes a drag just to have something occupying her hands. The smell of lavender wafts around the space as she exhales, long and slow. Then, because 'are you okay?' is on the tip of her tongue, "I think you should stay, let me keep an eye on you."