i want whatever the fuck they had going on
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cherry valley forever

Jar Jar Binks Fan Club
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noise dept.
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will byers stan first human second
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PUT YOUR BEARD IN MY MOUTH
let's talk about Bridgerton tea, my ask is open

shark vs the universe
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@sapphicdt
i want whatever the fuck they had going on
Despite Severusâ coldness, things are definitely heating up in the courtyard⊠đ€
18+ đ«Ł
Almost done, I promise!!! đ feel free to let me know if youâd like to be tagged đ
đȘâ€ïž It's Smuturday!â€ïžđȘ
As always, 18+ only... Click below to read â©ââŸ
đȘâ€ïž Mindf*ck â€ïžđȘ
Excerpt from an upcoming chapter of At Last, spoiler alert for anyone reading the full fic. (Chapter mastelist here!) Summary behind the cut.
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Title: Obliged
âËà§ PAIRING: Colonel Brandon x f!reader || Sense and Sensibility âËà§ CATEGORIES: drabble/headcanons | READER 18+ âËà§ WARNING: none âËà§ HINT: Just writing Brandon~ âËà§ WORD COUNT: 1.1k
NSFW ALPHABET - BRANDON
I love how Sense and Sensibility has a melodramatic Gothic hero who traveled the world as a soldier and had an angsty backstory and even during the events of the novel participated in a duel. But all of it's off-page so every time he appears he's just Some Guy. Kind of serious, doesn't talk much, pretty boring. His biggest passion is flannel waistcoats
I have an observation. Alan Rickman's age in S&S is a really big, significant problem, but an equally big problem is that his portrayal is too stoic. I think the filmmakers were trying to make him a tough guy and didn't understand that vulnerability is what makes people feel for you. If your fear of showing weakness gets in the way, then you may think you're protecting yourself, but it makes it hard for anyone to empathize with you.
I can buy that. Colonel Brandon is very emotional, he just leaves the room whenever he has to experience A Feeling. He has to pause when telling Elinor about Eliza's history because he's so overcome:
He could say no more, and rising hastily walked for a few minutes about the room. Elinor, affected by his relation, and still more by his distress, could not speak. He saw her concern, and coming to her, took her hand, pressed it, and kissed it with grateful respect. A few minutes more of silent exertion enabled him to proceed with composure.
and again: Again he stopped to recover himself; and Elinor spoke her feelings in an exclamation of tender concern, at the fate of his unfortunate friend.
I am not an expert on Sense & Sensibility adaptations, but I know there is at least one that has Colonel Brandon being very emotional during the Eliza history scene and I think that is very key to his character.
I hope you don't mind, but I got a little long-winded when writing my own thoughts on this subject and would love to share. :p
For me, personally, Alan Rickmanâs age has never bothered me in the 1995 Sense & Sensibility adaptation â especially when you look at how Emma Thompson and Hugh Grant were also older than their characters in the novel. When you have such a top tier collection of actors and actresses, I find it easy to be forgiving about those sorts of things â especially when their performances, at least in my opinion, are unmatched by any other adaptation.
But the thing I wanted to comment on is that Colonel Brandonâs entire character is defined throughout the novel by his restrained emotion â not a lack of emotion, again, but restrained emotion. When he was first introduced, Jane Austen described him as âsilent and graveâ, and that description of âgraveâ continued to be her word of choice for him as the novel progressed. You can easily swap grave with stoic. Marianne â though, of course, in her very Marianne way â believed him beyond âall acuteness of feeling and every exquisite power of enjoymentâ for his simply listening quietly and respectfully to her playing the pianoforte. Elinor, when first noticing Brandonâs deepening attachment for her sister, gave us this following insight:
âShe saw it with concern; for what could a silent man of five and thirty hope, when opposed to a very lively one of five and twenty? and as she could not even wish him successful, she heartily wished him indifferent. She liked himâin spite of his gravity and reserve, she beheld in him an object of interest. His manners, though serious, were mild; and his reserve appeared rather the result of some oppression of spirits than of any natural gloominess of temper. Sir John had dropped hints of past injuries and disappointments, which justified her belief of his being an unfortunate man, and she regarded him with respect and compassion.â
Silent. Grave. Reserved. Serious but mild. That really sums up Brandonâs manner. Even in the scene where Brandon is expounding on his past and Willoughbyâs misdeeds, he describes his own character as having âpresently forlorn and cheerless gravityâ to the point where he understood if Elinor may have thought it impossible for him to have nurtured such an intense love in his past.
And thatâs where we come to the crux of Brandonâs character. He was reckless and unrestrained in his attachment to Eliza â their choice to elope was no small thing â and in that love he clearly showed a depth of romanticism to match even Marianneâs unrestrained sensibilities. He still has that deep romanticism, which is what presents him as such a perfect narrative foil and eventual match in love for Marianne.
In the novel, Austen gave us hints as to what the Brandon home life was like for both our Brandon and Eliza. The estate was much encumbered due to mismanagement. Though Austen doesnât say much about Mr. Brandon Sr., we can infer much from that alone â to say nothing of how he married his ward to his eldest son âagainst her inclinationâ for her fortune. Brandon says that âis all that can be said for the conduct of one who was at once her uncle and guardian.â
If we can infer that the elder Mr. Brandon was, at the very least, a cold and calculating man, Austen is far more explicit in her condemnation of the younger Mr. Brandon. Our Brandon says that his brother âhad no regard for her [Eliza]; his pleasures were not what they ought to have been, and from the first he treated her unkindly.â He goes on to describe their marriage as a misery. That statement, his pleasures were not what they ought to have been, is one that has always haunted me. What was it like, growing up at Delaford, with such a father and master and his son and heir? Maybe that was one of the reasons Brandon and Eliza saw fit to elope in the first place. I think that it's possible to reason that Brandon may have learned reserve from an early age, if only for his own safety in such an environment - he certainly learned it upon losing Eliza and joining his regiment, if only from the weight of dashed expectations and ruined dreams.
I have my own head!canons about Brandon's time in India and beyond, which don't have any place in a literary analysis, but I will say that that we can perhaps all agree that one didnât simply achieve the rank of colonel before the age of thirty lightly. On top of Brandon carrying his heartache with him, there were his experiences in war, where he earned a position as a leader of men. That alone implies some level of gravitas of temperament â let alone the further tragedy he faced upon coming home and discovering his Elizaâs fate and being present for her death. Then, there was the fate of Elizaâs daughter. I think that itâs easy to forget that, throughout the Dashwoodsâ early time at Barton, Brandon had no idea of what had become of Eliza and was still actively searching for his ward. She had been missing since that previous October, which had to have weighed on him as a guardian as he castigated himself over his failures towards both mother and daughter. By that point, Brandon must have assumed the very worst. Of course he would be subdued in this context â even more so than was his normal disposition.
But, no matter the personal tragedies he suffered in life, Brandon never lost his propensity for kindness and generosity. He never inflicted upon others the cruelty he endured in his own turn. In his five years as master of Delaford, he'd already turned around the prospects of the estate, according to Mrs. Jennings â which would have included caring for the tenants who had been sorely pressed under the management of his brother and father. As a bachelor soldier with no fixed residence â he had no claim to Delaford at the time, let's remember â he assumed custodianship of Eliza, a girl who could have been his own daughter in another life, all out of love and a sense of duty to her mother. He then went on to act as a guardian to the best of his ability. He showed friendship to the Dashwoods without expecting anything in return, and he went out of his way to prove that friendship through multiple tangible acts of service. He extended kindness to Edward â a stranger â based solely on his knowledge of his character from the Dashwoods and out of a sincere desire to aid what he thought was a love story, understanding the impossibility of Edwardâs position from his own thwarted romance in his youth. He constantly showed his heart in word and deed, even if he may have been solemn in disposition. (Which foiled Willoughby's superficial and ultimately selfish character, I don't even have to say - Austen knew exactly what she was doing in her writing of these two men.)
The only time I can really recall Brandon's composure breaking in the novel â even in his confession to Elinor, he held himself firmly in line, taking the time to pause and gather himself often â is when Marianne fell ill and was in mortal peril. When he fetched Mrs. Dashwood from Barton, he betrayed some deep emotion of feeling â though that emotion may have been embellished, Elinor suspects, "by the fancy of her mother".
Trials and tragedy have taught Brandon to be reserved and guarded, but again, he showed himself kind through his actions. He has an enormous heart and a true depth of fellow feeling. Itâs the world around him that has forced him into a mold that he may not have naturally fit in different circumstances. We all know that Jane Austen was satirizing the Romantic movement with Sense & Sensibility, and I think that she did that wonderfully with Brandonâs character. He is her answer to the Byronic hero â a haunted character with a tragic past, who, instead of turning to bitterness and despair, chooses kindness and generosity and empathy. If Marianne had to learn to temper her sensibilities with sensibility, then Brandon, over the course of the novel, was able to let more of his sensibilities free and let his heart breathe again. (And I could write an entire essay about how his character arc mirrors Edwardâs in that regard, I just love Austen's thematic parallels in S&S so much.) By the end of the novel, equilibrium is achieved, both for Brandon and Marianne, and thatâs what makes them work as partners for each other, in every sense of the word. I mean, just look at Austen slay when she writes:
âShe was born to overcome an affection formed so late in life as at seventeen, and with no sentiment superior to strong esteem and lively friendship, voluntarily to give her hand to another!âand that other, a man who had suffered no less than herself under the event of a former attachment, whom, two years before, she had considered too old to be married,âand who still sought the constitutional safeguard of a flannel waistcoat!
But so it was. Instead of falling a sacrifice to an irresistible passion, as once she had fondly flattered herself with expecting,âinstead of remaining even for ever with her mother, and finding her only pleasures in retirement and study, as afterwards in her more calm and sober judgment she had determined on,âshe found herself at nineteen, submitting to new attachments, entering on new duties, placed in a new home, a wife, the mistress of a family, and the patroness of a village.
Colonel Brandon was now as happy, as all those who best loved him, believed he deserved to be;âin Marianne he was consoled for every past affliction;âher regard and her society restored his mind to animation, and his spirits to cheerfulness; and that Marianne found her own happiness in forming his, was equally the persuasion and delight of each observing friend. Marianne could never love by halves; and her whole heart became, in time, as much devoted to her husband, as it had once been to Willoughby.â
I COULD EAT THESE THREE PARAGRAPHS WITH A SPOON
But, to the specific criticisms of Rickmanâs performance, I would point out that it is only here, in the epilogue, so to speak, that Austen writes Brandon with cheerfulness and animation. I personally think that Rickmanâs performance was spot-on in its reserve. Rickman had that aura of grief and tragedy about him, but he still allowed Brandonâs kindness and vulnerability to show through in multiple settings. In his very first scene, heâs playful when he answers Margaretâs questions about India. Then, thereâs the scene where heâs petting the dogs as he walks up to the cottage â and then he salutes Margaret, once again showing her affection and respect. Heâs smiling and even teasing when he gifts Marianne flowers â just as he was when they were bowling together at Barton House. The nervous gestures he showed â like tapping the back of the arm chair â during his confession to Elinor said so much with so little. Then, I donât even have to get into his entirely A+ depiction of the depths of Brandonâs grief and fear and utter devotion when Marianne fell ill at Cleveland. He was beyond openly vulnerable in those scenes; he was wearing his heart bleeding on his sleeve. I personally wouldnât describe Rickmanâs portrayal of Brandon as âtoughâ in any way. I thought that he 100% understood the assignment, and delivered what is, in my opinion, a Colonel Brandon that's exactly as Austen intended him to be.
I just . . . Brandon is one of my favorite Austen heroes and I can talk about him all day. I donât know if this helped at all - or if my bias is simply showing, in all honesty. But once I got started rambling, I couldnât stop. ;)
(And here! Gif proof of the scenes I mentioned, all lovingly gleaned from @smilingformoney )
It's subtle, perhaps - but there is Colonel Brandon, just as Austen described: serious but mild, with a kind heart and a gentle manner, despite all the grief and tragedy life has thrown at him otherwise.
âExplain yourselfâ followed by âstop making excusesâ has always baffled me because the fuck you think explaining myself is????
Iâm not Christian, I donât go to church anymore, and my pastor died, but when he was alive Iâd sometimes go to his sermons and I remember one time he said âit feels good to hate, but we know that it isnât allowed, so when weâre told that weâre allowed to hate someone we get so excited that we forget weâre supposed to loveâ, and if my humble atheist ass might borrow some church talk Iâd like to perhaps submit that
Anyhow sometimes on the day to day I feel disgust or revulsion and I have to ask myself âis this a danger to anyone at all or am I just looking for something Iâm allowed to hateâ and a solid 98/100 times itâs the latter so once again thank you pastor D
Severus Taking You Back to Common Room - Blurb
"Severus," you whispered. The music was loud, you wanted to go home.
Severus replied immediately, being the introvert he is, he did not want to be at this party.
"Yes, darling," his voice a bit nervous and raised due to the blaring music.
"I want to go, now, my feet hurt." You half-whined half-complained as you bounced on your heels.
Severus didn't say anything because you were already stressed before the ball about your tall heels.
It was the Yule Ball, which had been going on for hours by this point. You loves parties like this, loved being with friends and making memories.
Severus on the other hand, if he hadn't been invited by you, would be enjoying quiet reading in the Slytherins common room.
He held your hand as you walked out of the ball room, passing by a few students making out and... doing much more than just making out.
"My feet hurt so bad," you whined again. Severus's eyes were concerned, he was an extreme lap dog. Would literally do anything you asked and try to offer every solution there was for your pain.
"Do you want to take them off, I can carry you?" He offered.
Your eyes softened and your lips slightly pouted, "Yes please, take them off for me."
You leaned against the castle wall, the portraits looking curiously and talking amongst themselves as Severus took off your shoes.
"Do you want me to carry you?" Severus asking, you hesitated. Though you saw the floors often getting mopped, they looked quite old and... not the cleanest.
"Yes please," you nodded, Severus carried you bridal style and ascended down the stairs.
"Why didn't you put charms on your heels?" Severus asked
You blinked, "I've never thought of that." Your parents often brought you to muggle shoe stores. When you were six and had a muggle friend, you loved her Cinderella themed heels, though knowing nothing about the movie.
"Do you want me to charm them for you?" he asked. You shook your head, he was always so concerned, sometimes it freaked you out having someone so nice and attentive.
"I'll do it some other time, I usually buy shoes at muggle shops." You rested your head against his shoulder."
He set you on the common room couch, "Well maybe you should check out normal shoe shops then."
You chuckled and nodded, "Want to come with me?"
He blushed, "I have no fashion in women's shoes."
You giggled, feeling tired now, and the high of the party coming down. "Cissy is probably still there, drinking somehow." You sighed, Cissy always followed Lucius around, he wasn't even that great.
Severus nodded, "Probably, do you want some tea or food in general?"
You shook your head, "No, I just want to sleep."
Hello! Two questions. 1) It's true there isn't bad critics or scandals about Alan Rickman? Reading information and news about him, I pleasantly surprised by the fact that everybody loves him. Maybe because he's a very good, gentle and wonderful person. 2) I love music. Soundtracks of Alan's films are beautiful. So I am curious to know: what's Alan's relationship with music? Which genres or artists did he prefer? Thank you and sorry for mistakes (English isn't my mother-tounge). DMK
Hi. Iâm sorry if Iâm getting back to you late. These are some good questions:
1) As far as I know, Alan did an excellent job of staying out of the limelight and he really did seem like he was a genuine, sweet person who didnât need or want all of that attention enough to be ââscandalous.ââ That being said, there were some critics of his play, My Name Is Rachel Corrie from political perspectives, even though I personally donât think the play is politically driven at all. You can read more about the controversies in these articles. Regardless of whether or not anyone agrees with Rachelâs activism, she didnât deserve to die in the way she did and Alan merely took her writings and represented the story as just a human narrative about an everyday young woman who fought hard for what she believed in and was killed in an unjust way; the play took no political sides on the Palestinian and Israeli conflict, in my opinion, but other than that, I have barely heard one bad word about him in the press. Unless one considers tabloid Daily Fail writer Maureen Patonâs Alan Rickman: The Unauthorised Biography, which not only takes a lot of quotes from both Rickman and colleagues out of context, spreads false ââfactsââ about Rickman (i.e. having a non-existent speech impediment), writes some condescending things about his immediate family just because they arenât actors, and twists truths in a Rita Skeeter fashion, but goes out of its way to paint Rickman as a stage brat, which everyone is aware he wasnât. In short, stay away from it. Alan had, time and time again, expressed his loathing for it in countless interviews. You read it, you can see why.
2) Alan did a short, list-type interview for the promotion of CBGB where he cited some of his favourite songs and artists. Trouble is, I canât find it now! [If anyone has a link to it, donât hesitate to message me! Edit: Thank you to @smileslikeareptile!] But I remember he cited a lot of 60s and 70s music, particularly ââDancing in the Street.ââ The excerpt, folks:
These are songs to have grown up with:
I Wonât Dance - Fred  Astaire                                   My  hero. Completely disciplined, completely free.
Iâm Easy - Keith  Carradine                              From  Robert Altmanâs great film, Nashville.  The scene has an acting lesson  from Lily Tomlin.
Lily, Rosemary, and the Jack of Hearts - Bob  Dylan                                    10am.  Monday morning. RADA student. Our brilliant teacher, June Kemp, gets us moving.
The First Time Ever I Saw Your Face - Roberta  Flack                                 Just  listen.
Desperado - Langley  Schools Music Project             Recorded in a school gym in  1976. The singer is 9 years old.
Dancing in the Street - Martha  and The Vandellas                    Just  dance.
Real Good For Free - Joni  Mitchell                                  She  says it all, really. No comment required.
Coney Island - Van  Morrison                                 Nostalgia  about everything. Everywhere.
Youâve Lost That Loving Feeling - The  Righteous Brothers                        Last  dance at the party. A red light bulb. The dregs of cheap wine.
Imagination - Little Jimmy  Scott                                  A  great jazz singer rediscovered just in time.
Anyhow, hereâs an excerpt from a similar one:
Obviously I was aware of the huge rise of The Police in England, and as an art student I was very much a fan of Talking Heads. And then Blondie, but I wasnât a hard punk-rock fan at the time. But of course I was also very much around the height of The Beatles and The Stones, so it was like that was the lone star and everything spun off from there. And [Bob] Dylan, very much so. ⊠England in the â60s and the â70s was everything that history has said; it was phenomenally exciting, musically. One was very shaped by that.
I have to say, he had good taste. And hereâs an excerpt from an older interview:
What is your favourite romantic song?Alan:Â ââTake It With Meââ by Tom Waits.What is your favourite Christmas song?Alan:Â ââMerry Christmasââ by John Lennon.
As well as from 2009:
Here is what the actor said about Georgian songs and food in the interview with Rustavi 2 TV in Georgia:ââGeorgian polyphonic gospel is a mystery. I have no idea where this voice comes from. Even though I have listened to it for quite a long [time], I simply cannot understand it.ââ
Thatâs all I have for now as far as Alan talking about music goes, so anyone, feel free to submit more that I may have missed! I hope this answers your questions.
P.S. English isnât my native language either. Youâre fine, honey. :)
Regards,
Emily
The Legilimens (Snape x Female Reader; 18+)
"He will penetrate your mind with absurd ease."
CW: Smut! 18+, minors DNI!
Emotionally break severus. Thats my only need.
He can cum as a treat. But i need to see him crumble like a wet sandcastle.
I feel like this is the best âaskâ to fit with whatâs been written for this first chapter⊠ask and you shall receive đ€
18+ smuuuuuuutty, denial, emotional, and more smut
6.4k+ words
Severus Snape and the Human Condition
Chapter one:
No Complaining, Just Compliance
âThis can't be happening,â ⊠âSurely notâŠâ ⊠âNot to me.â were just some of the muffled words she could hear through the thin gap from his door not being closed properly.
Professor Snape didn't usually leave his chamber door open, not even a little crack, so this was a rarity. She knew he would've never done this on purpose. She knew he wasn't acting his usual self in there, and most importantly, she knew how he would react if he knew she was watching. She squinted her eyes slightly when she heard him groan, âI can'tâŠâ, followed by placing his head in his hands and exhaling loudly, almost angrily. She moved herself closer to the chamber door to try and get a better view of what was happening and attempt to hear what he was mumbling into his hands. She watched closely and intently as he paced about the room with his face still covered, growing more and more visibly distressed. He stopped suddenly and exhaled loudly, but when he brought his hands away from his face, their eyes met. In that split second, she witnessed him see red. Pure, humiliated, furious, red.
Hii! I absolutely love your Frank stories!
I was wondering if I could request a Frank x younger/reader? Maybe something like lazy morning sex, a domestic vibe, where Frank has the day off and you both get to sleep in and just enjoy the morning togetherâ ïžâșïž
Thank you so much! I love your writing!đâšđđđ
Title: Hold the Line
Summary: Frank tries to ignore his morning wood like any good soldier, until your thighs welcome him like a warm order. And this time, he follows instinct, not protocol.
Pairing: Frank Benson Ă Fem! Reader
Also read on Ao3
Severus is aware that heâs talented, that he has a brilliant mind, that heâs intelligent, and that heâs a powerful wizard, but even so, it would never in a million years occur to him that someone could feel even the slightest bit attracted to him. The mere idea of someone saying, âHey Snape, I think X likes you,â would first make him laugh hysterically out of sheer shock and irony, and then make him absolutely furious, because clearly that person must be messing with him like how could anyone possibly be even remotely attracted to him? It has to be a joke.
SFW Alphabet (Severus Snape)
To try and get back in the habit of writing more regularly, I thought I'd give this a try. Enjoy!
A = Affection (How affectionate are they? How do they show affection?)
Severus is honestly pretty bad at showing affection at first. Not because it makes him uncomfortable, but because he's just never really experienced it before. It takes a while for him to learn from your own displays of affection, but once he gets the hang of it, he's like your own personal shadow (although he still won't do PDA).
B = Best friend (What would they be like as a best friend? How would the friendship start?)
Becoming friends with Severus as teenagers at Hogwarts would be different from befriending him as adults. I think it would definitely be easier to earn his trust if the two of you knew each other when you were younger. He'd definitely be harder to connect with as an adult, but if you continued to show that he could trust you, he'd be unquestionably loyal as a best friend.
C = Cuddles (Do they like to cuddle? How would they cuddle?)
He'd never admit it of course, but he loves it. Especially after a long day, either on the couch or in bed. He wouldn't really have a preference of how you cuddled, as long as he was able to hold you. I think it would be really grounding for him to be able to hold you in his arms, and cuddling would be something that Severus really valued.
The Spell You Cast - Severus Snape
Summary: The smell of Amortentia can change over time. And while teaching, Severus notices a difference in his own. Yet the new scent is familiar to him. Where has he smelled it before?
Word Count: 1,028
Warnings: A little light angst