Coming soon
I wrote this story a while ago, so despite all the love in my heart, it’s still in the drafts folder, but I’m so in love with it that I just can’t bring myself to let it go.
I hope you like it as much as I do
cherry valley forever
Keni
Show & Tell
Monterey Bay Aquarium
occasionally subtle
Acquired Stardust
PUT YOUR BEARD IN MY MOUTH

Andulka
Peter Solarz

No title available
Stranger Things
"I'm Dorothy Gale from Kansas"
Claire Keane
TVSTRANGERTHINGS
AnasAbdin
taylor price
trying on a metaphor

Janaina Medeiros

shark vs the universe
hello vonnie
seen from United States

seen from United States

seen from United States

seen from United Kingdom

seen from United States
seen from United States

seen from Canada
seen from Australia

seen from United Kingdom

seen from Malaysia

seen from United States

seen from Finland
seen from United Kingdom
seen from United States
seen from Latvia

seen from United States
seen from Malaysia
seen from Malaysia
seen from France
seen from United States
@sarahsquinn
Coming soon
I wrote this story a while ago, so despite all the love in my heart, it’s still in the drafts folder, but I’m so in love with it that I just can’t bring myself to let it go.
I hope you like it as much as I do
Reasons Why I Don't Think Harry and Zoe's Engagement Is Real (don´t hate me these are just PERSONAL thoughts)
Maybe the image I have of Harry isn't who he really is, but I feel like, given how private he is about his personal life, he wouldn't buy his partner such a flashy ring (again, I feel I have to clarify that this is just my opinion, not the reality of the situation)
Ever since they started dating, every time they've been spotted walking down the street together (in my opinion lol) they look like they're putting on a show, as if they're constantly posing. Plus, they're always seen in the busiest places, as if they want to be seen.
The ring Zoe is wearing looks a lot like the one from the brand she’s an ambassador or model for—I’m not sure which. I think it’s unlikely that the ring is that similar to the one she models (just my opinion, lol)
They've been dating for 8 months. 8 MONTHS—I mean, I know that love might make you want to rush things and think they're the one, I don't know, but given how Harry has talked about love and how his past relationships have ended, the idea of him committing to someone he's only been dating for 8 months just doesn't make any sense to me. (Again...just my opinion)
The fact that magazines or websites “confirm” it doesn't really prove anything; after all, they're just entertainment and gossip magazines, so I don't think you can trust that kind of source. I mean, I highly doubt either of them would confirm or deny it, but I don't know for sure. Something about all this just doesn't add up.
Anyway, I know this totally sounds like I’m just another fan with a parasocial relationship with Harry lol (which I am). These are just my personal thoughts; I’m not looking for you to believe me or take my side because I realize this might just be my mind refusing to accept that Harry is engaged. Either way, I really want him to find someone who shares his plans for the future. I just can’t believe you can find your life partner in eight months. Don’t hate me—it’s just my opinion, and I’m sharing it with respect for both of them. I know it sounds contradictory because I’m doubting their engagement, but I don’t know—I just can’t get these thoughts out of my head
My bisexual king 😭
My beautiful babies, I can’t wait for you to meet them
sigh…
Oh my fuck I just spit my drink everywhere
I’m in fucking tears
I ugly laughed
Omg haha
The cats Outraged Face
Reblogging again because I forgot to tag @emilievitnux
How to Plot a Complex Novel in One Day
Now first, I have to say, that the plot you’re able to come up with in one day is not going to be without its flaws, but coming up with it all at once, the entire story unfolds right in front of you and makes you want to keep going with it. So, where to begin?
What is your premise and basic plot? Pick your plot. I recommend just pulling one from this list. No plots are “original” so making yours interesting and complicated will easily distract from that fact, that and interesting characters. Characters will be something for you to work on another day, because this is plotting day. You’ll want the main plot to be fairly straight forward, because a confusing main plot will doom you if you want subplots.
Decide who the characters will be. They don’t have to have names at this point. You don’t even need to know who they are other than why they have to be in the story. The more characters there are the more complicated the plot will be. If you intend to have more than one subplot, then you’ll want more characters. Multiple interconnected subplots will give the illusion that the story is very complicated and will give the reader a lot of different things to look at at all times. It also gives you the chance to develop many side characters. The plot I worked out yesterday had 13 characters, all were necessary. Decide their “roles” don’t bother with much else. This seems shallow, but this is plot. Plot is shallow.
Now, decide what drives each character. Why specifically are they in this story? You can make this up. You don’t even know these characters yet. Just so long as everyone has their own motivations, you’re in the clear.
What aren’t these characters giving away right off the bat? Give them a secret! It doesn’t have to be something that they are actively lying about or trying to hide, just find something that perhaps ties them into the plot or subplot. This is a moment to dig into subplot. This does not need to be at all connected to their drive to be present in the story. Decide who is in love with who, what did this person do in the 70’s that’s coming back to bite them today, and what continues to haunt what-his-face to this very day. This is where you start to see the characters take shape. Don’t worry much about who they are or what they look like, just focus on what they’re doing to the story.
What is going to change these characters? Now this will take some thinking. Everyone wants at least a few of the characters to come out changed by the end of the story, so think, how will they be different as a result of the plot/subplot? It might not be plot that changes them, but if you have a lot of characters, a few changes that are worked into the bones of the plot might help you.
Now list out the major events of the novel with subplot in chronological order. This will be your timeline. Especially list the historical things that you want to exist in backstory. List everything you can think of. Think about where the story is going. At this point, you likely haven’t focused too much on the main plot, yeah, it’s there, but now really focus on the rising actions, how this main plot builds its conflict, then the climactic moment. Make sure you get all of that in there. This might take a few hours.
Decide where to start writing. This part will take a LOT of thinking. It’s hard! But now that you’ve got the timeline, pick an interesting point to begin at. Something with action. Something relevant. Preferably not at the beginning of your timeline - you want to have huge reveals later on where these important things that happened prior are exposed. This is the point where you think about what information should come out when. This will be a revision of your last list, except instead of being chronological, it exists to build tension.
Once you’ve gotten the second list done, you’ve got a plot. Does it need work? Probably. But with that said, at this point you probably have no idea who half your characters are. Save that for tomorrow, that too will be a lot of work.
How to write a kiss
Rebloggable version, as requested by davrosbro. :)
Oooh! Yes! I love kisses. Kisses are where it all starts ;).
Okay, first, remember that kiss is much, much more than just lips. It is lips, but also tongues, teeth, eyes, faces, hands, noses, bodies, heartbeats, breath, voice- and most importantly, a kiss is emotions. A kiss without emotion is just wet mushy lips stuck together. Ew. Gross. The most important part of a kiss isn’t the how, but the who- because of the emotions between the two people.
Okay so:
lips- Lips can slide, glide over each other smoothly, or they can be chapped and rough and dry and get stuck on each other. They can match, top-to-top and bottom-to-bottom, or they can overlap, with one person’s top or bottom lip captured between the other person’s lips (yummy). If there is lipstick or chapstick there is lipstick or chapstick flavor, otherwise, lips don’t have a taste (can you taste yours?). Lips also can smack- the sound of two of them coming together or pulling apart, because they’re wet and warm and soft.
tongue- Tongues are always wet, and always warm. They’re very versatile. They can trace over lips, teeth, or another tongue. They can be smooth and graceful or teasing and flicking. When tongues are involved, there is drool. It’s only sexy when you like the person you’re kissing, or else it’s kinda gross. :P
teeth- teeth can clack together awkwardly, or teeth can bite down sensually. A person biting their own lip is cute, a person biting another’s lips is sexy. A person biting gently is sensual, a person biting roughly is sexual.
eyes- Eyes can be wide open with surprise, half-lidded with desire, fully closed with pleasure. Eyes can gaze lovingly, lustfully, wistfully, hungrily, seductively- it all depends upon the emotions of your characters. Have them do whatever you like, but don’t leave them out- give them at least a mention!
faces- Faces are what the lips are attached to. Noses bump, cheeks flush, ears turn red, foreheads either wrinkle or relax. Kisses can leave lips, quite easily, and become kisses on chins, cheeks, noses, foreheads, ears, necks, throats. Kisses on noses or foreheads are cute and adorable, kisses on cheeks are sweet, kisses on chins, ears, and throats are very sexual. And a kiss on the lips can be all of those! <3
hands- Hands are super-important. In order to describe a kiss, usually you want to also describe the hands. Where are they? Does one character have on on the back of the other’s head or back, holding them close? Are they on someone’s shoulders pulling them near, or pushing them away? Fingers brushing someone’s cheek or palms grabbing someone’s ass convey two very different kinds of situations, even if the kiss itself is exactly the same.
noses- Noses are annoying. They easily get in the way, especially for first kisses! People have to tilt their head to one side or the other, and if they don’t, noses bump. I’d only mention noses if a kiss is supposed to be awkward or uncertain or nervous.
bodies- bodies are either close together, or far away. Someone can be surrounded comfortingly by someone’s arms, or terrifyingly trapped by them. Bodies are warm or hot, they are calm or nervous, relaxed or tense. Body language says a lot. Is your character pulling away, or moving closer?
heartbeat- Hearts can beat fast or slow, and that’s about all they can do- but there are lots of reasons why they do! A heart can beat fast with fear or excitement or nervousness; a heart can pound with lust or race with terror or sing with joy. Hearts can glow, cower, or shatter. When you really want to drive the emotions of a character home, mention the heart.
breath- To me, the most consuming part of a kiss is the breath. The air that someone else has just breathed going deep into your lungs is very intimate. Lips and tongues don’t have a taste, but breath does. Each person’s breath tastes different, smells different, and surrounds a person differently than anyone else’s breath. Breath can be warm and sweet, breath can be hot and sexy, breath can be hot and frightening. It is something that is very present and should not be left out. A lot of writers leave breath out. And it’s so important; it’s the most intimate part of a kiss. Someone else is breathing into your lungs, and it’s either heaven or it’s hell.
voice- Voice conveys much, even without words. A voice can groan, whimper, gasp, moan, catch, whine, scream, sigh. Voice can convey emotion powerfully, and while some kisses are silent, usually they’re not.
emotion- Emotion is the most important- and the thing you try not to say. You want to describe it, through all of the things above, so that it’s perfectly clear what your characters are feeling, without you ever using the “feelings words”. If they’re in love, their bodies will lean close, their eyes will smile, their voices will giggle softly. If they’re nervous, their palms will sweat, their noses will bump, their voices will shudder. If they’re afraid, their muscles will be tense, their faces will grimace, their lips will not open. Emotion is the color that you keep inside your mind as you write; it’s the base line that drives the description behind everything else you say.
Wow, that was a lot! Gosh I hope it wasn’t too much! Keep in mind not every kiss has all these things- this is just a list of things to consider when writing a kiss, and based on how long of a kiss you want to make. Keep in mind that typing “they kissed for a long time”…that’s six words, it takes half a second to read, so that’s a short kiss! If you want a long kiss, you need long sentences that make the reader linger.
So maybe to start off, pick three things on the list to describe in your first kiss. Don’t try to do it all- that would be too much for even the most epic kiss. Just pick what’s most important to this particular scene, to these particular characters, and describe those parts along with the lips, and you’ve got yourself an awesome, emotional kiss. <3
you've been my muse for a long time, you get me through every dark night ☾
synopsis: you weren't quite a part of the resistance, but you definitely didn't agree with the order, and certainly not with the brooding, terrifying leader. since you found out the truth about your lineage, you'd been drifting through the galaxy, running away from a life you were scared to live. through it all was the insistent, haunting voice, rattling around in your skull.
warnings: smut, improper use of the force, enemies to lovers but kinda a secret third thing, speaking/touching through the force, choking, f masturbation mentioned, kinda fighting for dominance, arguing, lots of angst, pain mentioned, vague dubcon but not noncon at any point, really rough idk, spitting, violence, mentions of death, healing, breeding kink, size kink, oral both receiving
wc: 5.5k
notes: idk what possessed me to re-enter my kylo phase but sure i hope you guys don't hate this! also the plot is lowkey reylo.. oops
Star Wars movies (1977 - ) // The Fallen Angel (detail) - Alexandre Cabanel, 1847
I love deeply traumatized men with haunted eyes. Like hell yeah babe look at me as if I'm the only good thing you've ever known.
do you have moment to hear about our deeply traumatized lord and savior Ben Solo?
yes I do.
hyperfixation please stay with me long enough to complete the project. hyperfixation do not fade. hyperfixation finish what you started for the love of god
When Negan asks Daryl who he is, I think he thinks about Carol and the way she has helped him with her love to be who he is, because even on Rick from the beginning she saw him as a man of honor. And then I heard Moana’s song and I thought, God! It’s as if this song were out of Carol for Daryl, especially when Negan kidnaps and tortures Daryl and what he told Dwight, “What you did, you did for thinking about someone else, that’s why I can not. ” But, please, i know what Daryl says, i don’t remember exactly words, i know, no everything is Caryl in TWD, BUT PLEASE PLEASE, this make me alive n happy, i want to think he’s thinking about Carol. That’s my problem, i just posted that i loved.
i'm very much in my caryl feels right now. it's my safe bubble, and i feel very much protected in here. i'm also feeling very hopeful for the future. DISCLAIMER: i've already seen the whole season - the good, the bad, and the wonderful.
WARNING HEAVY FULL TBOC SPOILERS AHEAD-