My altar
Three Goblin Art

Janaina Medeiros
Xuebing Du
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trying on a metaphor
let's talk about Bridgerton tea, my ask is open
h
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he wasn't even looking at me and he found me

if i look back, i am lost
ojovivo
Sade Olutola

blake kathryn
Stranger Things
d e v o n
occasionally subtle
we're not kids anymore.
Acquired Stardust
Cosmic Funnies

⁂

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@satanasaves
My altar
Again, men in general, and other practitioners working with Lilith, do not fully understand the meaning and interpretation of her story - her renunciation of Adam, and joining Samael/Lucifer. Yes, the dark feminine is the original power of the woman, it is defiance, and freedom from fetters. A woman builds herself, and to command her is to test her destiny. Why doesn't anyone worship Eva? But everyone worships Lilith? You never thought of that? And Lilith is also an Old Testament character. The reason is the spirit, the reason is the same as Cain. Yahweh drills into your head that vice is weakness, when the true weakness is to succumb to vice, and what is vice? The pursuit of freedom? Or indulging in the weaknesses that the same Yahweh has laid down? People blame the vibes of spirits for slowly dying or becoming driven when it is a test of strength, will and the pursuit of true purity. Those who have known the vices before they started working with demons, and have freed themselves from their addictions and obsessions, know what it is like and how to work with them.
People like him are already lost souls and his mind is in the depths of hell, it's a wonder others can't initially see that distant sadness in his eyes with the inherent mockery when talking to others. After all, he is most sincere when interacting with you, trying to take full possession of your spirit, devouring it like a wolf tearing into its prey in a fit of rage. It is lost and the reason lies far in the past, no matter how you run away from it - it will catch up with you sooner or later. Traveling through different worlds, searching for the core to save his oppressed soul you lost yourself in the process, now you are both doomed to perdition
Bosc de Vesey, in his "Small Synthetic Encyclopedia of the Occult Sciences," which is not very well organized and far from complete, writes that the ancient secret nomenclature divided magic into four sections:
1. Natural magic, capable of performing certain miracles by means of a deeper knowledge of Nature. It was defined by Father Kircher as the Knowledge of the Sympathy and Antipathy of Things. It was the magic of Hermes Trismegistus and Zoroaster; it was the High Kabbalah.
2. Mathematical magic, consisting in the knowledge of the laws of mechanics. This was the knowledge of Albert the Great, Boethius, etc.
3. Poison Magic, so named by Agrippa because it deals with love potions, mysterious mixtures, metamorphoses, etc. This was the magic of Medea and Circea.
4. Ceremonial magic, the most powerful and the most terrible, whether it was black magic or magic that provided communication with spirits
On the other hand Pierre Piobb in his "Vault of High Magic" says: "Magic, according to Charles du Prélle, is nothing but an unknown Natural Science. Formerly the three great sciences astrology, alchemy and magic proper were confused in expressing the same thing. Today they are thoroughly separated: astrology deals with cosmic bodies and their movements. It is the science of worlds. Alchemy deals with the essence and development of the world. It is hyperchemistry. Magic contains its own domain, which is a manifestation of the fourth state. It begins where physics ends. It is hyperphysics. But even from the point of view of magic, P. Piobb distinguishes between superstition on the one hand, quackery, which Levi calls "the sign which outlasts thought, the dead corpse of religious rites," and which is but a distorted rite, a caricature of higher science. On the other hand the latter is worthy of respect and study and survives in the use of the three states, magnetic, stellar and intrinsic, in its four forms:
(1) Man acting by himself or
(2) By the laws of the external world.
(3) An area acting according to the laws of the star or
(4) of external factors.
The first two forms constitute microcosmic magic. The last two constitute macrocosmic magic. Each form operates in two ways, individual and ceremonial. Individual is performed without the aid of external rituals. The ceremonial one is performed with the aid of external ritual. That is, it is what is used by religions. Ceremonial magic, says F. Barlet, is the action by which man endeavors by means of the forces of nature to make the invisible power act according to his requirements. Hence magic figures, special condensers are conditions of time and place. It resembles industrial science, where human power is nothing compared to steam, electricity, explosives, etc., but where it becomes immense by being able to utilize these forces.
As for individual magic, it is also very effective when it manages to use two forces that are clear even to the layman: Love and the Word, whose power is a hundred times stronger for the initiated.
"When man learns to perceive this dual world as an illusion, as a dream, when he realizes his 'I,' then his duty will not be activity, but renunciation of all activity..... When man realizes his 'I,' then the organs of perception and the objects they perceive will cease to stir his consciousness."
The order of composing a semantic spell:
1) An address listing the characteristics of the one being addressed.
2) Statement of purpose (formulation).
3) Confirmation - mentioning symbols and names.
4) Fixation ("Let it be so", "amen", etc.).
The semantic spells are divided into:
- Spells: unrhymed text with inclusions of the Names, organized according to the pattern of spell composition.
- Spells: rhymed spells built on the principle of immersing a task into the subconscious and recording the lines that "pop up" from there. May have no names at all. Associative methods are often used.
- Hymns: rhymed or unrhymed spells constructed by following a spell composition scheme. Read using the voice modulation "Hymn", less commonly "Serpent". The use of ancient languages when composing spells adds to their power, on three counts:
1) ancient languages are much closer to a true reflection of the meaning of things (i.e., power is added through the pronunciation of sound);
2) ancient languages are used as amplifiers of connection to ancient (magically) egregors;
3) spells composed in ancient languages enhance the altered state of consciousness due to their unusualness. The concept of "vocal modulation" means a certain technique of pronouncing the text of a spell or invocation by changing the "depth" of breathing.
The divine comes from silence, reach out your hands to the waters of our mother and you will know her secrets, go deep into her bosom and you will know her speech. Speech consisting of silence and flowing like the rivers of a waterfall in the gardens of Eden, who will say she is wrong? Who will go against her will? The element of darkness is water, daughters and sons fill the earth as the beloved fills her. And there is no salvation because it never existed, true salvation is in the teachings of the mother.
Creating a Lilith casket with your own hands. Amethyst stones on the lid