living in hell

[jacobwren]

Mankind’s self-alienation has reached such a degree that it can experience its own destruction as an aesthetic pleasure of the first order.

Walter Benjamin (via anormaux)

[hifructosemag]

[satanicfantasy]

Julia Maiuri, Boy in Pink (2014)

[blue-voids]

[satanicfantasy]

Lara Viana, Untitled (2011)

[collageoftheweek]

[satanicfantasy]

Jiří Kolář, Lady with an Ermine (1966)

[cavetocanvas]

[satanicfantasy]

Mickalene Thomas, Tamika Sur Une Chaise Longue (2008)

[fleurdulys]

[satanicfantasy]

Leon Frederic, Fragrance (1894)

[c0ssette]

[satanicfantasy]

Alexandre-Jean Dubois-Drahonet, Female Nude, Back View (1831)

[maryjopeace]

[satanicfantasy]

Nicolas Coulomb, Novembre Magazine Spring-Summer 2014

[vintagedream]

[hideback]

[satanicfantasy]

Hermann Obrist and Berthe Ruchet, Silk Embroidery Panel (c. 1893)

[130186]

[satanicfantasy]

Dolce & Gabbana S/S 2014

[collageoftheweek]

[satanicfantasy]

František Vobecký, Untitled (c. 1937)

[cavetocanvas]

[satanicfantasy]

Balthus, The White Skirt (1937)

[cultofweird]

Forensic science was the lifelong passion of Frances Glessner Lee, heiress to the International Harvester fortune. In the 1940s and 1950s, Mrs. Lee employed expert artisans to help her create eighteen miniature crime scenes based on actual incidents.

Inspired by the forensic dictum “convict the guilty, clear the innocent, and find the truth in a nutshell” Mrs. Lee dubbed her intricate, dollhouse-sized creations the “Nutshell Studies of Unexplained Death.” The Nutshells were designed as teaching aids for training crime investigators and are still used by the Office of the Chief Medical Examiner of Maryland, in Baltimore.

[satanicfantasy]

Christy Powers, She Was Everything I Wanted to Be

[saatchiart]

[satanicfantasy]

Adrienne Jackson, Semi-Charmed (2014)

[satanicfantasy]

Ofer Woldberger, The Blue Dress (2001)