Satursun | art

They/Them - Eng/Esp - Multifandom

[mushroomyhouse]

Happy Egg Cracking Day 🐣

Wishing everyone a very happy Easter and Trans Day of Visibility 💙

We’re celebrating this very special occasion with a collection of trans pride creations by diverse artists from across the worlds celebrating Trans Visibility! 

💙 mush.house/tdov 💖

[satursun87]

Him.

[satursun87]

Pick it up

[satursun87]

Perrito Your trusty therapy dog

[satursun87]

Sisters I love them *sobs*

[srpeachy]

✨ on guard ✨

[satursun87]

Chibis and more chibis

Non of these ocs are mine btw, these are prizes for some raffle winners

[kotoshibe]

summer breeze

[godbirdart]

commission for gryphonproteus

[satursun87]

Old sketch that I never found the motivation to finish Maybe one day

[godbirdart]

sebastian x 4

[kavaeric]

Run of "Yinmai Cinematic" commissions from 2022. Commentary on each piece (yes, each) below.

I learned that I really, really liked comms where I was tasked to tell a story in a single still composition. The Yinmai series of commissions was an experiment in limiting/directing the prompts to suit this desire: the composition is inherently limited with the anamorphic-esque crop, which means having a typical character-on-white-background comm isn't really possible. The space around a character becomes exaggerated and emphasised, and so by nature this comm style forces you to engage in visual storytelling.

Luckily, I seem to have really good clients who know how to rise to the occasion. I actually had a contingency tier for Yinmai, where I would accept avatar/portrait comms for those not interested in the whole cinematic affair—no one took me up on it.

In order of appearance:

AstroVernox

She commissioned me years ago, before she came out as trans. I think her initial prompt was actually a more mundane scene of being in a cupola, but to work with the drama of yinmai we agreed to adjust it, as well as making a bit of a reference to her transition.

Noir

A fun experiment in quads composition, where the negative space around the subject is further exaggerated and creates a strong sense of empathy. Good for a bit of horror.

Flake (Light Era diagetic)

Ditto as above. One of the two trial comms before I opened publicly. The character of theirs is Trellis, and they included a Dropbox folder of inspiration images; one of them was of the hydroponics scene from the film Sunshine. I incorporated that into this.

Fosh (Light Era diagetic)

She wanted a piece about being out in the field in the Olympic forests. I had a lot of fun with the trees and the colour in the sky makes it really stand out amongst this set.

Taky (no social media) (Light Era diagetic)

They requested them as a Wintertide Adept, which got me a bit hesitant since I never liked to romanticise the military aspect of Light Era too much, but I read their prompt further and they requested a more sombre mood of anticipation, maybe dread. A great example of a client understanding the assignment, if you will. I thought about showing the feeling of isolation by strategically placing the window frame to separate him and the rest of the group in the background.

Forth & Hydrophagist

The other trial comm of this series. The dramatic nature of Yinmai means it's predisposed to show character at a moment of weakness or emotional vulnerability. It makes me more comfortable portraying military themes as it moves it away from ideas of dominance or strength.

Ashii (Light Era diagetic)

Much the same as above, but taken to a larger scale—a little more chaotic, a little more frantic. Playing with depth was very fun. This one is the most popular piece of the series, apparently.

Panzica

Prompt was making a call under the feeling of uncertainty, if I recall correctly. I sneakily referenced a police interrogation room for the environment. The worm's eye view works for the idea, but I feel like I could have executed the anatomy better.

Phenokage

The prompt was of their character, Trouble, whose backstory is a lot of them learning how to deal with being turned into a macro; feelings of being out of place and learning to cope felt resonant as someone of Asian descent living in a foreign country. I felt like I could evoke this feeling by trapping her between a building and the cage-like railings of an expressway headed in the wrong direction.

[20th-centuryghost]

HEY ARTISTS!

Do you design a lot of characters living in not-modern eras and you’re tired of combing through google for the perfect outfit references? Well I got good news for you kiddo, this website has you covered! Originally @modmad made a post about it, but her link stopped working and I managed to fix it, so here’s a new post. Basically, this is a costume rental website for plays and stage shows and what not, they have outfits for several different decades from medieval to the 1980s. LOOK AT THIS SELECTION:

OPEN ANY CATEGORY AND OH LORDY–

There’s a lot of really specific stuff in here, I design a lot of 1930s characters for my ask blog and with more chapters on the way for the game it belongs to I’m gonna be designing more, and this website is going to be an invaluable reference. I hope this can be useful to my other fellow artists as well! :)

Did you find this helpful? If you’re able, maybe buy me a coffee please? :D

[tetramera]

M: sorry about the whiplash, i'm on this blog too and i occasionally just post dogs here.

[satursun87]

What's up, it's been a while, here are some requests I did for people on tg <3.

[satursun87]

After all... He ate the salad

[satursun87]

Some random stuff-