going thru mood swings makes me feel like a sim its so embarrassing
(weeping on the floor for ten minutes immediately followed by cleaning the kitchen with a placid smile) sul sul

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@scoodoobre
going thru mood swings makes me feel like a sim its so embarrassing
(weeping on the floor for ten minutes immediately followed by cleaning the kitchen with a placid smile) sul sul
HEY. STOP WAITING FOR THE RIGHT TIME. STOP WAITING UNTIL YOU FEEL LIKE YOU'VE EARNED IT. TALK TO YOUR DOCTOR. START HORMONES NOW.
Divine Intervention (2002, Elia Suleiman) يد إلهية
Suleiman offers an indictment of these audience members as well.
A young French tourist approaches an Israeli policeman looking for directions. The policeman doesn’t know the way, and so he enlists the help of his Palestinian prisoner from the back of the van. Bound and with a blindfold over his eyes, the Palestinian offers three clear ways for her to get to Jerusalem’s Church of the Holy Sepulcher. There are two ways to read the scene. Both reveal the political anger brewing just below the droll surface of the gag. The first is simply that the Palestinian knows this land so well that he can give you directions while blindfolded. While the Israeli cop has no idea where to go. He is a foreigner here too. He may have political and military authority, but he is not truly of this land, while his prisoner is.
The second interpretation is the indictment of the apolitical audience member. We can visit Israel as tourists (or visit this film as a sort of cinematic tourist) gaze at the wonderful architecture, eat the food, enjoy the beaches and the lovely weather, all while turning a blind eye to the near century of racist exploitation, disenfranchisement, and genocide occurring right in front of us. It'd be all too obvious if we’d bother to simply engage beyond our own immediate pleasure and convenience.
Both of these interpretations are effective. Both are true. But the tourist is the one who allows this continue indefinitely. She witnesses injustice and chooses comfort.
src
A dragon who decides to hoard mint and various types of mint plants (and not knowing that mint has the mushroom’s blessing of inevitability were ever its planted) can go one of two ways.
1: The dragon is absolutely horrified as the mint engulfs and takes over its den. Its gold? Mint. Its gems and goblets? Mint. Its stores of wine? Mint. No matter what they do they can’t get rid of it.
2: The dragon is delightfully ecstatic as the mint engulfs and takes over its den. It’s a self growing hoard. No matter what any adventurers or knights do, they can’t get rid of it.
✨✨✨ ヽ(✿゚▽゚)ノ ✨✨✨
Does he mean anything to you
i need more of these
When you gotta get rid of all the marble penises in your house
Something I try to keep in mind when making art that looks vintage is keeping a limited color pallette. Digital art gives you a very wide, Crisp scope of colors, whereas traditional art-- especially older traditional art-- had a very limited and sometimes dulled use of color.
This is a modern riso ink swatch, but still you find a similar and limited selection of colors to mix with. (Mixing digitally as to emulate the layering of ink riso would be coloring on Multiply, and layering on top of eachother 👉)
If you find some old prints, take a closer look and see if you can tell what colors they used and which ones they layered... a lot of the time you'll find yellow as a base!
Misprints can really reveal what colors were used and where, I love misprints...
Something else I keep in the back of my mind is: how the human eye perceives color on paper vs. a screen. Ink and paint soaks into paper, it bleeds, stains, fades over time, smears, ect... the history of a piece can show in physical wear. What kind of history do you want to emulate? Misprinted? Stained? Kept as clean as possible, but unable to escape the bluing damages of the sun? It's one of my favorite things about making vintage art. Making it imperfect!
You can see the bleed, the wobble of the lines on the rug, the fading, the dirt... beautiful!!
Thinking in terms of traditional-method art while drawing digital can help open avenues to achieving that genuine, vintage look!
ALSO!!
YELLOWING!! Digital art is very blue-light based. Cold, clean, flat. But traditional art has warmth to it. Why?
Over time, paper gets yellowed with dust, oil, dirt, and nicotine from cigarettes! So colors got warmer. This makes art look pretty aged, on top of the slight toned papers and hand made/factory made inks they printed with.
My dad used to repair hooked rugs, and he found that he could not buy yarn that looked authentic because the colors were too vibrant. So he started trying to dye his own yarn. The problem is, all the modern dyes still looked too vibrant.
So he literally grew plants in our back yard and made them into dyes, based on historical accounts he found of how they made these dyes. We were growing stuff like madder for red, Baptisia (false indigo) for blue, and so on. And dammit, he was able to perfectly match the colors, and repair the rugs to look like-new but without looking like a modern imitation of a historic rug.
People would be like: "Wow, I have never seen one of these original hooked rugs in such good condition!" Like they legit could not tell the new yarn my dad had died from the original yarn other than that it looked less worn.
Sometimes to make stuff look authentic if you are emulating an old style, you need to use the old technology.
VIDEO GAME: SKYRIM
PERSONAL RATING: ★★★★★ 5/5
FUCK YES FUCK YES FUCK YES FUCK YES FUCK YES FUCK YES FUCK YES FUCK YES
He would do numbers on here
If it generally scuttles along the floor then you got a crreature. if it's Out there eating up your prized jasmine, then that's a varmint. and if it gnashes you. then you got yourself a beastie
The worst part about having mental health issues is that you’re seemingly required to have a breakdown in order for people to understand how hard you were trying to hold yourself together.
I have never seen it explained so well.
stellar graffiti near my apartment
F. Douglas Brown
[ID: Make Out Sonnet
The first time I saw two men kissing, I was six,
Living in 1970s L.A. My mom took care
Of an elderly woman who found herself in a fix
And moved into a complex of all men, bare
Chested men, with cutoff jeans and tinted glasses.
My mother's friend gave me chocolate that matched
Her skin - this must be heaven. These sons' asses
Peeked out beneath their shorts, but watched
Over her better than mom. Took donations for heat,
A sofa and a new wig - all changed her mood.
They even did her laundry. They did sweet
Better than honey. Did family better than blood.
And between duties, two men always off alone
So desire, like the dishes, could also get done.
end ID]
he's everything to me
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