status : closed to @scoutwilson
location : briarās apartment
timestamp : october thirteenth
Papers are askew across coffee table, sheās surely run herself ragged within the past few days. Stretching herself thin had never been hard for Briar, the option of saying noĀ something in which sheād never quite grasped. Scarlet was missing, and both Briar and Scout had dealt with the consequences. Wonderland had become a tension filled chaotic pit, cut throat men and women all looking for answers. For own personal benefits, or merely out of the generosity of their own greed. Sheās down to the last bit of wine within her glass, legs tucked beneath her as she remains bundled up upon the couch. But tonight, sheās determined to put something else, anything else, onto her troubled mind. A remedy coming in the form of whatever it was she was mixing tonight, unbeknownst to anyone and everyone. The knock startles her, crossing the hardwood floors to open door willingly at the sight of Scout. Itās a warm welcome, a soft sigh of relief escaping before she wears a softer smile.Ā āI was hoping you got my text.ā She moves back inside, nodding an invite inside.Ā āIāve got boxed wine and pizza leftovers, but I just āāā I really wanted to see you. This entire weeks just been āāāĀ ā The word hard doesnāt seem to do it justice, but she settles.Ā āHard. I didnāt see you at work yesterday.ā
Sheād meant to go home, really, left the club with every intention of curling up in her bed and sleeping, but the thought of sleep made her see stars, made her heart beat so fast she thought she might jump out a window instead, so instead she walks. Walks and walks until there are goosebumps on every inch of her body and she can barely feel the alcohol anymore, then walks some more, and when she finds herself walking past Briarās apartment building she wants nothing more than to have someone just tell her thing will be alright. That theyāll find Scarlet. That this absence in her soul can be filled once more.Ā
The sight of the tiny girl sends something cold for a moment down Scoutās spine, and she wonders if sheās chosen her moment wrongly, if thereās something dark and rotten in her chest thatās only going to ruin Briarās week further, but the warmth in the other girl sends her over the doorās threshold anyways.Ā āI didnāt, actually,ā she says, speaking for the first time in hours. She crosses her arms over her chest, realizing for the first time just how cold she really is.Ā āI lost my phone a couple days ago. I think itās probably at Sallyās, but I forgot to ask her about it.ā She pauses, looking at Briar fully now.Ā āI just wanted to see you, too.ā A dark chuckle escapes her, completely inappropriate for the mood, but she canāt help it. She cocks her head to the side when she speaks again, raising her eyebrows for a beat. āGreat minds.āĀ Ā
She looks at the ground now, twisting her mouth to the side.Ā āSorry about missing work yesterday and not telling you.ā A pause, she keeps staring at the floorboards.Ā āLost my phone, like I said, and I guess I was just sort of... having a day. I was there for the day shift and I was supposed to work the night with you, but this one customer really set me off, and Cessair told me to get it together or take the night off, something about not needing me anyways.ā She shrugs and looks up, knowing thereās more to say but feeling unable to say the words.Ā
āHe had to kick me out again tonight,ā she says, rolling her eyes.Ā āHe probably wants to fire my ass. Good thing Grimhilde would rather keep me under her thumb than have me out roaming.āĀ
WHEN: October 11th, 09:10.Ā
WHERE: Castle of Dreams.Ā
WHO: Open.Ā
Blond hair tightly wrapped in a bun, Ella sighed as she looked at herself in the dingy mirror of the employeesā bathroom. Her break was about to end, and the young woman wasnāt looking forward to getting back to cleaning. It wasnāt that she disliked it; it was what she did best, after all. It was just so repetitive after a while, and she had already been at it for hours that day. Still, she needed the money and the job satisfaction, and therefore she only blinked once more before getting out of the bathroom. Pushing her cart towards the rooms, she frowned as she saw that most of them had requested to be left alone. Work might have been a drag sometimes, but doing nothing was much, much worse. Finally, Ella spotted a room with no sign on the door, and knocked. Getting no answer, she unlocked the door and walked in, going over to the bed to get the sheets. Gently humming to herself, she didnāt hear that someone had walked out of the bathroom, and didnāt notice them either until she bumped into them.Ā āOh my gosh. Oh my gosh, Iām so sorry.ā
Scout doesnāt want to to be there, wants nothing more than to scrub her skin from her bones the moment she steps through the back door to the Castle of Dreams. She loathes this place, loathes what her co-workers do here every time they step across the front threshold. It sticks in her throat, the weight of it, the discontent, but instead of making her fight it just makes her silent--the silence is easy, she think. Itās the way of their world, and she wants to learn how to live in it, and letting places like Castle of Dreams thrive was part of that. At least she hadnāt been made to come here with a customer yet--though she supposes it might just be a matter of time before one of her employers tells her to do as much or get out. Sheās just about to leave the bathroom when she hears the door to the room click open, and Scout curses her misfortune; being caught here was the last thing she wants, but when she peers through the crack in the doorway and see itās just Elle she breathes a sigh of relief, before panic catches her again. Sheās trying to slip out quietly, without being seen or heard, when suddenly the blonde backs up right into her. āNo, itās--ā she says, waving her hands in front of her in some failed attempt at placation without actually speaking. She wants to flee, wants to fucking run. Of all the people to bump into here, Elle Bellamy is nearly the last of them.Ā āYouāre good; this isnāt my room. Iām the one whoās not supposed to be here. Itās just--ā She pauses, her eyebrows furrowed together in discomfort.Ā āOne of the new girls left her phone here earlier and just... she um, well she didnāt want to come back and get it so... I came for her.āĀ Ā Ā
She canāt help it, rolls her eyes immediately at the mention of Milo Thatch. Itās not something that she can control, she finds, not anymore, not when thereās brandy coloring her world amber and and making everything seem harsher than it really is. Or maybe sheās shedding rose-colored glassesāeither way, she rolls her eyes; either way, sheās callous.Ā āWhat a bore,ā she says, shaking her head and sighing, lifting the nearly empty glass to her lips as she stands up.Ā āI mean, you can love books without beingā¦ā she makes a gesture like sheās trying to sum something up with her hands, but it comes off clumsy and all she can say itĀ ālikeĀ that.ā Sheās breathing heavily, staring into the bottom of her glass now.Ā āFabletown is going to chew him up and spit him back out if heās not careful.ā She lifts the glass to her lips and downs the rest of it in a single sip. Thereās half a pause before she goes on, and it weighs on her more than sheāll admit when sheās sober later.Ā āI hope heās careful.āĀ
āLittle birdā¦ā she sighs, drawn out by melancholy and the full moon staring at her in the darkness. Theyāre just walking by the bookshop, closed now in the early hours of morning before the dawn, but Scout remembers just earlier chatting quietly with the doe-eyed thing behind the counter as she bought yet another book she didnāt need. āWendy, Wendy, Wendyāsheās one of the good oneās I think.ā She purses her lips, trying to think, but her thoughts come out something contorted and she canāt seem to make sense of them, canāt hardly make sense of the ground beneath her feet as she walks down the side walk arm in arm with her friend.Ā āSheās so tiny! I tower over her,ā she says, chuckling and leaning into her friends side.Ā āI just want to put her in my pocket, keep all that is gold glowing and whatnot.ā She pauses half a breath, then laughs.Ā āThough my pockets probably arenāt the safest place.ā She shakes her head, goes on while still laughing.Ā āMaybe I should keep as far from her as possible, make sure she stays golden that way.ā A twist of her lips, pursed to the side as she pretends this idea doesnāt bother her. āI think I could manage that.ā
"Ugh,ā is the first thing that she things to say when oneĀ Morrigan Firmin is mentioned, and itās a sentiment that stands no matter how many a positive thought she might have for the woman--not that she has all that many of those either.Ā āBitch likes to run me ragged,ā she says, hand instinctively going to the place on her shoulder where itād felt like sheād tweaked something the last time Morrigan came to the club with a new routine for Scout to learn.Ā āSheās--sheās shameless, though.ā She pauses, and sheāll tell herself later that itās because she was trying to think carefully, to think clearly, but she knows that if she were truly being careful sheād keep her mouth shut altogether.Ā āSheās shameless in who she is, a villain by every definition of the world but proud of the atrocities sheās committed, truly thinks she was justified in every one.ā She pauses again, the liquor weighing heavily on her stream of consciousness.Ā āThereās something to be admired in there somewhere.āĀ
āUghāher husband is a piece of work,ā she says, her face quickly turning into a scowl. āWell, her ex-husband nowadays, I guess. Took them long enough to figure out they just werenāt right for each other. Itās not my fault, you know? He kept crawling around Wonderlandāā sheās stops suddenly, forces herself to shake her head and try to clear the liquor from her head. āBut thatās not fair,ā she says, her eyes still closed. āYou asked about Ella, not Charming.ā She inhales deeply and forces her eyes open, but she canāt look up from her hands, clenched together in her lap. āWe all deserve to be more than the men in our lives, sheāshe deserves more than that.ā
āAh, Belle! Oh Belle, oh Belle, oh Belle. Everyoneās favorite beauty,ā she sighs in mock contentment. Then she tilts her head to the side, laughs scathingly. Shaking her head, she canāt help it, canāt help but laugh at the mention of Belle. Itās unfair, maybe. Biased, definitely, but sheās so tired of the idolization. āI get it, okay? She was perfect in her Homeland and sheās peachy keen here, too. I get it,ā she flings her hands up, stands from where she was sitting. Like she canāt contain it. Like she canāt hardly bear it, the weight of her own resentment. She grabs at the bottle of red wine on the table, slings it back and takes a long drink.Ā āShe comes around Wonderland like⦠like she can save us, or something? Like thereās something that she can do to helpĀ us. And itās justāitās delusion is what it is, thinking she has any kind of power here.ā She shakes her head again, turning away from her drinking buddy.Ā āSheās everyoneās favorite, but beauty makes people weak--no, not even weak, I think it makes them stupid, themselves and the people around them. And I have no place in my life for weakness, not anymore.ā
āOā captain, my captain,ā she says, throws herself out of her chair as a tinkle of laughter bubbles from her chest.Ā Without a care in the world, she uses her chair as a stepping stool and pushes her way onto the table.Ā āHave you seen that movie?ā she asks, spinning in a quick circle as her friend bursts into laughter.Ā āYou know who took that whole carpe diemĀ thing really well? James Hook.ā She taps the air where her vision aligns with her friends nose, as though she is bopping them from a distance. It makes her laugh, thinking about the mundie movie.Ā āAll that think differently, beĀ different--I mean, whatās more different than being a pirateĀ than being a professor?ā She laughs, shifts so that sheās sitting on the edge of the table now.Ā āReally, we should all take a note from that guyās book.ā She pauses, leans forwards so that her nose is nearly touching her friends, so close she can feel their breath on her face.Ā āHere in Fabletown? We can be whatever the fuck we choose.ā
āGoldilocks, sheās⦠sheās I mean, whatās a nice way of saying that sheās someone to look out for? Not to be bitchy, but I wouldnāt turn trust her as far as I could throw her.ā She scrunches her eyebrows together, purses her lips. āYou know, I know a lot about the fables.ā She shakes her head, trying to think more clearly. āSheās not what I expected, you know? Not after the first time I read her story. It wasnāt sweet, exactly, but I saw her as this lost little girl who just needed a bed to sleep in. I thought Iād meet Goldilocks around town one day and sheād just need a friend. Thatās what I get for not looking further, for not looking at the older stories, I guess.ā She looks down, away from her friend. āPeople here though, no matter what version you look at, you should stop expecting them to be like their stories.ā A pause. āI should know that better than anyone.ā
āAh, my favorite rose,ā she says, lifting her hands to her chest, a soft smile warming every single inch of skin on her face.Ā āMy favorite thorn.ā She shakes her head, her smile playful and her heart on fire. She grips the bottle in her hand, giggling as she takes a long swig from the bottle of red wine. It dribbles down over the edge of her chin, and she wipes it away with the back of her hand. āSheās the most beautiful one there, you know, in Wonderland. People go there and waste away all their money just to get a glimpse of her.ā She leans forwards, like sheās telling her companion a secret.Ā āThey donāt see it, the people who go there and watch us girls dance, but sheās got all these sharp edges.ā She leans back, the cold wall behind her back jolting against her warm body.Ā āLike me,ā she says.Ā āSheās like me.āĀ
āYou know, I try not to pay much attention to her,ā she says, her head tilting to the side as she tried to conjure a concrete feeling out of her head. She doesnāt want to talk about magic right now, doesnāt want to talk about things that make her blood boil and the space behind her eyes prickle.Ā āI see her sometimes, in the bookshop.ā She wonders for a half second if thatās something the witch would want kept secret, decides she doesnāt care even if it is. She has no obligations to Morgan Green. Sheās pursing her lips though, trying to go on and say more, trying not to say what she wants to: that she hates magic users like Morgan, hates that they exist, hates that Fabletown is run by them. She knows thereās liquor lacquering her tongue and if sheās not careful, sheās going to say something thatāll get her in trouble. Her shoulders are tight, but she plays like they arenāt, waving a hand as if to push the topic away from the air. āAsk me about someone else, someone worth my time.ā Sheās done with magic.Ā
āCainā¦ā she lets herself trail off for a moment, thinking about her friend. There was something about him that made her want to do him justice, that made her want to do right by him; even when so many other in Fabletown couldnāt see past the exterior, she saw something kindred in him. A soul whose life had been undone by magic, someone who would never be the same because of it.Ā āHeās such a drama queen, honestly.ā She shakes her head, laughing. āI mean, have youĀ seenĀ his hair? I love my boy, but you canāt trust anyone who spends that long in front of a mirror every morning just focusing on their hair.ā The smile on her cheeks is so wide that it almost hurts, but itās more genuine than any of the oneās she had worn for the crowd tonight. She takes a slug from the bottle in her hands and then hands it over to Sally.Ā āCāmon, catch up. Weāre going to need to be drunker if weāre going to gossip about our friends.ā A pause.Ā āEspecially the oneās who could probably tear us in two if they heard us.āĀ
āOh, Peterāā she says, her eyes falling closed, a small smile gracing her cheeks. āPeter, Peter, Peter.ā She canāt help the bubble of laughter that rises in her chest, surprising her and every one around her. āHe likes to act so big and tough,ā her eyes are still closed she realizes and she lets them flutter open, shaking her head incredulously while she keeps thinking about the boy from Neverland. āSecond star to the right and straight on ātil morning,ā she says, scrunching up her face in mock seriousness. She lets it go when she goes on, and it falls blank. Empty. āHe runs around like the little lost boy he is, trailing other little lost boys behind him, thinking himself bigger than he really is.ā She pauses, finally meets her companionās eyes. āDoesnāt he know that stars here are just dead things hanging in the sky?ā
IN CHARACTER BASICS
FABLE NAME: Snow White
CHOSEN NAME: Scout Wilson
GENDER: Cis-female, she/her pronouns
FACE CLAIM: Adrianne Ho
AGE: Twenty-Five
BIRTHDAY:Ā November 1st
ZODIAC: Scorpio Sun / Cancer MoonĀ
OCCUPATION: Dancer at Wonderland
Fun non-skeleton application bits below the cut!!
CONNECTIONS:
Snow White has her name on a fair number of the currently posted skeletons, so I drew somewhat from what is provided in those. These are obviously going to likely change somewhat once I talk to the muns of each, but these were my bare bones interpretations!!
CINDERELLA: You honestly canāt even blame her for the way that she looks at you, and thereās this weird part of you that thinks if things were any different, perhaps the two of you could have been friends. Maybe in another life, in another fairy tale, the two of you could have bonded over being forgotten children, over being left behind by parents who died on you before they could get a chance to love you the way that you deserved. You led different lives; where your step mother forgot you until you posed a threat, Cinderellaās made sure she always knew who was the one in charge. All the same, most days Prince Charming just feels like another piece of your narrative that you werenāt in control of, and you think that maybe sheād be able to relate to feeling out of control, to wanting to find your voice no matter what it cost you.
SALLY FINKELSTEIN, ALICE, AND THE BEAST: Like calls to like, or so all the stories say, and you think that your motley collection of friends shows nothing quite as well as it does this idea. You love them for all the holes that they have in them; theyāve all been blasted by shrapnel and left standing with jagged holes in their lives where the light used to be, and you love them so much more for it. That all of you continue to stand, in spite of it all; you think that youāve had it easiest out of the bunch, more than thinkāyou know. Thatās how you tend to feel about everything though, that the world has withstood more than you, that you need to shoulder their burdens to make sure they continue standing. Youāre happy to do it though, so long as it keeps them kind, so long as it keeps them curious.
HEXXUS: They terrify you in a way that your step mother never has, and it sends thrills down your spine equal parts thrill and terror. You think that you should know better, after spending so many years watching Rose Red get into any trouble that she could, after sitting quietly by her side, perfectly content. But for all that your Stepmother scared you, she forgot you until you were an adversary. Hexxus pays you no such kindness, decorates you in glitter and draws smiles across your cheeks so tight that they ache. Queen Grimhilde is terror, but Hexxus is horror, and for the first time, horror truly has its eyes trained on you. Thereās something thrilling in that.
CRUELLA DE VIL: You think that maybe you should be afraid of her, but underneath all of her fur coats and her cruel smiles and the scent of tobacco that lingers, you know that she is nothing but a cruel woman, and you spent years living with a cruel woman. You know cruel women. Worse yet still, you know cruel women with magic at their fingertips and in the blood and in the food they serve their friends. Cruella de Vil thinks that she can scare you, make you feel small, make you feel like you arenāt worth anything more than the skin on your bones. For now, you think youāll let her think that, let her think that your kindness is weakness, but you know your strengths and you know your weaknesses, and her telling you anything contrary to that wonāt change the facts.
THE HUNTSMAN: Thereās a part of you thatās resentful, and itās a part of you with a voice so loud that sometimes you think you might drown in it. Itās not that you bear a grudge against him for saving your life, far from it. You bear a grudge against the world, against Homeland for placing you in a narrative that made you so absent of a self, so absent of a choice, of your own free will. You were born, fair and beautiful and great, because your mother asked the winter night as such. You were cast aside by your father, ignored and made small by a man that couldnāt bear the sight of you for the pains it brought to his chest. When you grew beautiful, your stepmother paid in blood to have a monopoly on violence, asked a Huntsman to bring Death into your life once again. Youāre grateful to him for going against her, for protecting you at great cost to himself, youāre sure, but heās another piece in your story that you werenāt in control of. You even love him for it, but for all that you look at him and feel infinite softness, thereās a part of you in the back of your mind that loveās him as hard as diamonds. Sharp enough to cut.
QUEEN GRIMHILDE: Every fiber of your soul hates her with all that it can do as such, but you have never been built for such darkness, for such cruelty, and even in the face of what she tried to do to you thereās a part of you that canāt help but ask the question Why? Why had she done what sheād done to your father? Why has she done what sheād done to you? To Rose Red? No matter how long you think about it, you just canāt seem to make any sense of it. Was it truly all for power? Was beauty truly worth the cost of all that spilt blood? You think that her answer canāt possibly be yes, want to believe that your father had to have seen something good in her in order to agree to marry her, magic or no magic. She owns you now, body and soul, but you canāt help but wonder what it is that sheās so afraid will own her.
POTENTIAL PLOTS:
NO THROAT CAN HOLD ME. Abandon all hope, ye who enter here. Itās something of a dark plot to begin with, I suppose, for a character who I view as starting out our narrative as something of a light among large swaths of darkness. She has just spent millenia living what almost feels like a life of platitudes, of being small and being made smaller still, by both the people around her and by herself. She thought thatās what she was supposed to do, I suppose. She was a maiden with dark hair and bright eyes with sunlight threaded through her blood and the earth in her heart. Where Rose Red was always vibrant, Snow White tempered herself. She sung songs to the bluejays and hummed along with the cicadas at nighttime. She read stories by candlelight instead of sneaking out of the castle, and spent her days sketching and singing rather than dancing about with her sister and causing mayhem. What if she were to fall off the proverbial bandwagon? Sheās always been this prim and proper thing, and itās made her innocent and kind beyond belief, and she loves that about herself, that her smile can brighten another personās day, but I think that coming out of Homeland also gave her the opportunity of breaking out of this loop wherein her narrative is contingent on her being saved. Maybe itās time to abandon the hummingbirds and the sketchbooks, to embrace the eyes trained on her at Wonderland and get herself well and truly lost.
FORGIVE ME, FOR MY HEART. My God, someone give this girl someone to love, and Iād rather it not be someone who is content with complacency, who is content enough to exist in a marriage that is broken, thatās loveless (Iām looking at you, Prince Charming). I imagine she feels similarly to him as she feels to the Huntsman, but to a lesser degree most likely. Where the Huntsman risked his own throat to save hers, all Prince Charming had to do was press his lips to hers in order to bring her back to life. Sheās grateful to him for saving her, even if it came at no personal cost to him, but thereās also that part of her that resents having to have been saved. Iād love for her to fall for someone who makes her see stars, who she loves for the sake of love. I think it would be infinitely fascinating to see how she reacts to love at all, to see how after all of this fighting to find her own voice, to find who she is outside of the things that people have done to her, how would she react to the feeling of her heart being in someone elseās palms?
SWEETNESS BORDERING ON TEARS. Oh! My! God! I am such a slut for family relationships and the inevitable pain that they bring me. Thereās something so fascinating especially to me about the relationship between sisters. Maybe itās because my own with my sister has changed so much over the years while all the while staying exactly the same, but Rose Red and Snow White make me feel Some Type of Wayā¢. The crimson to the otherās pure white, Rose Red is someone who Snow White almost forgot to be jealous of while they were growing up. I think that they tempered each other in a way, one the quiet and the other the noise and together they made something magic. But what about now, after Snow White ran and their Stepmother imprisoned Rose Red? Iād probably argue that, in that situation, Rose Red had the worse end of the stick. It didnāt matter that Snow White was the true object of her ire, Queen Grimhilde still saw her other step-daughter as a potential threat in the future. Does Rose Red harbor any resentment towards her sister for leaving her behind? What effect has this had on their relationship? Ā I can definitely see this being one of the driving forces behind Snow White kind of stumbling headfirst further into the dark underbelly of Fabletown. Without Rose Red there to temper her quiet, she will need to find her noise somewhere else, and Iād be very afraid where she finds it.
WHAT KEEPS A KIND GIRL ALIVE IN THE WILD? The answer is fairly simple: kindness pays for kindness. Iād love for Scout to take someone, not exactly under her wing because Iām not sure that sheās in a proper sort of from of mind at the moment to completely well and truly be responsible for another person, but I certainly want for there to be someone in Fabletown whom Scout would die for, whom Scout would protect with her life the way the Huntsman protected hers with his own. Perhaps she feels a bit like she owes the world, having survived not one but two assassination attempts, but I think she is just the kind of soul who loves to love, who loves to spread light where she can even while sheās letting the darkness seep into her soul. Iād love to see her interacting with someone whoās naive, someone who hasnāt had the same bad things happen to them as theyāve happened to her, or maybe someone who is currently going through a hardship that she can help them through. A huge part of Scout is her innate kindness, and to see that manifest itself in her sharing it with someone else would be incredible.
PLAYERāS CHOICE:
CURIOUS / NAIVE: Thereās no doubt that Scout is curious. The stories donāt pay much credence to it as far as I can tell except to say that in Snow-White and Rose Red that Snow White is quiet and tends to favor reading to playing outside. Iāve taken that and combined it with what we get in the Disney version and the other Grimm fairytale and come to this conclusion that Snow White has this insatiable need for knowledge. She loves to know things, and I can just see her sitting in the gardens reading a book, not noticing the time passing until suddenly the sun has disappeared behind the horizon and she can no longer read the page before her. As she grew older, she wasnāt allowed much to interact with her people, but she was allowed out into the woods near the castle, and she wandered the grounds at length, learning about the wildlife and the fauna there, learning about the flowers that could kill and the herbs that could heal, sketching each of them in a journal for her to learn and memorize. This curiosity did her well enough in Homeland, where she was kept separate from other people and she had Rose Red to fill her in on any human stories that she might want to hear, but she is also deeply naive when it comes to human interactions. Sheās learning, slowly but surely, what it means to truly live among the villains, but she is still learning. Her curiosity is a wonderful thing, and it makes her more knowledgeable about so many things in this world than many of her fellow fables, but thereās a reason curiosity killed that cat, and Scout is well on her way to finding out just how true that it.
HISTORY IS WRITTEN BY THE VICTORS: Scout has something of an affinity for reading texts, always has and she suspects she always will. It started in Homeland, where she did little with her time but spend it in the library, or reading books stolen from the library in various nooks throughout the castle grounds. She could devour texts about their history and fictional books and nonfiction texts about anything and everything in between, and since coming to Fabletown sheās found that she quite enjoys reading about human history. Her apartment is often an absolute mess because the sheer volume of books sheās collected cannot be contained within the four walls.
DREAMING IN SLOW MOTION: Scout, since coming to Fabletown, has had a great deal of trouble sleeping. It doesnāt take a genius to figure out why that is, but she doesnāt like to talk about it all the same. It makes her feel weak, that this is her terrible thing she must overcome. There are those in Fabletown who have had it far worse than she, whose families forced them into servitude and who got turned into household objects, people who watched loved ones die, get eaten by wolves. She was forced into a coma, made to sleep without sleeping. That, she thinks, is what has made her so afraid. That while she was in the coma, she remembers the people being around her. She remembers the dwarves mourning her, remembers the elderly old woman cackling over her as her throat closed up and she couldnāt so much as scream for help. Maybe if sheād truly been asleep, maybe if when Prince Charming kissed her she hadnāt heard him coming, maybe then she wouldnāt be so terrified every evening to go to sleep, scared out of her mind that sheāll wake up without waking up once again. But she is terrified, and so she avoids sleep. Sheāll go running, run as far as her legs will take her and then run back home. Sheāll curl up in a booth at the local diner with a book in hand and sip at the jet fuel coffee until sheās so tired the world blurs before her eyes, stumble home and into bed and sleep a fitful sleep for a few hours and then wake up to do it all over again the next day. Sometimes soon it will catch up to her, but for now sheās surviving.
IN CHARACTER INTERVIEW:
QUESTION ONE: How do you feel about the Exodus?
She knows what the rest of Fabletown would say, thinks that she knows all too well how they would skin her alive for her honest answer. She canāt help it though, canāt help the way that Fabletown feels infinitely more like a home to her than Homeland had ever felt.
She smiles, something soft and subtle, but there all the same.
āIf I tell you, do you promise not to tell?ā She says, keeping her eyes trained on the Ā police deputy standing next to her. Heās close, too close almost. Close enough that she thinks she can smell his aftershave on his skin, mixed with the scent of coffee grounds and something woodsy. They both are leaned against the wall, shoulders pressed up against the concrete wall outside of Wonderland. Sheās been allowed a break to answer the officerās questions, but something about the way heās looking at her makes her wonder if heās really taking her questioning all that seriously.
āOnly if you answer correctly,ā he responds, and somewhere in her head she knows that heās trying to flirt, that heās playing coy with her because sheās in her work uniform and the skin exposed makes his gaze drop from the truth of the situation to her clavicle.
With him looking at her, even more so, with him not looking at her but at her body, sheās reminded of all the times that she wasnāt afforded the opportunity to be anything more than her pretty face. She thinks about the time in Homeland where a prince kissed her awake and got to call it saving her life, then marry her for his efforts; thinks of being completely at the mercy of the Huntsman, teary eyed and begging for a life she barely even wanted. She remembers sitting in the castle like a ghost, some shell of a girl barely able to lay claim to her life. She thinks about Homeland, and then she thinks about Wonderland, about the clash and the gore and the glitter and the glitz and all eyes on her. She thinks about all the ways that sheās felt like⦠well, likesomeone. She thinks, even with the glitter she had to scrub off her skin at the end of the night, rubbing at flesh until its red and raw, and the outfits that left nothing to the imagination, that she is more free than she ever was before the Exodus.
Her head cocks to the side, and she knows itās a risk, but she answers honestly all the same.
āI think itās the best thing that could have happened to me.ā
QUESTION TWO: Was it hard adjusting to life in Fabletown? Do you miss the Homeworld?
āNot particularly,ā she says in response to his second question. āYou and I didnāt know each other back then, but something tells me you wouldnāt have been half as interested back then as you are right now.ā
She is still smiling that half-smile, her eyes amused by the police officers line of questioning. Scout knows that itās only standard, that theyāre asking anyone with even half a connection to Scarlet Morales the same questions, but they feel trivial all the same. Sheād had as hard a time as anyone else adjusting to Fabletown. No one she knew had an easy time. Who could have, after all? Theyād been stripped of everything that they knew and thrust into a new land, a new world, one absent so many things that they had known once upon a time.
āI find that hard to believe,ā her officer responds, almost scoffing as her appraises her.
āJust trust me,ā she says, raising her eyebrows and tilting her head to the side in an arrogant way that feels foreign. āEveryone else does.ā
QUESTION THREE: Where is your favorite place in Fabletown or New York?
āMy favorite place?ā she says, echoing the officer.
She has to pause for a moment, contemplating where she thinks might be her favorite place. The list, she felt, could go on for miles. She loves every single one of the parks, loves to walk through them and hear the wind in the trees at dawn, the song of birds calling to each other the only other noise when the human world hasnāt seen fit to rise yet. Thereās the museum, where she loves to sit and stare at the marvels that humans have created with a few strokes of a brush on canvas. She loves it there, sitting among all that sheer humanity. Itās Earthās very own version of magic, she thinks. She thinks about late nights, killing time before her shift starts, wandering through the bookstore, perusing spines and picking up oneās that speak to her.
āWould you believe me if I said the bookshop?ā She says, her eyebrows raised as though she expects somehow that she will be laughed at, as though sheās prepared to laugh at herself, to make herself small for this man. Old habits are hard to break, sheās finding.
āSo sheās got brains and beauty,ā he says instead of laughing, and she is immediately grateful.
āIāll let you be the judge of that,ā she responds, laughing lightly, feeling a weight off her chest.
QUESTION FOUR: How do you feel about magic? Do you think it should be banned, regulated, or neither?
And immediately the weight is back, twice as heavy.
Three times.
Four times.
Growing with every impending second, every moment that she has to think about the terrors magic has inflicted on her life. Itās a horror, a thing that rots in the pit of her stomach and turns her blood to battery acid, the memories that come to the surface when she thinks about magic. A finger pricked on a needle, a blood offering for a beautiful daughter that her mother hadnāt even know she was making to the land. Red lips whispering in a grieving manās ear, about beauty and power and the taste of trouble on the horizon that could be squashed by a simple exchange of vows. Mirror, mirror on the wall, whoās the fairest of them all?
Death, she thinks, wrapping its slender fingers around Magicās throat.
Thatād be the fairest scene in the land.
Her jaw is tight, but she tries her best not to make it so. Sheās spent her time since coming to Fabletown trying to forget the girl she had been before, the girl subject to the whims of magic and the terrors it caused her. Here, she was better. Here, she could be stronger. Here, the magic wouldnāt touch her.
āI think magic makes it easier for weak hearts to rule,ā she says carefully, not wanting to make her stance against magic quite so obvious. It never did her well, not in a place where magic would always be the true King. āAnd weak hearts often canāt support others. The last thing Fabletown needs is to be ruled by people who donāt know how to help anyone but themselves.ā
Let her officer do with that what he would.
QUESTION FIVE: Who do you think killed Little Red Riding Hood?
āI donāt think Iām high enough on the totem pole to be of much use to you on that one,ā she says, her shoulders still tight from trying to avoid the last question. She purses her lips, narrows her eyes slightly as she fully takes in the face leaned in so close to her own.
Itās nice, she thinks; all sharp lines and planes contrasting with shadows. For a half second, her finger twitch and she wishes she had her sketchbook with her so that she could do a fast outline of the officerās face. But she hadnāt picked up her sketch book in weeks, and something tells her that he would take it as a sign of something that she didnāt want for it to be. She liked to appreciate beauty, and something in his gaze told her he probably liked to exploit it.
She pushes away from the wall then and takes a step backwards, keeping eye contact with the pretty police officer whose name sheād need to pretend to forget if he ever came crawling around Wonderland during his off duty hours. She didnāt mind the wandering eyes, liked them even, could bask in them for hours and not get tired of them, but something about him made her feel like maybe she would give in if he asked, like maybe he was someone she could lose herself in.
She had lost herself for years.
She didnāt need to do it again here.
Fabletown was her second chance at freedom. She wasnāt going to waste it on a pair of sharp cheekbones and a smile to match. So, she looks away, turning on her heel and begins to walk away, figuring that was the end of the interview. Once you got to the question of who killed Little Red, there couldnāt be much else left to ask, after all. She hesitates on her fourth step though, and turns back around. Sheās almost unsurprised to see the officer still has his eyes on her departing figure. Almost.
āI wouldnāt think twice about looking more closely at Queen Grimhilde.ā The words tumble out of her before she knows fully what sheās said, and her officer looks surprised she gave him an actual answer. She doesnāt blame him; sheās surprised, too. āMaybe itās old grudges coming to bear, but Iāve never known her to be averse to murder if it would further her own gain. Not sure what she gains from Scarlet being gone, but if thereās something there, youād be right to suspect her.ā
And with that she turns away again and doesnāt look back when she walks through the backdoor, straight into the heart of Wonderland.
The only thing I remember from my
childhood is when you are scared make
yourself tall. Iām the tallest girl alive. Iām
the tallest knife. No throat can hold me.
Dalton Day, from the title poem of To Breathe Iām Too Thin (via bostonpoetryslam)