Untitled [Hands], c1939 (Claude Cahun)
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PUT YOUR BEARD IN MY MOUTH
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@screamingintothesky-blog
Untitled [Hands], c1939 (Claude Cahun)
claude cahun
Claude Cahun, Object, 1936
Eurythmy performance in Sekem, Egypt.
Rudolf Steiner, Design for the Red West Window of the First Goetheanum, c.1913-1914
Our brain is a picture of the heavens
The active forces of the starry world push us into physical incarnation. Clairvoyant perception allows us to see in a person’s organization that he or she is indeed the result of the working together of such cosmic forces. I want to illustrate this in a hypothetical form that nevertheless corresponds fully to clairvoyant perceptions. If we examined the structure of a person’s brain clairvoyantly and could see that certain functions are located in certain places and give rise to certain processes, we would find that each person’s brain is different. No two people have the same brain. If we could take a picture of the entire brain with all of its details visible, we would get a different picture for each person. If we photographed a person’s brain at the moment of birth and took a picture of the sky directly above his or her birthplace, the two pictures would be alike. The stars in the photograph of the sky would be arranged in the same way as certain parts of the brain in the other picture. Thus, our brain is really a picture of the heavens, and we each have a different picture depending on where and when we were born. This indicates that we are born out of the entire universe. -Rudolf Steiner
(via Street dentist's cap by The Cuming Museum - download 3D model)
Magic To Do - Pippin - Ben Vereen
from “wright auctions: modern design 29 march 2012”, 2012.
Face Fountain
Rothschild Canticles. 14th c. Beinecke MS 404
Upper part of a marble face. From the Asklepieion in Athens. Around 350 B.C. On the eyebrows and the inner part of the eyelids some traces of red pigment survive. The iris is of brown, the pupil of grey stone. The eyeball and the inner part of the corner of the eye are rendered in white and red stone respectively. The head was fastened into a poros block which had niches of various sizes for inserting the votive gifts.
all saints
Hours of Louis de Laval, France ca. 1480
BnF, Latin 920, fols. 180r, 181r, 182r
Francesco del Cossa, Sign of Aries / March /Allegory of Spring, 1470. Detail from a fresco of Palazzo Schifanoia, Ferrara, Italy. From Graphis. Source
Hand painted, exceptionally rare miniature bat fan. On thin shaved wood. Circa 1900.
Hilma af Klint, Group IV, No. 7, Adulthood, n.d.