s e a s o n d a y s

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incluye notas

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incluye notas

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incluye notas

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incluye notas

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incluye notas

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incluye notas

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maybe there had been a day at school when they had taught how to accept compliments graciously and how to be confident, rather than constantly vacillating between crushing self-doubt and grandiosity.

mara wilson’s -where am i now?

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i was always in someone else’s world, and i always knew it. this, i’ve learned, is a far more common feeling than i once imagined.

mara wilson’s -where am i now?-

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know first who you are, and then adorn yourself accordingly.

damon lindelof’s & tom perrotta’s -the leftovers- “international assasin”

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because their brains would sooner embrace magic than deal with feelings of fear and abandonment and guilt.

amy brenneman as laurie garvey in damon lindelof’s & tom perrotta’s -the leftovers- “a most powerful adversary”

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terrible things happen in this world and the only comfort we get is that we didn't cause them.

carrie coon as nora durst in damon lindelof’s & tom perrotta’s -the leftovers- “lens”

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life's meant to get boring as you get older, so it's not so disappointing when you die.

emily barclay as ella in josh thomas’ -please like me- “beluga caviar”

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well, what he lacks in common sense he makes up in self-esteem.

keith carradine as lou solverson in noah hawley’s -fargo- “the rooster prince”

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S O N G - O F - T H E - W E E K

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ALWAYS ASCENDING

franz ferdinand’s ALWAYS ASCENDING

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i don't find you boring. only the things you choose to talk about, and the way in which you talk about them.

wendie malick as beatrice horseman [nee sugarman] in raphael bob-waksberg‘s -bojack horseman- “time’s arrow”

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S O N G - O F - T H E - W E E K

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HEART ATTACK

tune yards’ I CAN FEEL YOU CREEP INTO MY PRIVATE LIFE

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i wanted to be better when you saw me again. and i thought i could be, somehow. but i'm not. and even if i did get better, the best i could ever be is still just some other version of me.

will arnett as bojack horseman in raphael bob-waksberg‘s -bojack horseman- “underground”