Web Design: The First 100 Years (Maciej Cegłowski)
Today's Document
The Bowery Presents
almost home
noise dept.
cherry valley forever
Mike Driver
taylor price

Jar Jar Binks Fan Club
let's talk about Bridgerton tea, my ask is open
YOU ARE THE REASON
d e v o n

if i look back, i am lost

Kiana Khansmith

PR's Tumblrdome
No title available

No title available
TMBGareOK. The Official They Might Be Giants tumblr

No title available

oozey mess

Product Placement

seen from United Kingdom
seen from United States

seen from Malaysia

seen from Poland

seen from Germany

seen from Canada
seen from Bosnia & Herzegovina
seen from Kenya

seen from United States
seen from India

seen from France

seen from United Kingdom
seen from Thailand
seen from Tanzania
seen from Brazil
seen from Singapore

seen from Malaysia

seen from Saudi Arabia
seen from Türkiye
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@seilide
Web Design: The First 100 Years (Maciej Cegłowski)
slisne on Instagram
starry night / comes home
(via poemexe)
Teenage slang curdles from ingenious to embarrassing in record time, snapped up by brands for the purposes of selling their products. ‘I can’t even’ has already embarked upon its promotional tour. On Twitter, Cap’n Crunch cereal ‘just can’t even with this right now.’ Taco Bell ‘literally can’t.’ When a public relations firm listed Charmin among its favorite Twitter brands last year, the toilet paper company tweeted: ‘We. Can’t. Even.’ Applebee’s favorited it.
NYTimes
This piece combines improvisational playing on cello, synth, and drums, with three main technological components. The first component is a purpose-built synthesis/sequencer program. The piece opens with this program layering a base motif 64 times with a random time offset, creating a blurred, textural reference to the original motif that varies with each performance. The second component is a generative Markov model of phoneme sequences derived from Wikipedia and a collection of scientific papers. We use the model to generate novel, incoherent speech sounds. The third component is a sentiment-aware model of statements of preference derived from peoples’ actual statements of preference on the internet. We use the model to generate positive/negative sentiment couplets, recited in synthesized speech.
Claude Monet, Fleurs à Vétheuil (Flowers at Vétheuil), 1881. Oil on canvas, 60 x 75 cm. Private collection
Absolute_position
“…they plant pills on us! they strip search us! they do whatever they want! you can’t do whatever you want! we can’t do what we want, so why can they do what they want? just cuz they got a badge?!”
(original link)